Leitfäden für EarMaster Cloud-Lehrer
Connect to the Cloud
How to proceed
Your EarMaster Cloud login credentials were sent to you by email when your user account was created by the admin of your school. You will need these credentials to connect EarMaster to the cloud on your Windows PC, Mac, Chromebook, iPad, iPhone or Android device.
Your EarMaster Cloud credentials consist of:
- The school ID of your school*
- Your user name
- Your password
* If you are paying for your own access via a personal subscription, leave this field empty
Phone, tablet and Chromebook (students only)
- Download the free EarMaster App from the App Store (iOS) or the Google Play Store (Android or Chromebook)
- Tap the cloud-shaped icon at the top left of the screen, type your EarMaster Cloud user credentials and tap "Log in".
Windows PC and Mac (students and teachers)
- Download EarMaster for PC or Mac using the download link located in the email you received from EarMaster Cloud.
- Tap the cloud-shaped icon at the top left of the screen, type your EarMaster Cloud user credentials and tap "Log in".
If you are a Teacher, you will have access to 2 tabs at the bottom of the screen:
- A Teacher view that gives you access to EarMaster's 4 teaching tools: Student Results, Assignment Manager, Workbook Editor, and Music Library.
- A Normal view which shows you the standard home screen of EarMaster, as seen by your students.
Lost your credentials?
Don't worry. Go to this page and type the email address that was used to create your EarMaster Cloud user account. You will then receive an email with new credentials.
No internet access?
No problem. You can use the app offline for up to 7 days. All your results and progress will be saved locally and uploaded the next time you start EarMaster while connected to the internet.
Teaching tools overview
When you log into EarMaster on PC/Mac as a teacher, you are met by 4 teaching tools:
- Students Results - the results of your students
- Assignment Manager - the place where you can assign workbooks (formerly called "Courses" in EarMaster 6) to your classes and students
- Workbook Editor - where you can create assignments and save them on your computer.
- Music Library - where you can have a complete overview of all items available for your lessons, such as chords, scales, melodies, etc.
HOW TO PROCEED
- Create an assignment with the Workbook Editor and save it on your computer
- Open the Assignment Manager, select a class or a single user in the left column, and click on "Add Assignment" to send your assignment to that class or user.
- When students have completed your lessons, you can check their results in the Student Results area.
Check out the video tutorial below and the other tabs of this support sections to obtain more details on each of the steps described above.
Video tutorial: Teacher workflow in EarMaster Cloud
Create assignments
Open the Workbook Editor
You can create assignments for your students in the Workbook Editor, which is available from the home screen of EarMaster when you are logged in with a Teacher account.
Structure of a Workbook
An EarMaster workbook is structured around 2 levels: Modules and Lessons.
A module is simply a group of lessons, and the module title is the general heading for these lessons. When designing your workbook, you can use the modules to organize your lessons according to themes, difficulty levels, or curriculum steps.
Lessons are the actual training material of your course. A lesson can be either an exercise, explanations with audio and visual examples, or a mix of both.
A common way to structure a course is to include in each module a group of lessons that introduces variations on the same theme. It could be for instance the same intervals, melodies, or chords executed differently, played in a different key or at a different tempo, etc. The passing threshold would be set very low (even as low as 0%) so that the students may experience variation during the training session instead of getting stuck in a particular lesson. The last lesson of a module can be a test with a higher passing threshold. For that last 'test' lesson, you could set the setting If failed, go to so as to have the student retake the whole module if failed.
Name and describe the Workbook
You can name the workbook by clicking on "Unnamed Workbook" at the top of the screen.
Add modules
To add a module, click on the + icon in the module toolbar.
Add lessons
To add a lesson, click on the + icon is the lesson toolbar. Then select an activity type in the Exercise Setup part of the screen, below the description of the lesson.
Depending on which activity you have selected, you will find different sets of options to configure your lesson.
Import lessons from existing workbooks
Besides configuring your lessons from scratch, you can also import lessons from existing workbooks. To do that, open the Tools menu and click on Import lessons from workbook. If the workbook you are looking for isn't listed, you can click on browse to locate a workbook on your computer.
Once you have selected the workbook you want to import from, you will see a list of all the modules and lessons it includes (and the workshops in the case of EarMaster's General and Jazz workshops). Select the content you need, and click OK to add the selected module/lessons/workshops to your custom workbook.
Save your Workbook
To save your Workbook, go to File-->Save Workbook or Save Workbook As…
Workbooks can only be saved locally on your computer. They will be uploaded to the Cloud when you assign them to students.
Notice that Workbooks located in the cloud can't be modified. You can only modify your local copy of the workbook and then upload it as a new separate assignment. If the assignment you have modified is already assigned to students. You must unassign it before uploading its modified version to avoid having students use different versions of your assignment. The modified assignment will be treated as a new assignment in the Student Results for the simple reason that it does not have the exact same content and structure as the old one.
Try your Workbook
To try your Workbook in EarMaster, go to the FILE menu at the top of the Window and choose "Open Workbook". Find your Workbook on your local computer and click Open to load your Workbook in the home screen of EarMaster, under the "Normal View" tab. The Workbook will be updated every time you modify it in the Workbook Editor and save your changes.
Deploy your workbooks as assignments
You can assign your Workbooks to whole classes as Class Assignments, or to individual students as Personal Assignments via the Assignment Manager. For more details on this, please check the Deploy Assignments tab.
How to Deploy Assignments
In EarMaster Cloud, an assignment is a Workbook created with the Workbook Editor and sent to a class or individual students via the Assignment Manager.
The Assignment Manager
To deploy your assignments, open the Assignment Manager from the home screen of EarMaster on PC/Mac. The Assignment Manager is only available when you are using EarMaster with a Teacher account.
In the left column, you will see all the classes in which you have been added as a Teacher by the Admin of your school account. If you don't see your classes here, click on the "Refresh" icon at the top of the list while holding the ALT key of your computer keyboard. If your classes are still not appearing, then please ask your school Admin to add your teacher account to your classes.
Currently, EarMaster Cloud enables you to assign one class assignment per class and one personal assignment per student at a time. When you want your student to work on a new assignment, you can simply replace the current class assignment or personnal assignments.
Assign a Workbook to a Class
Select a class in the left column, and then click on Add assignment. Your school's assignment library will be displayed. If your assignment isn't yet online, you can click on "Upload workbook" to upload it to the cloud, and then assign it to your students.
All the students enrolled in that class will now see a new entry titled [Class name] Assignments in the list of training modes when they open EarMaster. When clicking on that new entry, they will be able to see and use their current assignment.
Replace the current assignment by a new assignment
When you would like your students to use a new assignment, you can remove the current assignment for the selected class by clicking on the cross-shaped icon next to the assignment's title, and then replace it by a new one by clicking on Add assignment.
Your students will see the new assignment the next time they start EarMaster.
Remove an assignment
Removing an assignment for a student or a class via the Assignment Manager will make it disappear from the home screens of the students. To remove an assignment, click on the cross-shaped icon to the right of the assignment's title, as illustrated in the screenshot above.
Multiple assignments to a Class
Currently, EarMaster only supports one assignment at a time for a class, and it is not yet possible to queue multiple assignments. But there is a workaround that allows you to assign multiple workbooks to a group of students:
If you want to add 3 assignments simultaneously to your students, create 3 classes in EarMaster Cloud, and then add the same students to all 3 classes. Now you can make one assignment for each of your classes, and since each student is a member of all 3 classes, the assignments will show up as 3 different entries in the home screen of EarMaster.
Disadvantage: if you already have many classes in your school account, then multiplying them with many assignments will give you a large number of classes.
You can name those classes in several ways, depending on your teaching strategy:
- Week 1
- Week 2
- Week 3
or
- Harmony
- Sight-Singing
- Rhythm
Included courses
Courses and workshops available in EarMaster
Click on a course or workshop title to view its full content.
Notice that the availability of the courses and workshops listed below depends on the license that you purchased. For more information, please refer to this Version comparison.
Beginner's Course |
|
1: Welcome to the Beginner's Course |
|
1.1 Introduction to the course | |
2: Pitch |
|
2.1 Musical Pitch | |
2.2 Pitch Matching: One Note (any note in range) | |
2.3 Introduction to Pitch Intervals | |
2.4 More Pitch Intervals | |
2.5 Pitch Interval Names | |
2.6 Pitch Matching: Two Notes (C, D) | |
2.7 Module Recap | |
3: Pulse |
|
3.1 Beat (Pulse) | |
3.2 Tapping with the Metronome | |
3.3 Skipping Beats | |
3.4 Introduction to Beat Notation | |
3.5 Beat Error Detections | |
3.6 Beat Dictation | |
3.7 Module Recap | |
4: Pitch Notation |
|
4.1 Pitch Sight-Singing | |
4.2 Pitch Dictation with 2 notes | |
4.3 Pitch Dictation with 3 notes | |
4.4 Pitch Dictation with 4 notes | |
4.5 Melodic Dictation | |
4.6 Module Recap | |
5: Duration |
|
5.1 Rhythmic Duration | |
5.2 Performing Note Onsets and Offsets | |
5.3 Rhythm Error Detection | |
5.4 Rhythm Sight-Reading | |
5.5 Rhythm Dictation | |
5.6 Clapping Back Rhythms with Half Rests | |
5.7 Half Rest Error Detection | |
5.8 Sight-Reading Rhythms with Half Rests | |
5.9 Rhythmic Dictation with Half Rests | |
5.10 Module Recap | |
6: Tonality |
|
6.1 Tonality | |
6.2 Pitch Matching | |
6.3 Three Melodic Intervals | |
6.4 Interval Identification | |
6.5 Interval Singing | |
6.6 Tonal Threads (3 notes) | |
6.7 Pitch Dictation | |
6.8 Singing Melodic Fragments by ear | |
6.9 Singing Melodic Fragments by sight | |
6.10 Melodic Dictation | |
6.11 Singing a Tune: Tchaikovsky's 1812 Overture | |
6.12 Module Recap | |
7: Measures |
|
7.1 Whole Notes & Rests | |
7.2 Whole notes & whole rests | |
7.3 Whole Note Error Detection | |
7.4 Whole Note Sight-Reading | |
7.5 Whole Note Rhythmic Dictation | |
7.6 Two Beat Measures: Clapback | |
7.7 Two Beat Measures: Error detection | |
7.8 Two Beat Measures: Sight-Reading | |
7.9 Two Beat Measures: Dictation | |
7.10 Singing a Tune | |
7.11 Module Recap | |
8: The Sub-dominant |
|
8.1 The Sub-dominant Scale Degree | |
8.2 Interval Learning (Perfect 4th) | |
8.3 Melodic Interval Identification | |
8.4 Singing within the Major Scale | |
8.5 Tonal Threads (3 notes) | |
8.6 Pitch Dictation (4 notes) | |
8.7 Singing Melodic Fragments (by ear) | |
8.8 Singing Melodic Fragments (by sight) | |
8.9 Dictating Melodies | |
8.10 Singing A Tune | |
8.11 Module Recap | |
9: Dotted Half Note Rhythms |
|
9.1 Dotted Rhythms | |
9.2 Dotted Half Notes & Dotted Half Rests | |
9.3 Dotted Half Note Error Detection | |
9.4 Dotted Half Note Sight-Reading | |
9.5 Dotted Half Note Rhythmic Dictation | |
9.6 Three Beat Measures: Clapback | |
9.7 Three Beat Measures: Error Detection | |
9.8 Three Beat Measures: Sight-Reading | |
9.9 Three Beat Measures: Dictation | |
9.10 Module Recap | |
10: The Dominant |
|
10.1 The Dominant | |
10.2 The Perfect 5th | |
10.3 Interval Identification | |
10.4 Interval Singing | |
10.5 Tonal Threads (3 notes) | |
10.6 Pitch Dictation (4 notes) | |
10.7 Pitch Dictation (5 notes) | |
10.8 Singing Melodic Fragments (by ear) | |
10.9 Singing Melodic Fragments (by sight) | |
10.10 Dictating Melodies | |
10.11 Singing A Tune: Frère Jacques | |
10.12 Module Recap | |
11: Consonance & Dissonance |
|
11.1 Hearing Harmonically | |
11.2 Dissonance & Consonance | |
11.3 Dissonance & Consonance | |
11.4 Consonant & Dissonant Chords | |
11.5 Chords in context | |
11.6 Chords in context (3 chord progressions) | |
11.7 Singing a Tune: Beethoven's Ode to Joy | |
11.8 Module Recap | |
12: Simple Subdivisions |
|
12.1 Subdivisions of the Beat | |
12.2 Constant Subdivisions | |
12.3 Eighth Note Clapback | |
12.4 Eighth Note Error Detection | |
12.5 Eighth Note Sight-Reading | |
12.6 Eighth Note Rhythmic Dictation | |
12.7 Rhythmic Dictation: Joy to the World | |
12.8 Singing a Tune: Simple Gifts | |
12.9 Module Recap | |
13: The Leading Tone |
|
13.1 The Leading Tone | |
13.2 Interval Comparison | |
13.3 Interval Identification | |
13.4 Interval Singing | |
13.5 Tonal Threads (3 notes) | |
13.6 Pitch Dictation (4 notes) | |
13.7 Pitch Dictation (5 notes) | |
13.8 Singing Melodic Fragments (by ear) | |
13.9 Singing Melodic Fragments (by sight) | |
13.10 Transcribing Melodies | |
13.11 Singing a Tune: Haydn's Surprise Symphony | |
13.12 Module Recap | |
14: Triads |
|
14.1 Triads | |
14.2 Ascending Melodic Thirds | |
14.3 Ascending Melodic Thirds: Identification | |
14.4 Ascending Melodic Triads | |
14.5 Descending Melodic Thirds: Learning | |
14.6 Descending Melodic Thirds: Identification | |
14.7 Descending Melodic Triads: Identification | |
14.8 Harmonic Thirds: Learning | |
14.9 Harmonic Thirds: Identification | |
14.10 Harmonic Triads: Identification | |
14.11 Singing A Tune: Rossini's William Tell Overture | |
14.12 Module Recap | |
15: Syncopation |
|
15.1 Syncopation | |
15.2 Basic Syncopated Rhythms | |
15.3 Syncopation Clapback | |
15.4 Syncopation Error Detection | |
15.5 Syncopation Error Detection (2) | |
15.6 Syncopated Sight-Reading | |
15.7 Syncopation Rhythmic Dictation | |
15.8 Tapping a Tune: Panama | |
15.9 Singing A Tune: Mozart's Eine Kleine Nachtmusik | |
15.10 Module Recap | |
16: The Submediant |
|
16.1 The Submediant | |
16.2 The Submediant Scale Degree | |
16.3 Interval Identification | |
16.4 Interval Singing | |
16.5 Tonal Threads (3 notes) | |
16.6 Pitch Dictation (4 notes) | |
16.7 Pitch Dictation (5 notes) | |
16.8 Singing Melodic Fragments (by ear) | |
16.9 Singing Melodic Fragments (by sight) | |
16.10 Transcribing Melodies | |
16.11 Singing a Tune: Twinkle, Twinkle Little Star | |
16.12 Module Recap | |
17: Other Triad Types |
|
17.1 Augmented and Diminished Triads | |
17.2 Review of Ascending Thirds | |
17.3 The Four Triads (ascending) | |
17.4 Review of Descending Thirds | |
17.5 The Four Triads (descending) | |
17.6 Review of Harmonic Thirds | |
17.7 The Four Triads (harmonic) | |
17.8 Review of thirds (mixed) | |
17.9 The Four Triad types (mixed) | |
17.10 Singing a Tune: Home on the Range | |
17.11 Module Recap | |
18: Ties |
|
18.1 Rhythmic Ties | |
18.2 Clapping Back Rhythms with Ties | |
18.3 Clapping Back Rhythms with Ties (2) | |
18.4 Detecting Errors in Rhythms with Ties | |
18.5 Detecting Errors in Rhythms with Ties (2) | |
18.6 Sight-Reading Rhythms with Ties | |
18.7 Transcribing Rhythms with Ties | |
18.8 Tapping a Tune: All the Girls Go Crazy | |
18.9 Singing a Tune: Rock-A My Soul | |
18.10 Module Recap | |
19: Harmonic Progressions |
|
19.1 Introduction to Harmonic Progressions | |
19.2 Singing Bass Patterns | |
19.3 Bass Pattern Dictation | |
19.4 Singing a Tune: Pachabel's Canon in D | |
19.5 Chord Quality Review (Major & Minor) | |
19.6 Chord Progressions (I, ii, V) | |
19.7 Chord Progressions (I, ii, V) | |
19.8 Subdominant Bass Patterns | |
19.9 Subdominant Bass Pattern Dictation | |
19.10 Two-Chord Progressions (I, ii, IV, V) | |
19.11 Chord Progressions (I, ii, IV, V) | |
19.12 Module Recap | |
20: Compound Subdivisions |
|
20.1 Compound Beat Subdivisions | |
20.2 Introduction to Compound Beat Subdivisions | |
20.3 Clapping Back Compound Beat Subdivisions | |
20.4 Detecting Errors in Compound Beat Subdivisions | |
20.5 Detecting Errors in Compound Beat Subdivisions (2) | |
20.6 Sight-Reading Rhythms with Compound Subdivisions | |
20.7 Transcribing Rhythms with Compound Subdivisions | |
20.8 Tapping a Tune: Courenta dei Butei | |
20.9 Singing a Tune: Bach's Jesu, Joy of Man's Desiring | |
20.10 Module Recap | |
21: The Complete Major Scale |
|
21.1 The Complete Major Scale | |
21.2 Interval Comparison | |
21.3 Interval Identification | |
21.4 Interval Singing | |
21.5 Tonal Threads (3 notes) | |
21.6 Pitch Dictation (4 notes) | |
21.7 Pitch Dictation (5 Notes) | |
21.8 Singing Melodic Fragments (by ear) | |
21.9 Singing Melodic Fragments (by sight) | |
21.10 Transcribing Melodies | |
21.11 Singing a Tune: Row, Row, Row Your Boat | |
21.12 Module Recap | |
22: Course Mastery Tests |
|
22.1 The Mastery Module | |
22.2 Interval Comparison Mastery | |
22.3 Interval Identification Mastery | |
22.4 Triad Identification Mastery | |
22.5 Chord Progression Mastery | |
22.6 Rhythmic Sight-reading Mastery | |
22.7 Rhythmic Dictation Mastery | |
22.8 Pitch Sight-Singing Mastery | |
22.9 Pitch Dictation Mastery | |
22.10 Melodic Sight-Reading Mastery | |
22.11 Melodic Dictation Mastery | |
22.12 Tapping a Tune: Mastery | |
22.13 Learning A Tune: Mastery | |
22.14 Course Completion |
Vocal Trainer |
|
1: Foreword |
|
1.1 Welcome | |
2: Level 1: Technical Exercises |
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2.1 Technical Exercise 1 (preparatory lesson) | |
2.2 Technical Exercise 1 | |
2.3 Technical Exercise 2 (preparatory lesson) | |
2.4 Technical Exercise 2 | |
2.5 Technical Exercise 3 (preparatory lesson) | |
2.6 Technical Exercise 3 | |
2.7 Technical Exercises 1–3 (preparatory lesson) | |
2.8 Technical exercises 1–3 | |
3: Level 1: Clapback |
|
3.1 2/4 Rhythms: one measure, no syncopation | |
3.2 2/4 Rhythms: one measure, with syncopation | |
3.3 2/4 Rhythms: three measures, no syncopation | |
3.4 2/4 Rhythms: three measures, with syncopation | |
3.5 2/4 Melodies: four measures | |
3.6 3/4 Rhythms: one measure | |
3.7 3/4 Melodies: two measures | |
3.8 3/4 Melodies: three measures | |
3.9 2/4 and 3/4 melodies | |
4: Level 1: Intervals |
|
4.1 Ascending Intervals: major 3rd, perfect 5th, perfect octave | |
4.2 Ascending Interval: major 3rd | |
4.3 Ascending Interval: major 3rd | |
4.4 Ascending Interval: perfect 5th | |
4.5 Ascending Interval: perfect 5th | |
4.6 Ascending Interval: perfect octave | |
4.7 Ascending Interval: perfect octave | |
4.8 Ascending intervals: all intervals | |
4.9 Ascending Intervals: all intervals | |
4.10 Descending intervals: minor 3rd, perfect 4th, perfect octave | |
4.11 Descending Interval: minor 3rd | |
4.12 Descending Interval: minor 3rd | |
4.13 Descending Interval: perfect 4th | |
4.14 Descending Interval: perfect 4th | |
4.15 Descending Interval: perfect octave | |
4.16 Descending Interval: perfect octave | |
4.17 Descending Intervals: all intervals | |
4.18 Descending Intervals: all intervals | |
4.19 All intervals | |
4.20 All intervals | |
5: Level 1: Sight Singing |
|
5.1 2/4 Melodies: three measures | |
5.2 2/4 Melodies: four measures | |
5.3 3/4 Melodies: three measures | |
5.4 2/4 and 3/4 melodies | |
6: Level 1: Final Step |
|
6.1 Technical Exercises | |
6.2 Clapback | |
6.3 Intervals | |
6.4 Sight Singing | |
7: Level 2: Technical Exercises |
|
7.1 Technical Exercise 1 (preparatory lesson) | |
7.2 Technical Exercise 1 | |
7.3 Technical Exercise 2 (preparatory lesson) | |
7.4 Technical Exercise 2 | |
7.5 Technical Exercise 3 (preparatory lesson) | |
7.6 Technical Exercise 3 | |
7.7 Technical Exercise 4 (preparatory lesson) | |
7.8 Technical Exercise 4 | |
7.9 Technical Exercises 1–4 (preparatory lesson) | |
7.10 Technical exercises 1–4 | |
8: Level 2: Clapback |
|
8.1 2/4 Melodies (review) | |
8.2 2/4 Rhythms | |
8.3 2/4 Melodies | |
8.4 3/4 Melodies (review) | |
8.5 3/4 Rhythms | |
8.6 3/4 Melodies | |
8.7 2/4 and 3/4 melodies | |
9: Level 2: Intervals |
|
9.1 Ascending intervals: major 2nd, major 3rd | |
9.2 Ascending Interval: major 3rd (review) | |
9.3 Ascending Interval: major 2nd | |
9.4 Ascending Interval: major 2nd | |
9.5 Ascending intervals: perfect 4th, perfect 5th, perfect octave | |
9.6 Ascending Interval: perfect 5th (review) | |
9.7 Ascending Interval: perfect octave (review) | |
9.8 Ascending Interval: perfect 4th | |
9.9 Ascending Interval: perfect 4th | |
9.10 Ascending Intervals: all intervals | |
9.11 Ascending Intervals: all intervals | |
9.12 Descending intervals: minor 3rd, perfect 4th, perfect octave (review) | |
9.13 Descending Interval: minor 3rd (review) | |
9.14 Descending Interval: perfect 4th (review) | |
9.15 Descending Interval: perfect octave (review) | |
9.16 Descending Intervals: all intervals | |
9.17 Descending Intervals: all intervals | |
9.18 All intervals | |
9.19 All intervals | |
10: Level 2: Sight Singing |
|
10.1 2/4 Melodies (review) | |
10.2 2/4 Melodies | |
10.3 3/4 Melodies (review) | |
10.4 3/4 Melodies | |
10.5 2/4 and 3/4 melodies | |
11: Level 2: Final Step |
|
11.1 Technical Exercises | |
11.2 Clapback | |
11.3 Intervals | |
11.4 Sight Singing | |
12: Level 3: Technical Exercises |
|
12.1 Technical Exercise 1 (preparatory lesson) | |
12.2 Technical Exercise 1 | |
12.3 Technical Exercise 2 (preparatory lesson) | |
12.4 Technical Exercise 2 | |
12.5 Technical Exercise 3 (preparatory lesson) | |
12.6 Technical Exercise 3 | |
12.7 Technical Exercise 4 (preparatory lesson) | |
12.8 Technical Exercise 4 | |
12.9 Technical Exercise 5 (preparatory lesson) | |
12.10 Technical Exercise 5 | |
12.11 Technical Exercises 1–5 (preparatory lesson) | |
12.12 Technical exercises 1–5 | |
13: Level 3: Clapback |
|
13.1 2/4 Melodies (review) | |
13.2 2/4 Rhythms | |
13.3 2/4 Melodies | |
13.4 3/4 Melodies (review) | |
13.5 3/4 Rhythms | |
13.6 3/4 Melodies | |
13.7 2/4 and 3/4 melodies | |
14: Level 3: Intervals |
|
14.1 Ascending intervals: major 2nd, major 3rd, major 6th | |
14.2 Ascending Interval: major 2nd (review) | |
14.3 Ascending Interval: major 3rd (review) | |
14.4 Ascending Interval: major 6th | |
14.5 Ascending Interval: major 6th | |
14.6 Ascending intervals: perfect 4th, perfect 5th, perfect octave (review) | |
14.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
14.8 Ascending Intervals: all intervals | |
14.9 Ascending Intervals: all intervals | |
14.10 Descending intervals: perfect 4th, perfect 5th | |
14.11 Descending intervals: all intervals | |
14.12 Descending Interval: minor 3rd (review) | |
14.13 Descending Interval: perfect 4th (review) | |
14.14 Descending Interval: perfect 5th | |
14.15 Descending Interval: perfect 5th | |
14.16 Descending Interval: perfect octave (review) | |
14.17 Descending Intervals: all intervals | |
14.18 Descending Intervals: all intervals | |
14.19 All intervals | |
14.20 All intervals | |
15: Level 3: Sight Singing |
|
15.1 2/4 Melodies (review) | |
15.2 3/4 Melodies (review) | |
15.3 4/4 Melodies: two measures | |
15.4 Final Step: 4/4 Melodies: four measures | |
16: Level 3: Final Step |
|
16.1 Technical Exercises | |
16.2 Clapback | |
16.3 Intervals | |
16.4 Sight Singing | |
17: Level 4: Technical Exercises |
|
17.1 Technical Exercise 1 (preparatory lesson) | |
17.2 Technical Exercise 1 | |
17.3 Technical Exercise 2 (preparatory lesson) | |
17.4 Technical Exercise 2 | |
17.5 Technical Exercise 3 (preparatory lesson) | |
17.6 Technical Exercise 3 | |
17.7 Technical Exercise 4 (preparatory lesson) | |
17.8 Technical Exercise 4 | |
17.9 Technical Exercise 5 (preparatory lesson) | |
17.10 Technical Exercise 5 | |
17.11 Technical Exercises 1–5 (preparatory lesson) | |
17.12 Technical exercises 1–5 | |
18: Level 4: Clapback |
|
18.1 2/4 Melodies (review) | |
18.2 2/4 Rhythms | |
18.3 2/4 Melodies | |
18.4 6/8 Rhythms | |
18.5 6/8 Melodies | |
18.6 2/4 and 6/8 melodies | |
19: Level 4: Intervals |
|
19.1 Ascending Intervals: minor and major 3rds | |
19.2 Ascending Interval: major 2nd (review) | |
19.3 Ascending Interval: major 3rd (review) | |
19.4 Ascending Interval: minor 3rd | |
19.5 Ascending Interval: minor 3rd | |
19.6 Ascending Interval: major 6th (review) | |
19.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
19.8 Ascending Intervals: all intervals | |
19.9 Ascending Intervals: all intervals | |
19.10 Ascending Intervals: all intervals | |
19.11 Descending intervals: perfect 5th, minor 6th | |
19.12 Descending Interval: minor 3rd (review) | |
19.13 Descending Interval: minor 6th | |
19.14 Descending Interval: minor 6th | |
19.15 Descending Interval: perfect 4th, perfect 5th, perfect octave (review) | |
19.16 Descending intervals: all intervals | |
19.17 Descending Intervals: all intervals | |
19.18 Descending Intervals: all intervals | |
19.19 All intervals | |
19.20 All intervals | |
20: Level 4: Sight Singing |
|
20.1 6/8 Melodies: two measures | |
20.2 Final Step: 6/8 Melodies: four measures | |
21: Level 4: Final Step |
|
21.1 Technical Exercises | |
21.2 Clapback | |
21.3 Intervals | |
21.4 Sight Singing | |
22: Level 5: Technical Exercises |
|
22.1 Technical Exercise 1 (preparatory lesson) | |
22.2 Technical Exercise 1 | |
22.3 Technical Exercise 2 (preparatory lesson) | |
22.4 Technical Exercise 2 | |
22.5 Technical Exercise 3 (preparatory lesson) | |
22.6 Technical Exercise 3 | |
22.7 Technical Exercise 4 (preparatory lesson) | |
22.8 Technical Exercise 4 | |
22.9 Technical Exercise 5 (preparatory lesson) | |
22.10 Technical Exercise 5 | |
22.11 Technical Exercises 1–5 (preparatory lesson) | |
22.12 Technical exercises 1–5 | |
23: Level 5: Singback |
|
23.1 6/8 Melodies | |
23.2 3/4 Melodies | |
23.3 6/8 and 3/4 melodies | |
24: Level 5: Intervals |
|
24.1 Ascending Intervals: minor and major 6ths | |
24.2 Ascending Interval: major 2nd (review) | |
24.3 Ascending Interval: minor and major 3rds (review) | |
24.4 Ascending Interval: major 6th (review) | |
24.5 Ascending Interval: minor 6th | |
24.6 Ascending Interval: minor 6th | |
24.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
24.8 Ascending intervals: all intervals | |
24.9 Ascending Intervals: all intervals | |
24.10 Ascending Intervals: all intervals | |
24.11 Descending intervals: minor and major 3rds | |
24.12 Descending intervals: major 2nd, minor and major 3rds | |
24.13 Descending intervals: minor and major 6ths | |
24.14 Descending Interval: minor 3rd (review) | |
24.15 Descending Interval: minor 6th (review) | |
24.16 Descending Interval: perfect 4th, perfect 5th, perfect octave (review) | |
24.17 Descending Interval: major 2nd | |
24.18 Descending Interval: major 2nd | |
24.19 Descending Interval: major 3rd | |
24.20 Descending Interval: major 3rd | |
24.21 Descending Interval: major 6th | |
24.22 Descending Interval: major 6th | |
24.23 Descending intervals: all intervals | |
24.24 Descending Intervals: all intervals | |
24.25 Descending Intervals: all intervals | |
24.26 All intervals | |
24.27 All intervals | |
25: Level 5: Chord Identification |
|
25.1 Major and Minor Triads: ascending/harmonic | |
25.2 Major and Minor Triads: harmonic | |
26: Level 5: Sight Singing |
|
26.1 3/4 Melodies: two measures | |
26.2 3/4 Melodies: two measures | |
26.3 3/4 Melodies: four measures | |
26.4 3/4 Melodies: four measures | |
26.5 2/4 Melodies: three measures | |
26.6 2/4 Melodies: three measures | |
26.7 2/4 Melodies: six measures | |
26.8 2/4 Melodies: six measures | |
26.9 2/4 and 3/4 Melodies | |
26.10 2/4 and 3/4 Melodies | |
27: Level 5: Final Step |
|
27.1 Technical Exercises | |
27.2 Singback | |
27.3 Intervals | |
27.4 Chord Identification | |
27.5 Sight Singing Part 1: rhythm | |
27.6 Sight Singing Part 2: melody | |
28: Level 6: Technical Exercises |
|
28.1 Technical Exercise 1 (preparatory lesson) | |
28.2 Technical Exercise 1 | |
28.3 Technical Exercise 2 (preparatory lesson) | |
28.4 Technical Exercise 2 | |
28.5 Technical Exercise 3 (preparatory lesson) | |
28.6 Technical Exercise 3 | |
28.7 Technical Exercise 4 (preparatory lesson) | |
28.8 Technical Exercise 4 | |
28.9 Technical Exercise 5 (preparatory lesson) | |
28.10 Technical Exercise 5 | |
28.11 Technical Exercise 6 (preparatory lesson) | |
28.12 Technical Exercise 6 | |
28.13 Technical Exercises 1–6 (preparatory lesson) | |
28.14 Technical Exercises 1–6 | |
29: Level 6: Singback |
|
29.1 6/8 Melodies (review) | |
29.2 3/4 Melodies (review) | |
29.3 6/8 melodies (short) | |
29.4 6/8 melodies | |
29.5 3/4 melodies (short) | |
29.6 3/4 melodies | |
29.7 6/8 and 3/4 melodies | |
30: Level 6: Intervals |
|
30.1 Ascending Intervals: minor and major 2nds | |
30.2 Ascending Intervals: minor and major 6ths, major 7th | |
30.3 Ascending interval: major 2nd (review) | |
30.4 Ascending Intervals: minor and major 3rds (review) | |
30.5 Ascending Intervals: minor and major 6ths (review) | |
30.6 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
30.7 Ascending Interval: minor 2nd | |
30.8 Ascending Interval: minor 2nd | |
30.9 Ascending Interval: minor 7th | |
30.10 Ascending Interval: minor 7th | |
30.11 Ascending intervals: all intervals | |
30.12 Ascending Intervals: all intervals | |
30.13 Ascending Intervals: all intervals | |
30.14 Descending intervals: minor and major 2nds | |
30.15 Descending intervals: minor and major 6ths, minor 7th | |
30.16 Descending Interval: major 2nd (review) | |
30.17 Descending intervals: minor and major 3rds (review) | |
30.18 Descending Intervals: minor and major 6ths (review) | |
30.19 Descending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
30.20 Descending Interval: minor 2nd | |
30.21 Descending Interval: minor 2nd | |
30.22 Descending Interval: minor 7th | |
30.23 Descending Interval: minor 7th | |
30.24 Descending intervals: all intervals | |
30.25 Descending Intervals: all intervals | |
30.26 Descending Intervals: all intervals | |
30.27 All intervals | |
30.28 All intervals | |
31: Level 6: Chord Identification |
|
31.1 Major and Minor Triads: harmonic (review) | |
31.2 Major and Minor Triads, Dominant 7th: ascending/harmonic | |
31.3 Major and Minor Triads, Dominant 7th: harmonic | |
32: Level 6: Sight Singing |
|
32.1 4/4 Melodies: two measures | |
32.2 4/4 Melodies: two measures | |
32.3 4/4 Melodies: four measures | |
32.4 4/4 Melodies: four measures | |
32.5 3/4 Melodies: three measures | |
32.6 3/4 Melodies: three measures | |
32.7 3/4 Melodies: six measures | |
32.8 3/4 Melodies: six measures | |
32.9 3/4 and 4/4 Melodies | |
32.10 3/4 and 4/4 Melodies | |
33: Level 6: Final Step |
|
33.1 Technical Exercises | |
33.2 Singback | |
33.3 Intervals | |
33.4 Chord Identification | |
33.5 Sight Singing Part 1: rhythm | |
33.6 Sight Singing Part 2: melody | |
34: Course wrap-up |
|
34.1 Congratulations! |
RCM Voice |
|
1: Foreword |
|
1.1 Welcome | |
2: Preparatory: Technical Tests |
|
2.1 Technical Test 1 (Preparatory Lesson) | |
2.2 Technical Test 1 | |
2.3 Technical Test 2 (Preparatory Lesson) | |
2.4 Technical Test 2 | |
2.5 Technical Test 1–2 (Preparatory Lesson) | |
2.6 Technical Test 1–2 | |
3: Preparatory: Clapback |
|
3.1 Clapback: 4/4, One Bar | |
3.2 Clapback: 4/4, Two Bars | |
3.3 Clapback: 3/4, One Bar | |
3.4 Clapback: 3/4, Two Bars | |
3.5 Clapback: 3/4 and 4/4 Melody, Two Bars | |
4: Preparatory: Chords |
|
4.1 Chords: Major Triad Singback | |
4.2 Chords: Minor Triad Singback | |
4.3 Chords: Major & Minor Triads | |
5: Preparatory: Singback |
|
5.1 Singback: Major Scale, First Three Notes | |
5.2 Singback: Minor Scale, First Three Notes | |
5.3 Singback: Major & Minor Scales, First Three Notes | |
6: Preparatory: Sight-Reading |
|
6.1 Rhythm: 4/4, One Bar | |
6.2 Rhythm: 4/4, Two Bars | |
6.3 Melody: 4/4, Two Bars | |
7: Preparatory: Final Step |
|
7.1 Technical Tests | |
7.2 Clapback | |
7.3 Chords | |
7.4 Singback | |
7.5 Sight-Reading (Rhythm) | |
7.6 Sight-Reading (Melody) | |
8: Level 1: Technical Tests |
|
8.1 Technical Test 1 (Preparatory Lesson) | |
8.2 Technical Test 1 | |
8.3 Technical Test 2 (Preparatory Lesson) | |
8.4 Technical Test 2 | |
8.5 Technical Test 3 (Preparatory Lesson) | |
8.6 Technical Test 3 | |
8.7 Technical Test 4 (Preparatory Lesson) | |
8.8 Technical Test 4 | |
8.9 Technical Test 1–4 (Preparatory Lesson) | |
8.10 Technical Test 1–4 | |
9: Level 1: Clapback |
|
9.1 Clapback: 4/4, One Bar | |
9.2 Clapback: 4/4, Two Bars | |
9.3 Clapback: 3/4, One Bar | |
9.4 Clapback: 3/4, Two Bars | |
9.5 Clapback: 3/4 or 4/4 Melody | |
10: Level 1: Intervals |
|
10.1 Interval Identification: Major and Minor 3rd | |
10.2 Interval Singback: Major 3rd | |
10.3 Interval Singing: Major 3rd | |
10.4 Interval Singback: Minor 3rd | |
10.5 Interval Singing: Minor 3rd | |
10.6 Interval Singback: Major and Minor 3rd | |
10.7 Interval Singing: Major and Minor 3rd | |
11: Level 1: Chords |
|
11.1 Chords: Major Triad Singback | |
11.2 Chords: Minor Triad Singback | |
11.3 Chords: Major & Minor Triads | |
12: Level 1: Singback |
|
12.1 Singback: Major Scale, First Five Notes | |
12.2 Singback: Minor Scale, First Five Notes | |
12.3 Singback: Major & Minor Scales, First Five Notes | |
13: Level 1: Sight-Reading |
|
13.1 Rhythm: 4/4, One Bar | |
13.2 Rhythm: 4/4, Two Bars | |
13.3 Melody: 4/4, Two Bars | |
14: Level 1: Final Step |
|
14.1 Technical Tests | |
14.2 Clapback | |
14.3 Intervals (Interval ID) | |
14.4 Intervals (Interval Singing) | |
14.5 Chords | |
14.6 Singback | |
14.7 Sight-Reading (Rhythm) | |
14.8 Sight-Reading (Melody) | |
15: Level 2: Technical Tests |
|
15.1 Technical Test 1 (Preparatory Lesson) | |
15.2 Technical Test 1 | |
15.3 Technical Test 2 (Preparatory Lesson) | |
15.4 Technical Test 2 | |
15.5 Technical Test 3 (Preparatory Lesson) | |
15.6 Technical Test 3 | |
15.7 Technical Test 4 (Preparatory Lesson) | |
15.8 Technical Test 4 | |
15.9 Technical Test 5 (Preparatory Lesson) | |
15.10 Technical Test 5 | |
15.11 Technical Test 1–5 (Preparatory Lesson) | |
15.12 Technical Test 1–5 | |
16: Level 2: Clapback |
|
16.1 Clapback: 4/4, One Bar | |
16.2 Clapback: 4/4, Two Bars | |
16.3 Clapback: 3/4, One Bar | |
16.4 Clapback: 3/4, Two Bars | |
16.5 Clapback: 3/4 or 4/4 Melody | |
17: Level 2: Intervals |
|
17.1 Interval Identification: Major and Minor 3rd, Perfect 5th | |
17.2 Interval Singback: Major and Minor 3rd | |
17.3 Interval Singing: Major and Minor 3rd | |
17.4 Interval Singback: Perfect 5th | |
17.5 Interval Singing: Perfect 5ths | |
17.6 Interval Singback: All Intervals | |
17.7 Interval Singing: All Intervals | |
18: Level 2: Chords |
|
18.1 Chords: Major Triad Singback | |
18.2 Chords: Minor Triad Singback | |
18.3 Chords: Major & Minor Triads | |
19: Level 2: Singback |
|
19.1 Singback: Major | |
19.2 Singback: Minor | |
19.3 Singback: Major, Minor | |
20: Level 2: Sight-Reading |
|
20.1 Rhythm: 4/4, Two Bars | |
20.2 Rhythm: 4/4, Three Bars | |
20.3 Rhythm: 3/4, Two Bars | |
20.4 Rhythm: 3/4, Four Bars | |
20.5 Melody: 3/4 | |
20.6 Melody: 4/4 | |
20.7 Melody: 3/4 and 4/4 | |
21: Level 2: Final Step |
|
21.1 Technical Tests | |
21.2 Clapback | |
21.3 Intervals (Interval ID) | |
21.4 Intervals (Interval Singing) | |
21.5 Chords | |
21.6 Singback | |
21.7 Sight-Reading (Rhythm: 4/4) | |
21.8 Sight-Reading (Rhythm: 3/4) | |
21.9 Sight-Reading (Melody) | |
22: Level 3: Technical Tests |
|
22.1 Technical Test 1 (Preparatory Lesson) | |
22.2 Technical Test 1 | |
22.3 Technical Test 2 (Preparatory Lesson) | |
22.4 Technical Test 2 | |
22.5 Technical Test 3 (Preparatory Lesson) | |
22.6 Technical Test 3 | |
22.7 Technical Test 4 (Preparatory Lesson) | |
22.8 Technical Test 4 | |
22.9 Technical Test 5 (Preparatory Lesson) | |
22.10 Technical Test 5 | |
22.11 Technical Test 1–5 (Preparatory Lesson) | |
22.12 Technical Test 1–5 | |
23: Level 3: Clapback |
|
23.1 Clapback: 4/4, One Bar | |
23.2 Clapback: 4/4, Two Bars | |
23.3 Clapback: 3/4, One Bar | |
23.4 Clapback: 3/4, Two Bars | |
23.5 Clapback: 3/4 or 4/4 Melody | |
24: Level 3: Intervals |
|
24.1 Interval Identification: Major and Minor 3rd | |
24.2 Interval Identification: Perfect 4th, Perfect 5th | |
24.3 Interval Identification: All Intervals | |
24.4 Interval Singback: Perfect 5th | |
24.5 Interval Singing: Perfect 5ths | |
24.6 Interval Singback: Perfect Fourth | |
24.7 Interval Singing: Perfect Fourth | |
24.8 Interval Singback: Perfect 4th, Perfect 5th | |
24.9 Interval Singing: Perfect 4th, Perfect 5th | |
24.10 Interval Singback: All Intervals | |
24.11 Interval Singing: All Intervals | |
25: Level 3: Chords |
|
25.1 Chords: Major Triad Singback | |
25.2 Chords: Minor Triad Singback | |
25.3 Chords: Major & Minor Triads | |
25.4 Chords: Chord Tone Identification | |
26: Level 3: Singback |
|
26.1 Singback: 3/4 - Major | |
26.2 Singback: 4/4 - Major | |
26.3 Singback: 3/4, 4/4 - Major | |
26.4 Singback: 3/4 - Minor | |
26.5 Singback: 4/4 - Minor | |
26.6 Singback: 3/4, 4/4 - Minor | |
26.7 Singback: 3/4, 4/4 - Major, Minor | |
27: Level 3: Sight-Reading |
|
27.1 Rhythm: 4/4, Two Bars | |
27.2 Rhythm: 4/4, Four Bars | |
27.3 Rhythm: 3/4, Two Bars | |
27.4 Rhythm: 3/4, Four Bars | |
27.5 Melody: 3/4 | |
27.6 Melody: 4/4 | |
27.7 Melody: 3/4 and 4/4 | |
28: Level 3: Final Step |
|
28.1 Technical Tests | |
28.2 Clapback | |
28.3 Intervals (Interval ID) | |
28.4 Intervals (Interval Singing) | |
28.5 Chords (Chord ID) | |
28.6 Chords (Chord Tone ID) | |
28.7 Singback | |
28.8 Sight-Reading (Rhythm: 4/4) | |
28.9 Sight-Reading (Rhythm: 3/4) | |
28.10 Sight-Reading (Melody) | |
29: Level 4: Technical Tests |
|
29.1 Technical Test 1 (Preparatory Lesson) | |
29.2 Technical Test 1 | |
29.3 Technical Test 2 (Preparatory Lesson) | |
29.4 Technical Test 2 | |
29.5 Technical Test 3 (Preparatory Lesson) | |
29.6 Technical Test 3 | |
29.7 Technical Test 4 (Preparatory Lesson) | |
29.8 Technical Test 4 | |
29.9 Technical Test 5 (Preparatory Lesson) | |
29.10 Technical Test 5 | |
29.11 Technical Test 1–5 (Preparatory Lesson) | |
29.12 Technical Test 1–5 | |
30: Level 4: Clapback |
|
30.1 Clapback: 4/4, One Bar | |
30.2 Clapback: 4/4, Two Bars | |
30.3 Clapback: 3/4, Two Bars | |
30.4 Clapback: 3/4, Four Bars | |
30.5 Clapback: 6/8, One Bar | |
30.6 Clapback: 6/8, Two Bars | |
30.7 Clapback: 3/4, 4/4, or 6/8 Melody | |
31: Level 4: Intervals |
|
31.1 Interval Identification: Major and Minor 3rd | |
31.2 Interval Identification: Perfect 4th, Perfect 5th, 8ve | |
31.3 Interval Identification: All Intervals | |
31.4 Interval Singback: 8ve | |
31.5 Interval Singing: 8ve | |
31.6 Interval Singback: Perfect 4th, Perfect 5th, 8ve | |
31.7 Interval Singing: Perfect 4th, Perfect 5th, 8ve | |
31.8 Interval Singback: All Intervals | |
31.9 Interval Singing: All Intervals | |
32: Level 4: Chords |
|
32.1 Chords: major triad singback | |
32.2 Chords: minor triad singback | |
32.3 Chords: major & minor triads | |
32.4 Chords: chord tone identification | |
33: Level 4: Singback |
|
33.1 Singback: 3/4 - Major | |
33.2 Singback: 4/4 - Major | |
33.3 Singback: 3/4, 4/4 - Major | |
33.4 Singback: 3/4 - Minor | |
33.5 Singback: 4/4 - Minor | |
33.6 Singback: 3/4, 4/4 - Minor | |
33.7 Singback: 3/4, 4/4 - Major, Minor | |
34: Level 4: Sight-Reading |
|
34.1 Rhythm: 4/4, Two Bars | |
34.2 Rhythm: 4/4, Four Bars | |
34.3 Rhythm: 3/4, Two Bars | |
34.4 Rhythm: 3/4, Four Bars | |
34.5 Melody: 3/4 | |
34.6 Melody: 4/4 | |
34.7 Melody: 3/4 and 4/4 | |
35: Level 4: Final Step |
|
35.1 Technical Tests | |
35.2 Clapback | |
35.3 Intervals (Interval ID) | |
35.4 Intervals (Interval singing) | |
35.5 Chords (Chord ID) | |
35.6 Chords (Chord tone ID) | |
35.7 Singback | |
35.8 Sight-Singing (Rhythm: 4/4) | |
35.9 Sight-Reading (Rhythm: 3/4) | |
35.10 Sight-Reading (Melody) | |
36: Level 5: Technical Tests |
|
36.1 Technical Test 1 (Preparatory Lesson) | |
36.2 Technical Test 1 | |
36.3 Technical Test 2 (Preparatory Lesson) | |
36.4 Technical Test 2 | |
36.5 Technical Test 3 (Preparatory Lesson) | |
36.6 Technical Test 3 | |
36.7 Technical Test 4 (Preparatory Lesson) | |
36.8 Technical Test 4 | |
36.9 Technical Test 5 (Preparatory Lesson) | |
36.10 Technical Test 5 | |
36.11 Technical Test 6 (Preparatory Lesson) | |
36.12 Technical Test 6 | |
36.13 Technical Test 7 (Preparatory Lesson) | |
36.14 Technical Test 7 | |
36.15 Technical Test 1–7 (Preparatory Lesson) | |
36.16 Technical Test 1–7 | |
37: Level 5: Intervals |
|
37.1 Interval Identification: major and minor 3rd | |
37.2 Interval Identification: perfect 4th, perfect 5th, 8ve | |
37.3 Interval Identification: major and minor 6th | |
37.4 Interval Identification: All Intervals | |
37.5 Interval Singback: major 6th | |
37.6 Interval Singing: major 6th | |
37.7 Interval Singback: minor 6th | |
37.8 Interval Singing: minor 6th | |
37.9 Interval Singback: major and minor 6th | |
37.10 Interval Singing: major and minor 6th | |
37.11 Interval Singback: perfect 4th, perfect 5th, 8ve | |
37.12 Interval Singing: perfect 4th, perfect 5th, 8ve | |
37.13 Interval Singback: All Intervals | |
37.14 Interval Singing: All Intervals | |
38: Level 5: Chords |
|
38.1 Chords: major triad singback | |
38.2 Chords: minor triad singback | |
38.3 Chords: dominant 7th singback | |
38.4 Chords: major & minor triads, dominant 7th | |
39: Level 5: Chord Progressions |
|
39.1 I-IV-I and I-V-I, major key | |
40: Level 5: Singback |
|
40.1 Singback: 3/4 - Major | |
40.2 Singback: 4/4 - Major | |
40.3 Singback: 3/4, 4/4, Major | |
40.4 Singback: 3/4 - Minor | |
40.5 Singback: 4/4 - Minor | |
40.6 Singback: 3/4, 4/4 - Minor | |
40.7 Singback: 3/4, 4/4 - Major, Minor | |
41: Level 5: Sight-Reading |
|
41.1 Melody: 3/4 - Major | |
41.2 Melody: 4/4 - Major | |
41.3 Melody: 6/8 - Major | |
41.4 Melody: 3/4, 4/4, 6/8 - Major | |
41.5 Melody: 3/4 - Minor | |
41.6 Melody: 4/4 - Minor | |
41.7 Melody: 6/8 - Minor | |
41.8 Melody: 3/4, 4/4, 6/8 - Minor | |
41.9 Melody: 3/4, 4/4, 6/8 - Major , Minor | |
42: Level 5: Final Step |
|
42.1 Technical Tests | |
42.2 Intervals (Interval ID) | |
42.3 Intervals (Interval Singing) | |
42.4 Chords | |
42.5 Chord Progressions | |
42.6 Singback | |
42.7 Sight-Reading | |
43: Level 6: Technical Tests |
|
43.1 Technical Test 1 (Preparatory Lesson) | |
43.2 Technical Test 1 | |
43.3 Technical Test 2 (Preparatory Lesson) | |
43.4 Technical Test 2 | |
43.5 Technical Test 3 (Preparatory Lesson) | |
43.6 Technical Test 3 | |
43.7 Technical Test 4 (Preparatory Lesson) | |
43.8 Technical Test 4 | |
43.9 Technical Test 5 (Preparatory Lesson) | |
43.10 Technical Test 5 | |
43.11 Technical Test 6 (Preparatory Lesson) | |
43.12 Technical Test 6 | |
43.13 Technical Test 7 (Preparatory Lesson) | |
43.14 Technical Test 7 | |
43.15 Technical Test 8 (Preparatory Lesson) | |
43.16 Technical Test 8 | |
43.17 Technical Test 1–8 (Preparatory Lesson) | |
43.18 Technical Test 1–8 | |
44: Level 6: Intervals |
|
44.1 Interval Identification: major and minor 3rd | |
44.2 Interval Identification: perfect 4th, perfect 5th, 8ve | |
44.3 Interval Identification: major and minor 6th | |
44.4 Interval Identification: major and minor 2nd | |
44.5 Interval Identification: All Intervals | |
44.6 Interval Singback: major 2nd | |
44.7 Interval Singing: major 2nd | |
44.8 Interval Singback: minor 2nd | |
44.9 Interval Singing: minor 2nd | |
44.10 Interval Singback: major and minor 2nd | |
44.11 Interval Singing: major and minor 2nd | |
44.12 Interval Singback: major and minor 2nd, major and minor 3rd, perfect 4th | |
44.13 Interval Singing: major and minor 2nd, major and minor 3rd, perfect 4th | |
44.14 Interval Singback: perfect 5th, major and minor 6th, 8ve | |
44.15 Interval Singing: perfect 4th, perfect 5th, 8ve | |
44.16 Interval Singback: All Intervals | |
44.17 Interval Singing: All Intervals | |
45: Level 6: Chords |
|
45.1 Chords: major triad singback | |
45.2 Chords: minor triad singback | |
45.3 Chords: dominant 7th singback | |
45.4 Chords: diminished 7th singback | |
45.5 Chords: major & minor triads, dominant & diminished 7th | |
46: Level 6: Chord Progressions |
|
46.1 I-IV-I and I-V-I, major key | |
46.2 i-iv-i and i-V-i, minor key | |
46.3 All chord progressions | |
47: Level 6: Singback |
|
47.1 Singback: 3/4 - Major | |
47.2 Singback: 4/4 - Major | |
47.3 Singback: 3/4, 4/4 - Major | |
47.4 Singback: 3/4 - Minor | |
47.5 Singback: 4/4 - Minor | |
47.6 Singback: 3/4, 4/4 - Minor | |
47.7 Singback: 3/4, 4/4 - Major, Minor | |
48: Level 6: Sight-Reading |
|
48.1 Melody: 2/4 - Major | |
48.2 Melody: 3/4 - Major | |
48.3 Melody: 4/4 - Major | |
48.4 Melody: 6/8 - Major | |
48.5 Melody: 2/4, 3/4, 4/4, 6/8 - Major | |
48.6 Melody: 2/4 - Minor | |
48.7 Melody: 3/4 - Minor | |
48.8 Melody: 4/4 - Minor | |
48.9 Melody: 6/8 - Minor | |
48.10 Melody: 2/4, 3/4, 4/4, 6/8 - Minor | |
48.11 Melody: 2/4, 3/4, 4/4, 6/8 - Major, Minor | |
49: Level 6: Final Step |
|
49.1 Technical Tests | |
49.2 Intervals (Interval ID) | |
49.3 Intervals (Interval Singing) | |
49.4 Chords | |
49.5 Chord Progressions | |
49.6 Singback | |
49.7 Sight-Reading | |
50: Level 7: Technical Tests |
|
50.1 Technical Test 1 (Preparatory Lesson) | |
50.2 Technical Test 1 | |
50.3 Technical Test 2 (Preparatory Lesson) | |
50.4 Technical Test 2 | |
50.5 Technical Test 3 (Preparatory Lesson) | |
50.6 Technical Test 3 | |
50.7 Technical Test 4 (Preparatory Lesson) | |
50.8 Technical Test 4 | |
50.9 Technical Test 5 (Preparatory Lesson) | |
50.10 Technical Test 5 | |
50.11 Technical Test 6 (Preparatory Lesson) | |
50.12 Technical Test 6 | |
50.13 Technical Test 7 (Preparatory Lesson) | |
50.14 Technical Test 7 | |
50.15 Technical Test 8 | |
50.16 Technical Test 1–7 (Preparatory Lesson) | |
50.17 Technical Test 1–7 | |
51: Level 7: Intervals |
|
51.1 Interval Identification: major and minor 2nd | |
51.2 Interval Identification: major and minor 3rd | |
51.3 Interval Identification: perfect 4th, perfect 5th, 8ve | |
51.4 Interval Identification: major and minor 6th | |
51.5 Interval Identification: major and minor 7th | |
51.6 Interval Identification: All Intervals | |
51.7 Interval Singback: major 7th | |
51.8 Interval Singing: major 7th | |
51.9 Interval Singback: minor 7th | |
51.10 Interval Singing: minor 7th | |
51.11 Interval Singback: major and minor 7th | |
51.12 Interval Singing: major and minor 7th | |
51.13 Interval Singback: major and minor 2nd, major and minor 3rd, perfect 4th, perfect 5th | |
51.14 Interval Singing: major and minor 2nd, major and minor 3rd, perfect 4th, perfect 5th | |
51.15 Interval Singback: major and minor 6th, major and minor 7th, 8ve | |
51.16 Interval Singing: major and minor 6th, major and minor 7th, 8ve | |
51.17 Interval Singback: All Intervals | |
51.18 Interval Singing: All Intervals | |
52: Level 7: Chords |
|
52.1 Chords: major triad singback | |
52.2 Chords: minor triad singback | |
52.3 Chords: augmented triad singback | |
52.4 Chords: dominant 7th singback | |
52.5 Chords: diminished 7th singback | |
52.6 Chords: Major, Minor & Augmented Triads - Dominant & Diminished 7th | |
53: Level 7: Chord Progressions |
|
53.1 I-IV-I, I-V-I, I-IV-V, major key | |
53.2 i-iv-i and i-V-i, i-iv-V, minor key | |
53.3 All chord progressions | |
54: Level 7: Singback |
|
54.1 Singback: 2/4 - Major | |
54.2 Singback: 3/4 - Major | |
54.3 Singback: 6/8 - Major | |
54.4 Singback: 2/4, 3/4, 6/8 - Major | |
54.5 Singback: 2/4 - Minor | |
54.6 Singback: 3/4 - Minor | |
54.7 Singback: 6/8 - Minor | |
54.8 Singback: 2/4, 3/4, 6/8 - Minor | |
54.9 Singback: 2/4, 3/4, 6/8 - Major, Minor | |
55: Level 7: Sight-Reading |
|
55.1 Melody: 2/4 - Major | |
55.2 Melody: 3/4 - Major | |
55.3 Melody: 4/4 - Major | |
55.4 Melody: 6/8 - Major | |
55.5 Melody: 2/4, 3/4, 4/4, 6/8 - Major | |
55.6 Melody: 2/4 - Minor | |
55.7 Melody: 3/4 - Minor | |
55.8 Melody: 4/4 - Minor | |
55.9 Melody: 6/8 - Minor | |
55.10 Melody: 2/4, 3/4, 4/4, 6/8 - Minor | |
55.11 Melody: 2/4, 3/4, 4/4, 6/8 - Major, Minor | |
56: Level 7: Final Step |
|
56.1 Technical Tests | |
56.2 Intervals (Interval ID) | |
56.3 Intervals (Interval singing) | |
56.4 Chords | |
56.5 Chord Progressions | |
56.6 Singback | |
56.7 Sight-Singing | |
57: Level 8: Technical Tests |
|
57.1 Technical Test 1 (Preparatory Lesson) | |
57.2 Technical Test 1 | |
57.3 Technical Test 2 (Preparatory Lesson) | |
57.4 Technical Test 2 | |
57.5 Technical Test 3 (Preparatory Lesson) | |
57.6 Technical Test 3 | |
57.7 Technical Test 4 (Preparatory Lesson) | |
57.8 Technical Test 4 | |
57.9 Technical Test 5 (Preparatory Lesson) | |
57.10 Technical Test 5 | |
57.11 Technical Test 6 (Preparatory Lesson) | |
57.12 Technical Test 6 | |
57.13 Technical Test 7 (Preparatory Lesson) | |
57.14 Technical Test 7 | |
57.15 Technical Test 8 (Preparatory Lesson) | |
57.16 Technical Test 8 | |
57.17 Technical Test 1–8 (Preparatory Lesson) | |
57.18 Technical Test 1–8 | |
58: Level 8: Intervals |
|
58.1 Interval Identification: perfect 4th, augmented 4th/diminished 5th, perfect 5th | |
58.2 Interval Identification: Major and Minor 2nd, Major and Minor 3rd | |
58.3 Interval Identification: Major and Minor 6th, Major and Minor 7th | |
58.4 Interval Identification: All Intervals | |
58.5 Interval Singback: Augmented 4th/Diminished 5th | |
58.6 Interval Singing: Augmented 4th/Diminished 5th | |
58.7 Interval Singback: Perfect 4th, Augmented 4th/Diminished 5th, Perfect 5th | |
58.8 Interval Singing: Perfect 4th, Augmented 4th/Diminished 5th, Perfect 5th | |
58.9 Interval Singback: Major and Minor 2nd, Major and Minor 3rd | |
58.10 Interval Singing: Major and Minor 2nd, Major and Minor 3rd | |
58.11 Interval Singback: Major and Minor 6th, Major and Minor 7th, Octave | |
58.12 Interval Singing: Major And Minor 6th, Major and Minor 7th, 8ve | |
58.13 Interval Singback: All Intervals | |
58.14 Interval Singing: All Intervals | |
59: Level 8: Chords |
|
59.1 Chords: Major Triad Singback | |
59.2 Chords: Minor Triad Singback | |
59.3 Chords: Augmented Triad Singback | |
59.4 Chords: Dominant 7th Singback | |
59.5 Chords: Diminished 7th Singback | |
59.6 Chords: Major, Minor & Augmented Triads - Dominant & Diminished 7th | |
60: Level 8: Chord Progressions |
|
60.1 I-IV-V-I and I-IV-V-vi, Major Key | |
60.2 i-iv-V-i and i-iv-V-vi, Minor Key | |
60.3 I-vi-IV-V and I-vi-IV-I, Major Keyy | |
60.4 i-vi-iv-V and i-vi-iv-i, Minor Key | |
60.5 All Chord Progressions | |
61: Level 8: Singback |
|
61.1 Singback: 2/4 - Major | |
61.2 Singback: 3/4 - Major | |
61.3 Singback: 4/4 - Major | |
61.4 Singback: 6/8 - Major | |
61.5 Singback: 2/4, 3/4, 4/4, 6/8 - Major | |
61.6 Singback: 2/4 - Minor | |
61.7 Singback: 3/4 - Minor | |
61.8 Singback: 4/4 - Minor | |
61.9 Singback: 6/8 - Minor | |
61.10 Singback: 2/4, 3/4, 4/4, 6/8 - Minor | |
61.11 Singback: 2/4, 3/4, 4/4, 6/8 - Major, Minor | |
62: Level 8: Sight-Reading |
|
62.1 Melody: 2/4 - Major | |
62.2 Melody: 3/4 - Major | |
62.3 Melody: 4/4 - Major | |
62.4 Melody: 6/8 - Major | |
62.5 Melody: 2/4, 3/4, 4/4, 6/8 - Major | |
62.6 Melody: 2/4 - Minor | |
62.7 Melody: 3/4 - Minor | |
62.8 Melody: 4/4 - Minor | |
62.9 Melody: 6/8 - Minor | |
62.10 Melody: 2/4, 3/4, 4/4, 6/8 - Minor | |
62.11 Melody: 2/4, 3/4, 4/4, 6/8 - Major, Minor | |
63: Level 8: Final Step |
|
63.1 Technical Tests | |
63.2 Intervals (Interval ID) | |
63.3 Intervals (Interval singing) | |
63.4 Chord ID | |
63.5 Chord Progressions | |
63.6 Singback | |
63.7 Sight-Reading | |
63.8 Congratulations! |
General Workshops - Chord Identification |
|
1: Identify the Major & the Minor Chords |
|
1.1 Major & Minor - Ascending | |
1.2 Major & Minor - Descending | |
1.3 Major & Minor - Harmonic | |
1.4 Major & Minor - Harmonic, Ascending & Descending | |
2: Identify the Major, Minor & Sus4 Chords |
|
2.1 Major, Minor & Sus4 - Ascending | |
2.2 Major, Minor & Sus4 - Descending | |
2.3 Major, Minor & Sus4 - Harmonic | |
2.4 Major, Minor & Sus4 - Harmonic, Ascending & Descending | |
3: Major Chords with Alternating 5th |
|
3.1 Major, Major(b5) & Aug - Ascending | |
3.2 Major, Major(b5) & Aug - Descending | |
3.3 Major, Major(b5) & Aug - Harmonic | |
3.4 Major, Major(b5) & Aug - Harmonic, Ascending & Descending | |
4: Identify the Minor & the Minor(b5) Chords |
|
4.1 Minor & Dim - Ascending | |
4.2 Minor & Dim - Descending | |
4.3 Minor & Dim - Harmonic | |
4.4 Minor & Dim - Harmonic, Ascending & Descending | |
5: Identify the Sus Chords |
|
5.1 Sus2 & Sus4 - Ascending | |
5.2 Sus2 & Sus4 - Descending | |
5.3 Sus2 & Sus4 - Harmonic | |
5.4 Sus2 & Sus4 - Harmonic, Ascending & Descending | |
6: Triads with an Altered 5th |
|
6.1 Dim, Major(b5) & Aug - Ascending | |
6.2 Dim, Major(b5) & Aug - Descending | |
6.3 Dim, Major(b5) & Aug - Harmonic | |
6.4 Dim, Major(b5) & Aug - Harmonic, Ascending & Descending | |
7: Identify All Triads |
|
7.1 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Ascending | |
7.2 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Descending | |
7.3 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Harmonic | |
7.4 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Harmonic, Ascending & Descending | |
8: Major Triad with an Added Chord Tone |
|
8.1 7, Maj7 & Add6 - Ascending | |
8.2 7, Maj7 & Add6 - Descending | |
8.3 7, Maj7 & Add6 - Harmonic | |
8.4 7, Maj7 & Add6 - Harmonic, Ascending & Descending | |
9: Minor Triad with an Added Chord Tone |
|
9.1 Mi7, Mi,maj7 & Mi,add6 - Ascending | |
9.2 Mi7, Mi,maj7 & Mi,add6 - Descending | |
9.3 Mi7, Mi,maj7 & Mi,add6 - Harmonic | |
9.4 Mi7, Mi,maj7 & Mi,add6 - Harmonic, Ascending & Descending | |
10: Minor(b5) with an Added Chord Tone |
|
10.1 Dim7, Mi7(b5) & dim,maj7 - Ascending | |
10.2 Dim7, Mi7(b5) & dim,maj7 - Descending | |
10.3 Dim7, Mi7(b5) & dim,maj7 - Harmonic | |
10.4 Dim7, Mi7(b5) & dim,maj7 - Harmonic, Ascending & Descending | |
11: Major(b5) with an Added Chord Tone |
|
11.1 7(b5) & maj7(b5) - Ascending | |
11.2 7(b5) & maj7(b5) - Descending | |
11.3 7(b5) & maj7(b5) - Harmonic | |
11.4 7(b5) & maj7(b5) - Harmonic, Ascending & Descending | |
12: Major(#5) with an Added Chord Tone |
|
12.1 7(#5) & maj7(#5) - Ascending | |
12.2 7(#5) & maj7(#5) - Descending | |
12.3 7(#5) & maj7(#5) - Harmonic | |
12.4 7(#5) & maj7(#5) - Harmonic, Ascending & Descending | |
13: Sus Triads with an Added Minor 7th |
|
13.1 7(sus4) & 7(sus2) - Ascending | |
13.2 7(sus4) & 7(sus2) - Descending | |
13.3 7(sus4) & 7(sus2) - Harmonic | |
13.4 7(sus4) & 7(sus2) - Harmonic, Ascending & Descending | |
14: Sus Triads with an Added Major 7th |
|
14.1 maj7(sus2) & maj7(sus4) - Ascending | |
14.2 maj7(sus2) & maj7(sus4) - Descending | |
14.3 maj7(sus2) & maj7(sus4) - Harmonic | |
14.4 maj7(sus2) & maj7(sus4) - Harmonic, Ascending & Descending | |
15: Sus Seventh Chords |
|
15.1 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Ascending | |
15.2 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Descending | |
15.3 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Harmonic | |
15.4 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Harmonic, Ascending & Descending | |
16: Maj7 Chords with a Perfect or Altered 5th |
|
16.1 Maj7, maj7(b5) & maj7(#5) - Ascending | |
16.2 Maj7, maj7(b5) & maj7(#5) - Descending | |
16.3 Maj7, maj7(b5) & maj7(#5) - Harmonic | |
16.4 Maj7, maj7(b5) & maj7(#5) - Harmonic, Ascending & Descending | |
17: 7th Chords with a Perfect or Altered 5th |
|
17.1 7, 7(b5) & 7(#5) - Ascending | |
17.2 7, 7(b5) & 7(#5) - Descending | |
17.3 7, 7(b5) & 7(#5) - Harmonic | |
17.4 7, 7(b5) & 7(#5) - Harmonic, Ascending & Descending | |
18: Minor7 and Maj7 Chords with a Perfect or Altered 5th |
|
18.1 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Ascending | |
18.2 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Descending | |
18.3 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Harmonic | |
18.4 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Harmonic, Ascending & Descending | |
19: All the Maj7 Chords |
|
19.1 All the Maj7 chords - Ascending | |
19.2 All the Maj7 chords - Descending | |
19.3 All the Maj7 chords - Harmonic | |
19.4 All the Maj7 chords - Harmonic, Ascending & Descending | |
20: All Chords with a Minor 7th |
|
20.1 All chords with a minor 7th - Ascending | |
20.2 All chords with a minor 7th - Descending | |
20.3 All chords with a minor 7th - Harmonic | |
20.4 All chords with a minor 7th - Harmonic, Ascending & Descending | |
21: Chords with a Major 6th or Diminished 7 |
|
21.1 Dim7, Add6 & Mi,add6 - Ascending | |
21.2 Dim7, Add6 & Mi,add6 - Descending | |
21.3 Dim7, Add6 & Mi,add6 - Harmonic | |
21.4 Dim7, Add6 & Mi,add6 - Harmonic, Ascending & Descending | |
22: All 7th Chords |
|
22.1 All 7th chords - Ascending | |
22.2 All 7th chords - Descending | |
22.3 All 7th chords - Harmonic | |
22.4 All 7th chords - Harmonic, Ascending & Descending |
General Workshops - Chord Inversions |
|
1: Module 1 |
|
1.1 Inversions of the Major chord - Ascending | |
1.2 Inversions of the Major chord - Descending | |
1.3 Inversions of the Major chord - Harmonic | |
1.4 Inversions of the Major chord - Harmonic, Ascending & Descending | |
2: Module 2 |
|
2.1 Inversions of the Minor chord - Ascending | |
2.2 Inversions of the Minor chord - Descending | |
2.3 Inversions of the Minor chord - Harmonic | |
2.4 Inversions of the Minor chord - Harmonic, Ascending & Descending | |
3: Module 3 |
|
3.1 Inversions of the Sus4 chord - Ascending | |
3.2 Inversions of the Sus4 chord - Descending | |
3.3 Inversions of the Sus4 chord - Harmonic | |
3.4 Inversions of the Sus4 chord - Harmonic, Ascending & Descending | |
4: Module 4 |
|
4.1 Inversions of the Major(b5) chord - Ascending | |
4.2 Inversions of the Major(b5) chord - Descending | |
4.3 Inversions of the Major(b5) chord - Harmonic | |
4.4 Inversions of the Major(b5) chord - Harmonic, Ascending & Descending | |
5: Module 5 |
|
5.1 Inversions of the Dim chord - Ascending | |
5.2 Inversions of the Dim chord - Descending | |
5.3 Inversions of the Dim chord - Harmonic | |
5.4 Inversions of the Dim chord - Harmonic, Ascending & Descending | |
6: Major with Perfect or Altered 5th |
|
6.1 Major, Aug & Major(b5) - Ascending | |
6.2 Major, Aug & Major(b5) - Descending | |
6.3 Major, Aug & Major(b5) - Harmonic | |
6.4 Major, Aug & Major(b5) - Harmonic, Ascending & Descending | |
7: Minor with Perfect or Altered 5th |
|
7.1 Inversions of the Minor & Dim chords - Ascending | |
7.2 Inversions of the Minor & Dim chords - Descending | |
7.3 Inversions of the Minor & Dim chords - Harmonic | |
7.4 Inversions of the Minor & Dim chords - Harmonic, Ascending & Descending | |
8: Minor & Major with Altered 5th |
|
8.1 Inversions of the Dim, Aug & Major(b5) chords - Ascending | |
8.2 Inversions of the Dim, Aug & Major(b5) chords - Descending | |
8.3 Inversions of the Dim, Aug & Major(b5) chords - Harmonic | |
8.4 Inversions of the Dim, Aug & Major(b5) chords - Harmonic, Ascending & Descending | |
9: All the Triads |
|
9.1 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Ascending | |
9.2 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Descending | |
9.3 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Harmonic | |
9.4 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Harmonic, Ascending & Descending | |
10: Module 10 |
|
10.1 Inversions of the Maj7 & 7 chords - Ascending | |
10.2 Inversions of the Maj7 & 7 chords - Descending | |
10.3 Inversions of the Maj7 & 7 chords - Harmonic | |
10.4 Inversions of the Maj7 & 7 chords - Harmonic, Ascending & Descending | |
11: Module 11 |
|
11.1 Inversions of the Mi7 & Mi,maj7 chords - Ascending | |
11.2 Inversions of the Mi7 & Mi,maj7 chords - Descending | |
11.3 Inversions of the Mi7 & Mi,maj7 chords - Harmonic | |
11.4 Inversions of the Mi7 & Mi,maj7 chords - Harmonic, Ascending & Descending | |
12: Module 12 |
|
12.1 Inversions of the Mi7(b5), Dim7 & chords - Ascending | |
12.2 Inversions of the Mi7(b5), Dim7 & chords - Descending | |
12.3 Inversions of the Mi7(b5), Dim7 & chords - Harmonic | |
12.4 Inversions of the Mi7(b5), Dim7 & chords - Harmonic, Ascending & Descending | |
13: Module 13 |
|
13.1 Inversions of the 7(b5) & chords - Ascending | |
13.2 Inversions of the 7(b5) & chords - Descending | |
13.3 Inversions of the 7(b5) & chords - Harmonic | |
13.4 Inversions of the 7(b5) & chords - Harmonic, Ascending & Descending | |
14: Module 14 |
|
14.1 Inversions of the 7(#5) & chords - Ascending | |
14.2 Inversions of the 7(#5) & chords - Descending | |
14.3 Inversions of the 7(#5) & chords - Harmonic | |
14.4 Inversions of the 7(#5) & chords - Harmonic, Ascending & Descending | |
15: Module 15 |
|
15.1 Inversions of the 7, 7(b5) & 7(#5) chords - Ascending | |
15.2 Inversions of the 7, 7(b5) & 7(#5) chords - Descending | |
15.3 Inversions of the 7, 7(b5) & 7(#5) chords - Harmonic | |
15.4 Inversions of the 7, 7(b5) & 7(#5) chords - Harmonic, Ascending & Descending | |
16: Module 16 |
|
16.1 Inversions of the Maj7, & chords - Ascending | |
16.2 Inversions of the Maj7, & chords - Descending | |
16.3 Inversions of the Maj7, & chords - Harmonic | |
16.4 Inversions of the Maj7, & chords - Harmonic, Ascending & Descending | |
17: Module 17 |
|
17.1 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Ascending | |
17.2 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Descending | |
17.3 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Harmonic | |
17.4 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Harmonic, Ascending & Descending | |
18: All the 7 Chords |
|
18.1 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Ascending | |
18.2 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Descending | |
18.3 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Harmonic | |
18.4 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Harmonic, Ascending & Descending |
General Workshops - Chord Progressions |
|
1: Module 1 |
|
1.1 Identify major and minor tonic in V-I | |
1.2 Dominants with and without 7 | |
1.3 VIIdim7 - in Major and minor | |
1.4 Common dominant - tonic combinations | |
1.5 Major/minor subdominant (IV) and supertonic (II) | |
1.6 Various dominant-tonic combinations | |
1.7 II - V - I combinations | |
1.8 II - V - I and II - bII - I combinations | |
1.9 IV - I combinations (Plagal cadences) | |
1.10 Two mediant combinations | |
1.11 Four mediant combinations | |
1.12 Three part plagal cadences | |
1.13 Extended tonal cadences | |
1.14 Fifth sequences | |
1.15 Folk progressions | |
1.16 Progressions with bVII7(b5) | |
1.17 Interrupted cadences | |
1.18 Modulations #1 | |
1.19 Modulations #2 | |
1.20 Modulations to bIII and bVI | |
1.21 Last step! |
General Workshops - Interval Comparison |
|
1: Compare the Perfect Intervals - Common 1st Tone |
|
1.1 Introduction to perfect intervals | |
1.2 Perfect 4th & Octave - Ascending (common tone) | |
1.3 Perfect 4th & Octave - Descending (common tone) | |
1.4 Perfect 4th & Octave - Harmonic (common tone) | |
1.5 Perfect 5th & Octave - Ascending (common tone) | |
1.6 Perfect 5th & Octave - Descending (common tone) | |
1.7 Perfect 5th & Octave - Harmonic (common tone) | |
1.8 Perfect 4th & Perfect 5th - Ascending (common tone) | |
1.9 Perfect 4th & Perfect 5th - Descending (common tone) | |
1.10 Perfect 4th & Perfect 5th - Harmonic (common tone) | |
1.11 Test : Perfect intervals with a common 1st tone | |
2: Compare the Imperfect Consonant Intervals - Common 1st Tone |
|
2.1 Introduction to imperfect consonant intervals | |
2.2 Major 3rd & Minor 6th - Ascending (common tone) | |
2.3 Major 3rd & Minor 6th - Descending (common tone) | |
2.4 Major 3rd & Minor 6th - Harmonic (common tone) | |
2.5 Minor 3rd & Major 6th - Ascending (common tone) | |
2.6 Minor 3rd & Major 6th - Descending (common tone) | |
2.7 Minor 3rd & Major 6th - Harmonic (common tone) | |
2.8 Minor 3rd & Major 3rd - Ascending (common tone) | |
2.9 Minor 3rd & Major 3rd - Descending (common tone) | |
2.10 Minor 3rd & Major 3rd - Harmonic (common tone) | |
2.11 Minor 6th & Major 6th - Ascending (common tone) | |
2.12 Minor 6th & Major 6th - Descending (common tone) | |
2.13 Minor 6th & Major 6th - Harmonic (common tone) | |
2.14 Test: Imperfect consonant intervals with a common 1st tone | |
3: Compare the Dissonant Intervals - Common 1st Tone |
|
3.1 Introduction to dissonant intervals | |
3.2 Major 2nd & Minor 7th - Ascending (common tone) | |
3.3 Major 2nd & Minor 7th - Descending (common tone) | |
3.4 Major 2nd & Minor 7th - Harmonic (common tone) | |
3.5 Minor 2nd & Major 7th - Ascending (common tone) | |
3.6 Minor 2nd & Major 7th - Descending (common tone) | |
3.7 Minor 2nd & Major 7th - Harmonic (common tone) | |
3.8 Major 2nd, Dim 5th & Minor 7th - Ascending (common tone) | |
3.9 Major 2nd, Dim 5th & Minor 7th - Descending (common tone) | |
3.10 Major 2nd, Dim 5th & Minor 7th - Harmonic (common tone) | |
3.11 Minor 2nd, Dim 5th & Major 7th - Ascending (common tone) | |
3.12 Minor 2nd, Dim 5th & Major 7th - Descending (common tone) | |
3.13 Minor 2nd, Dim 5th & Major 7th - Harmonic (common tone) | |
3.14 Minor 2nd & Major 2nd - Ascending (common tone) | |
3.15 Minor 2nd & Major 2nd - Descending (common tone) | |
3.16 Minor 2nd & Major 2nd - Harmonic (common tone) | |
3.17 Minor 7th & Major 7th - Ascending (common tone) | |
3.18 Minor 7th & Major 7th - Descending (common tone) | |
3.19 Minor 7th & Major 7th - Harmonic (common tone) | |
3.20 Test: Dissonant intervals with a common 1st tone | |
4: Compare All Simple Intervals - Common Common 1st Tone |
|
4.1 All intervals from Minor 6th to Major 7th - Ascending (common tone) | |
4.2 All intervals from Minor 6th to Major 7th - Descending (common tone) | |
4.3 All intervals from Minor 6th to Major 7th - Harmonic (common tone) | |
4.4 All intervals from Perfect 5th to Octave - Ascending (common tone) | |
4.5 All intervals from Perfect 5th to Octave - Descending (common tone) | |
4.6 All intervals from Perfect 5th to Octave - Harmonic (common tone) | |
4.7 All intervals from Minor 2nd to Major 3rd - Ascending (common tone) | |
4.8 All intervals from Minor 2nd to Major 3rd - Descending (common tone) | |
4.9 All intervals from Minor 2nd to Major 3rd - Harmonic (common tone) | |
4.10 All intervals from Minor 2nd to Dim 5th - Ascending (common tone) | |
4.11 All intervals from Minor 2nd to Dim 5th - Descending (common tone) | |
4.12 All intervals from Minor 2nd to Dim 5th - Harmonic (common tone) | |
4.13 Test: Simple intervals with a common 1st tone | |
5: Compare Compound Intervals Up to 2 Octaves - Common 1st Tone |
|
5.1 Introduction to Compound intervals | |
5.2 Perfect 11th, Perfect 12th & Two Octaves - Ascending (common tone) | |
5.3 Perfect 11th, Perfect 12th & Two Octaves - Descending (common tone) | |
5.4 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (common tone) | |
5.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (common tone) | |
5.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (common tone) | |
5.7 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (common tone) | |
5.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (common tone) | |
5.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (common tone) | |
5.10 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (common tone) | |
5.11 Test: Compound intervals with a common 1st tone | |
6: Compare the Perfect Intervals - Common 1st or 2nd tone |
|
6.1 Perfect 4th & Octave - Ascending (common tone) | |
6.2 Perfect 4th & Octave - Descending (common tone) | |
6.3 Perfect 4th & Octave - Harmonic (common tone) | |
6.4 Perfect 5th & Octave - Ascending (common tone) | |
6.5 Perfect 5th & Octave - Descending (common tone) | |
6.6 Perfect 5th & Octave - Harmonic (common tone) | |
6.7 Perfect 4th & Perfect 5th - Ascending (common tone) | |
6.8 Perfect 4th & Perfect 5th - Descending (common tone) | |
6.9 Perfect 4th & Perfect 5th - Harmonic (common tone) | |
6.10 Test : Perfect intervals with a common 1st or 2nd tone | |
7: Compare the Imperfect Consonant Intervals - Common 1st or 2nd tone |
|
7.1 Major 3rd & Minor 6th - Ascending (common tone) | |
7.2 Major 3rd & Minor 6th - Descending (common tone) | |
7.3 Major 3rd & Minor 6th - Harmonic (common tone) | |
7.4 Minor 3rd & Major 6th - Ascending (common tone) | |
7.5 Minor 3rd & Major 6th - Descending (common tone) | |
7.6 Minor 3rd & Major 6th - Harmonic (common tone) | |
7.7 Minor 3rd & Major 3rd - Ascending (common tone) | |
7.8 Minor 3rd & Major 3rd - Descending (common tone) | |
7.9 Minor 3rd & Major 3rd - Harmonic (common tone) | |
7.10 Minor 6th & Major 6th - Ascending (common tone) | |
7.11 Minor 6th & Major 6th - Descending (common tone) | |
7.12 Minor 6th & Major 6th - Harmonic (common tone) | |
7.13 Test: Imperfect consonant intervals with a common 1st or 2nd tone | |
8: Compare the Dissonant Intervals - Common 1st or 2nd tone |
|
8.1 Major 2nd & Minor 7th - Ascending (common tone) | |
8.2 Major 2nd & Minor 7th - Descending (common tone) | |
8.3 Major 2nd & Minor 7th - Harmonic (common tone) | |
8.4 Minor 2nd & Major 7th - Ascending (common tone) | |
8.5 Minor 2nd & Major 7th - Descending (common tone) | |
8.6 Minor 2nd & Major 7th - Harmonic (common tone) | |
8.7 Major 2nd, Dim 5th & Minor 7th - Ascending (common tone) | |
8.8 Major 2nd, Dim 5th & Minor 7th - Descending (common tone) | |
8.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (common tone) | |
8.10 Minor 2nd, Dim 5th & Major 7th - Ascending (common tone) | |
8.11 Minor 2nd, Dim 5th & Major 7th - Descending (common tone) | |
8.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (common tone) | |
8.13 Minor 2nd & Major 2nd - Ascending (common tone) | |
8.14 Minor 2nd & Major 2nd - Descending (common tone) | |
8.15 Minor 2nd & Major 2nd - Harmonic (common tone) | |
8.16 Minor 7th & Major 7th - Ascending (common tone) | |
8.17 Minor 7th & Major 7th - Descending (common tone) | |
8.18 Minor 7th & Major 7th - Harmonic (common tone) | |
8.19 Test: Dissonant intervals with a common 1st or 2nd tone | |
9: Compare All Simple Intervals - Common 1st or 2nd tone |
|
9.1 All intervals from Minor 6th to Major 7th - Ascending (common tone) | |
9.2 All intervals from Minor 6th to Major 7th - Descending (common tone) | |
9.3 All intervals from Minor 6th to Major 7th - Harmonic (common tone) | |
9.4 All intervals from Perfect 5th to Octave - Ascending (common tone) | |
9.5 All intervals from Perfect 5th to Octave - Descending (common tone) | |
9.6 All intervals from Perfect 5th to Octave - Harmonic (common tone) | |
9.7 All intervals from Minor 2nd to Major 3rd - Ascending (common tone) | |
9.8 All intervals from Minor 2nd to Major 3rd - Descending (common tone) | |
9.9 All intervals from Minor 2nd to Major 3rd - Harmonic (common tone) | |
9.10 All intervals from Minor 2nd to Dim 5th - Ascending (common tone) | |
9.11 All intervals from Minor 2nd to Dim 5th - Descending (common tone) | |
9.12 All intervals from Minor 2nd to Dim 5th - Harmonic (common tone) | |
9.13 Test: Simple intervals with a common 1st or 2nd tone | |
10: Compare Compound Intervals Up to 2 Octaves - Common 1st or 2nd tone |
|
10.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (common tone) | |
10.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (common tone) | |
10.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (common tone) | |
10.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (common tone) | |
10.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (common tone) | |
10.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (common tone) | |
10.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (common tone) | |
10.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (common tone) | |
10.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (common tone) | |
10.10 Test: Compound intervals with a common 1st or 2nd tone | |
11: Compare the Perfect Intervals - Nearby 1st tones |
|
11.1 Perfect 4th & Octave - Ascending (nearby common tone) | |
11.2 Perfect 4th & Octave - Descending (nearby common tone) | |
11.3 Perfect 4th & Octave - Harmonic (nearby common tone) | |
11.4 Perfect 5th & Octave - Ascending (nearby common tone) | |
11.5 Perfect 5th & Octave - Descending (nearby common tone) | |
11.6 Perfect 5th & Octave - Harmonic (nearby common tone) | |
11.7 Perfect 4th & Perfect 5th - Ascending (nearby common tone) | |
11.8 Perfect 4th & Perfect 5th - Descending (nearby common tone) | |
11.9 Perfect 4th & Perfect 5th - Harmonic (nearby common tone) | |
11.10 Test : Perfect intervals with nearby first tones | |
12: Compare the Imperfect Consonant Intervals - Nearby 1st tones |
|
12.1 Major 3rd & Minor 6th - Ascending (nearby common tone) | |
12.2 Major 3rd & Minor 6th - Descending (nearby common tone) | |
12.3 Major 3rd & Minor 6th - Harmonic (nearby common tone) | |
12.4 Minor 3rd & Major 6th - Ascending (nearby common tone) | |
12.5 Minor 3rd & Major 6th - Descending (nearby common tone) | |
12.6 Minor 3rd & Major 6th - Harmonic (nearby common tone) | |
12.7 Minor 3rd & Major 3rd - Ascending (nearby common tone) | |
12.8 Minor 3rd & Major 3rd - Descending (nearby common tone) | |
12.9 Minor 3rd & Major 3rd - Harmonic (nearby common tone) | |
12.10 Minor 6th & Major 6th - Ascending (nearby common tone) | |
12.11 Minor 6th & Major 6th - Descending (nearby common tone) | |
12.12 Minor 6th & Major 6th - Harmonic (nearby common tone) | |
12.13 Test: Imperfect consonant intervals with nearby first tones | |
13: Compare the Dissonant Intervals - Nearby 1st tones |
|
13.1 Major 2nd & Minor 7th - Ascending (nearby common tone) | |
13.2 Major 2nd & Minor 7th - Descending (nearby common tone) | |
13.3 Major 2nd & Minor 7th - Harmonic (nearby common tone) | |
13.4 Minor 2nd & Major 7th - Ascending (nearby common tone) | |
13.5 Minor 2nd & Major 7th - Descending (nearby common tone) | |
13.6 Minor 2nd & Major 7th - Harmonic (nearby common tone) | |
13.7 Major 2nd, Dim 5th & Minor 7th - Ascending (nearby common tone) | |
13.8 Major 2nd, Dim 5th & Minor 7th - Descending (nearby common tone) | |
13.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (nearby common tone) | |
13.10 Minor 2nd, Dim 5th & Major 7th - Ascending (nearby common tone) | |
13.11 Minor 2nd, Dim 5th & Major 7th - Descending (nearby common tone) | |
13.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (nearby common tone) | |
13.13 Minor 2nd & Major 2nd - Ascending (nearby common tone) | |
13.14 Minor 2nd & Major 2nd - Descending (nearby common tone) | |
13.15 Minor 2nd & Major 2nd - Harmonic (nearby common tone) | |
13.16 Minor 7th & Major 7th - Ascending (nearby common tone) | |
13.17 Minor 7th & Major 7th - Descending (nearby common tone) | |
13.18 Minor 7th & Major 7th - Harmonic (nearby common tone) | |
13.19 Test: Dissonant intervals with nearby first tones | |
14: Compare All Simple Intervals - Nearby 1st tones |
|
14.1 All intervals from Minor 6th to Major 7th - Ascending (nearby common tone) | |
14.2 All intervals from Minor 6th to Major 7th - Descending (nearby common tone) | |
14.3 All intervals from Minor 6th to Major 7th - Harmonic (nearby common tone) | |
14.4 All intervals from Perfect 5th to Octave - Ascending (nearby common tone) | |
14.5 All intervals from Perfect 5th to Octave - Descending (nearby common tone) | |
14.6 All intervals from Perfect 5th to Octave - Harmonic (nearby common tone) | |
14.7 All intervals from Minor 2nd to Major 3rd - Ascending (nearby common tone) | |
14.8 All intervals from Minor 2nd to Major 3rd - Descending (nearby common tone) | |
14.9 All intervals from Minor 2nd to Major 3rd - Harmonic (nearby common tone) | |
14.10 All intervals from Minor 2nd to Dim 5th - Ascending (nearby common tone) | |
14.11 All intervals from Minor 2nd to Dim 5th - Descending (nearby common tone) | |
14.12 All intervals from Minor 2nd to Dim 5th - Harmonic (nearby common tone) | |
14.13 Test: Simple intervals with nearby first tones | |
15: Compare Compound Intervals up to 2 octaves - Nearby 1st tones |
|
15.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (nearby common tone) | |
15.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (nearby common tone) | |
15.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (nearby common tone) | |
15.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (nearby common tone) | |
15.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (nearby common tone) | |
15.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (nearby common tone) | |
15.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (nearby common tone) | |
15.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (nearby common tone) | |
15.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (nearby common tone) | |
15.10 Test: Compound intervals with nearby first tones | |
16: Compare the Perfect Intervals - No common tones |
|
16.1 Perfect 4th & Octave - Ascending (no common tone) | |
16.2 Perfect 4th & Octave - Descending (no common tone) | |
16.3 Perfect 4th & Octave - Harmonic (no common tone) | |
16.4 Perfect 5th & Octave - Ascending (no common tone) | |
16.5 Perfect 5th & Octave - Descending (no common tone) | |
16.6 Perfect 5th & Octave - Harmonic (no common tone) | |
16.7 Perfect 4th & Perfect 5th - Ascending (no common tone) | |
16.8 Perfect 4th & Perfect 5th - Descending (no common tone) | |
16.9 Perfect 4th & Perfect 5th - Harmonic (no common tone) | |
16.10 Test : Perfect intervals without common tone | |
17: Compare the Imperfect Consonant Intervals - No common tones |
|
17.1 Major 3rd & Minor 6th - Ascending (no common tone) | |
17.2 Major 3rd & Minor 6th - Descending (no common tone) | |
17.3 Major 3rd & Minor 6th - Harmonic (no common tone) | |
17.4 Minor 3rd & Major 6th - Ascending (no common tone) | |
17.5 Minor 3rd & Major 6th - Descending (no common tone) | |
17.6 Minor 3rd & Major 6th - Harmonic (no common tone) | |
17.7 Minor 3rd & Major 3rd - Ascending (no common tone) | |
17.8 Minor 3rd & Major 3rd - Descending (no common tone) | |
17.9 Minor 3rd & Major 3rd - Harmonic (no common tone) | |
17.10 Minor 6th & Major 6th - Ascending (no common tone) | |
17.11 Minor 6th & Major 6th - Descending (no common tone) | |
17.12 Minor 6th & Major 6th - Harmonic (no common tone) | |
17.13 Test: Imperfect consonant intervals without common tone | |
18: Compare the Dissonant Intervals - No common tones |
|
18.1 Major 2nd & Minor 7th - Ascending (no common tone) | |
18.2 Major 2nd & Minor 7th - Descending (no common tone) | |
18.3 Major 2nd & Minor 7th - Harmonic (no common tone) | |
18.4 Minor 2nd & Major 7th - Ascending (no common tone) | |
18.5 Minor 2nd & Major 7th - Descending (no common tone) | |
18.6 Minor 2nd & Major 7th - Harmonic (no common tone) | |
18.7 Major 2nd, Dim 5th & Minor 7th - Ascending (no common tone) | |
18.8 Major 2nd, Dim 5th & Minor 7th - Descending (no common tone) | |
18.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (no common tone) | |
18.10 Minor 2nd, Dim 5th & Major 7th - Ascending (no common tone) | |
18.11 Minor 2nd, Dim 5th & Major 7th - Descending (no common tone) | |
18.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (no common tone) | |
18.13 Minor 2nd & Major 2nd - Ascending (no common tone) | |
18.14 Minor 2nd & Major 2nd - Descending (no common tone) | |
18.15 Minor 2nd & Major 2nd - Harmonic (no common tone) | |
18.16 Minor 7th & Major 7th - Ascending (no common tone) | |
18.17 Minor 7th & Major 7th - Descending (no common tone) | |
18.18 Minor 7th & Major 7th - Harmonic (no common tone) | |
18.19 Test: Dissonant intervals without common tone | |
19: Compare All Simple Intervals - No common tones |
|
19.1 All intervals from Minor 6th to Major 7th - Ascending (no common tone) | |
19.2 All intervals from Minor 6th to Major 7th - Descending (no common tone) | |
19.3 All intervals from Minor 6th to Major 7th - Harmonic (no common tone) | |
19.4 All intervals from Perfect 5th to Octave - Ascending (no common tone) | |
19.5 All intervals from Perfect 5th to Octave - Descending (no common tone) | |
19.6 All intervals from Perfect 5th to Octave - Harmonic (no common tone) | |
19.7 All intervals from Minor 2nd to Major 3rd - Ascending (no common tone) | |
19.8 All intervals from Minor 2nd to Major 3rd - Descending (no common tone) | |
19.9 All intervals from Minor 2nd to Major 3rd - Harmonic (no common tone) | |
19.10 All intervals from Minor 2nd to Dim 5th - Ascending (no common tone) | |
19.11 All intervals from Minor 2nd to Dim 5th - Descending (no common tone) | |
19.12 All intervals from Minor 2nd to Dim 5th - Harmonic (no common tone) | |
19.13 Test: Simple intervals without common tone | |
20: Compare Compound Intervals up to 2 octaves - No common tones |
|
20.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (no common tone) | |
20.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (no common tone) | |
20.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (no common tone) | |
20.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (no common tone) | |
20.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (no common tone) | |
20.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (no common tone) | |
20.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (no common tone) | |
20.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (no common tone) | |
20.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (no common tone) | |
20.10 Test: Compound intervals without common tone |
General Workshops - Interval Identification |
|
1: Identify the Minor & Major 2nd Intervals |
|
1.1 Minor 2nd & Major 2nd - Ascending | |
1.2 Minor 2nd & Major 2nd - Descending | |
1.3 Minor 2nd & Major 2nd - Harmonic | |
1.4 Minor 2nd & Major 2nd - Harmonic, Ascending & Descending | |
2: Identify the Minor & Major 3rd Intervals |
|
2.1 Minor 3rd & Major 3rd - Ascending | |
2.2 Minor 3rd & Major 3rd - Descending | |
2.3 Minor 3rd & Major 3rd - Harmonic | |
2.4 Minor 3rd & Major 3rd - Harmonic, Ascending & Descending | |
3: Identify the Minor & Major 2nds and 3rds |
|
3.1 All intervals from Minor 2nd to Major 3rd - Ascending | |
3.2 All intervals from Minor 2nd to Major 3rd - Descending | |
3.3 All intervals from Minor 2nd to Major 3rd - Harmonic | |
3.4 All intervals from Minor 2nd to Major 3rd - Harmonic, Ascending & Descending | |
4: Identify the Perfect 4th & the Tritone |
|
4.1 Perfect 4th & Dim 5th - Ascending | |
4.2 Perfect 4th & Dim 5th - Descending | |
4.3 Perfect 4th & Dim 5th - Harmonic | |
4.4 Perfect 4th & Dim 5th - Harmonic, Ascending & Descending | |
5: Identify the Tritone & Perfect 5th |
|
5.1 Dim 5th & Perfect 5th - Ascending | |
5.2 Dim 5th & Perfect 5th - Descending | |
5.3 Dim 5th & Perfect 5th - Harmonic | |
5.4 Dim 5th & Perfect 5th - Harmonic, Ascending & Descending | |
6: Identify the Perfect 4th, Tritone and Perfect 5th |
|
6.1 Perfect 4th, Dim 5th & Perfect 5th - Ascending | |
6.2 Perfect 4th, Dim 5th & Perfect 5th - Descending | |
6.3 Perfect 4th, Dim 5th & Perfect 5th - Harmonic | |
6.4 Perfect 4th, Dim 5th & Perfect 5th - Harmonic, Ascending & Descending | |
7: Identify All the Intervals from Minor 2nd to Perfect 5th |
|
7.1 All intervals from Minor 2nd to Perfect 5th - Ascending | |
7.2 All intervals from Minor 2nd to Perfect 5th - Descending | |
7.3 All intervals from Minor 2nd to Perfect 5th - Harmonic | |
7.4 All intervals from Minor 2nd to Perfect 5th - Harmonic, Ascending & Descending | |
8: Identify the Minor & Major 6th |
|
8.1 Minor 6th & Major 6th - Ascending | |
8.2 Minor 6th & Major 6th - Descending | |
8.3 Minor 6th & Major 6th - Harmonic | |
8.4 Minor 6th & Major 6th - Harmonic, Ascending & Descending | |
9: Identify the Minor & Major 7th |
|
9.1 Minor 7th & Major 7th - Ascending | |
9.2 Minor 7th & Major 7th - Descending | |
9.3 Minor 7th & Major 7th - Harmonic | |
9.4 Minor 7th & Major 7th - Harmonic, Ascending & Descending | |
10: Identify the Minor & Major 6ths and 7ths |
|
10.1 All intervals from Minor 6th to Major 7th - Ascending | |
10.2 All intervals from Minor 6th to Major 7th - Descending | |
10.3 All intervals from Minor 6th to Major 7th - Harmonic | |
10.4 All intervals from Minor 6th to Major 7th - Harmonic, Ascending & Descending | |
11: Identify All Intervals from Perfect 4th to Major 7th |
|
11.1 All intervals from Perfect 4th to Major 7th - Ascending | |
11.2 All intervals from Perfect 4th to Major 7th - Descending | |
11.3 All intervals from Perfect 4th to Major 7th - Harmonic | |
11.4 All intervals from Perfect 4th to Major 7th - Harmonic, Ascending & Descending | |
12: Identify All the Intervals from Minor 2nd to Major 7th |
|
12.1 All intervals from Minor 2nd to Major 7th - Ascending | |
12.2 All intervals from Minor 2nd to Major 7th - Descending | |
12.3 All intervals from Minor 2nd to Major 7th - Harmonic | |
12.4 All intervals from Minor 2nd to Major 7th - Harmonic, Ascending & Descending | |
13: Practice with the Perfect Intervals within an Octave |
|
13.1 Unison & Octave - Harmonic | |
13.2 Unison & Octave - Harmonic, Ascending & Descending | |
13.3 Perfect 4th & Perfect 5th - Harmonic | |
13.4 Perfect 4th & Perfect 5th - Harmonic, Ascending & Descending | |
13.5 Unison, Perfect 4th, Perfect 5th & Octave - Ascending | |
13.6 Unison, Perfect 4th, Perfect 5th & Octave - Descending | |
13.7 Unison, Perfect 4th, Perfect 5th & Octave - Harmonic | |
13.8 Unison, Perfect 4th, Perfect 5th & Octave - Harmonic, Ascending & Descending | |
14: Practice with the Consonant Intervals within an Octave |
|
14.1 Minor 3rd & Major 6th - Harmonic | |
14.2 Minor 3rd & Major 6th - Harmonic, Ascending & Descending | |
14.3 Major 3rd & Minor 6th - Harmonic | |
14.4 Major 3rd & Minor 6th - Harmonic, Ascending & Descending | |
14.5 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Ascending | |
14.6 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Descending | |
14.7 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Harmonic | |
14.8 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Harmonic, Ascending & Descending | |
15: Practice with the Dissonant Intervals within an Octave |
|
15.1 Minor 2nd & Major 7th - Harmonic | |
15.2 Minor 2nd & Major 7th - Harmonic, Ascending & Descending | |
15.3 Major 2nd & Minor 7th - Harmonic | |
15.4 Major 2nd & Minor 7th - Harmonic, Ascending & Descending | |
15.5 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Ascending | |
15.6 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Descending | |
15.7 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Harmonic | |
15.8 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Harmonic, Ascending & Descending | |
15.9 Minor 2nd, Dim 5th & Major 7th - Ascending | |
15.10 Minor 2nd, Dim 5th & Major 7th - Descending | |
15.11 Minor 2nd, Dim 5th & Major 7th - Harmonic | |
15.12 Major 2nd, Dim 5th & Minor 7th - Ascending | |
15.13 Major 2nd, Dim 5th & Minor 7th - Descending | |
15.14 Major 2nd, Dim 5th & Minor 7th - Harmonic | |
15.15 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Ascending | |
15.16 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Descending | |
15.17 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Harmonic | |
15.18 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Harmonic, Ascending & Descending | |
16: Practice with All Intervals within an Octave |
|
16.1 All intervals from Unison to Octave - Ascending | |
16.2 All intervals from Unison to Octave - Descending | |
16.3 All intervals from Unison to Octave - Harmonic | |
16.4 All intervals from Unison to Octave - Harmonic, Ascending & Descending |
General Workshops - Interval Singing |
|
1: Ascending Intervals from Do |
|
1.1 Do - Re (Major 2nd) | |
1.2 Do - Mi (Major 3rd) | |
1.3 Do - Re and Do - Mi | |
1.4 Do - Fa (Perfect 4th) | |
1.5 Do - So (Perfect 5th) | |
1.6 Do - Fa and Do - So | |
1.7 Do to Re, Mi, Fa and So | |
1.8 Do - La (Major 6th) | |
1.9 Do - Ti (Major 7th) | |
1.10 Do - Do (Octave) | |
1.11 Do to La, Ti and Do | |
1.12 All Ascending Intervals from Do | |
2: Descending Intervals from Do |
|
2.1 Do - Ti (Minor 2nd) | |
2.2 Do - La (Minor 3rd) | |
2.3 Do - Ti and Do - La | |
2.4 Do - So (Perfect 4th) | |
2.5 Do - Fa (Perfect 5th) | |
2.6 Do - So and Do - Fa | |
2.7 Do to Ti, La, So and Fa | |
2.8 Do - Mi (Minor 6th) | |
2.9 Do - Re (Minor 7th) | |
2.10 Do - Do (Octave) | |
2.11 Do to Mi, Re and Do | |
2.12 All Descending Intervals from Do | |
3: Complementary intervals from Do - Ascending and Descending |
|
3.1 Do - Re (Major 2nd up or Minor 7th down) | |
3.2 Do - Mi (Major 3rd up or Minor 6th down) | |
3.3 Do - Re and Do - Mi | |
3.4 Do - Fa (Perfect 4th up or Perfect 5th down) | |
3.5 Do - So (Perfect 5th up or Perfect 4th down) | |
3.6 Do - Fa and Do - So | |
3.7 Do to Re, Mi, Fa and So | |
3.8 Do - La (Major 6th up or Minor 3rd down) | |
3.9 Do - Ti (Major 7th up or Minor 2nd down) | |
3.10 Do - Do (Octave up or octave down) | |
3.11 Do to La, Ti and Do | |
3.12 All intervals from Do |
General Workshops - Melodic Dictation |
|
1: 3 to 4 Tones from the C Major Scale |
|
1.1 Do, Re - 3 tones | |
1.2 Do, Re, Mi | |
1.3 Do, Re, Mi, Fa | |
1.4 Do, Re, Mi, Fa, So | |
1.5 Do, Re, Mi, Fa, So, La | |
1.6 Do, Re, Mi, Fa, So, La, Ti | |
1.7 Do, Re - 4 tones | |
1.8 Do, Re, Mi | |
1.9 Do, Re, Mi, Fa | |
1.10 Do, Re, Mi, Fa, So | |
1.11 Do, Re, Mi, Fa, So, La | |
1.12 Do, Re, Mi, Fa, So, La, Ti | |
2: 5 to 6 Tones from the C Major Scale |
|
2.1 Do, Re - 5 tones | |
2.2 Do, Re, Mi | |
2.3 Do, Re, Mi, Fa | |
2.4 Do, Re, Mi, Fa, So | |
2.5 Do, Re, Mi, Fa, So, La | |
2.6 Do, Re, Mi, Fa, So, La, Ti | |
2.7 Do, Re - 6 tones | |
2.8 Do, Re, Mi | |
2.9 Do, Re, Mi, Fa | |
2.10 Do, Re, Mi, Fa, So | |
2.11 Do, Re, Mi, Fa, So, La | |
2.12 Do, Re, Mi, Fa, So, La, Ti | |
3: 7 to 8 Tones from the C Major Scale |
|
3.1 Do, Re, Mi - 7 tones | |
3.2 Do, Re, Mi, Fa | |
3.3 Do, Re, Mi, Fa, So | |
3.4 Do, Re, Mi, Fa, So, La | |
3.5 Do, Re, Mi, Fa, So, La, Ti | |
3.6 Do, Re, Mi - 8 tones | |
3.7 Do, Re, Mi, Fa | |
3.8 Do, Re, Mi, Fa, So | |
3.9 Do, Re, Mi, Fa, So, La | |
3.10 Do, Re, Mi, Fa, So, La, Ti | |
4: 5 Tones with Only Do Given |
|
4.1 Do, Re | |
4.2 Do, Re, Mi | |
4.3 Do, Re, Mi, Fa | |
4.4 Do, Re, Mi, Fa, So | |
4.5 Do, Re, Mi, Fa, So, La | |
4.6 Do, Re, Mi, Fa, So, La, Ti | |
5: Melodies with Rhythm. 4/4 |
|
5.1 Do, Re - 1 bar | |
5.2 Do, Re, Mi | |
5.3 Do, Re, Mi, Fa | |
5.4 Do, Re, Mi, Fa, So | |
5.5 Do, Re, Mi, Fa, So, La | |
5.6 Do, Re, Mi, Fa, So, La, Ti | |
5.7 Do, Re, Mi - 2 bars | |
5.8 Do, Re, Mi, Fa | |
5.9 Do, Re, Mi, Fa, So | |
5.10 Do, Re, Mi, Fa, So, La | |
5.11 Do, Re, Mi, Fa, So, La, Ti | |
6: Melodies with Rhythm. 3/4 |
|
6.1 Do, Re - 1 bar | |
6.2 Do, Re, Mi | |
6.3 Do, Re, Mi, Fa | |
6.4 Do, Re, Mi, Fa, So | |
6.5 Do, Re, Mi, Fa, So, La | |
6.6 Do, Re, Mi, Fa, So, La, Ti | |
6.7 Do, Re, Mi - 2 bars | |
6.8 Do, Re, Mi, Fa | |
6.9 Do, Re, Mi, Fa, So | |
6.10 Do, Re, Mi, Fa, So, La | |
6.11 Do, Re, Mi, Fa, So, La, Ti | |
7: Adding 8th Notes. 4/4 |
|
7.1 Do, Re - 1 bar | |
7.2 Do, Re, Mi | |
7.3 Do, Re, Mi, Fa | |
7.4 Do, Re, Mi, Fa, So | |
7.5 Do, Re, Mi, Fa, So, La | |
7.6 Do, Re, Mi, Fa, So, La, Ti | |
7.7 Do, Re, Mi - 2 bars | |
7.8 Do, Re, Mi, Fa | |
7.9 Do, Re, Mi, Fa, So | |
7.10 Do, Re, Mi, Fa, So, La | |
7.11 Do, Re, Mi, Fa, So, La, Ti | |
8: Adding 8th Notes. 3/4 |
|
8.1 Do, Re - 1 bar | |
8.2 Do, Re, Mi | |
8.3 Do, Re, Mi, Fa | |
8.4 Do, Re, Mi, Fa, So | |
8.5 Do, Re, Mi, Fa, So, La | |
8.6 Do, Re, Mi, Fa, So, La, Ti | |
8.7 Do, Re, Mi - 2 bars | |
8.8 Do, Re, Mi, Fa | |
8.9 Do, Re, Mi, Fa, So | |
8.10 Do, Re, Mi, Fa, So, La | |
8.11 Do, Re, Mi, Fa, So, La, Ti | |
9: Different Keys. 4/4 |
|
9.1 Do, Re - 1 bar | |
9.2 Do, Re, Mi | |
9.3 Do, Re, Mi, Fa | |
9.4 Do, Re, Mi, Fa, So | |
9.5 Do, Re, Mi, Fa, So, La | |
9.6 Do, Re, Mi, Fa, So, La, Ti | |
9.7 Do, Re, Mi - 2 bars | |
9.8 Do, Re, Mi, Fa | |
9.9 Do, Re, Mi, Fa, So | |
9.10 Do, Re, Mi, Fa, So, La | |
9.11 Do, Re, Mi, Fa, So, La, Ti | |
10: Different Keys. 3/4 |
|
10.1 Do, Re - 1 bar | |
10.2 Do, Re, Mi | |
10.3 Do, Re, Mi, Fa | |
10.4 Do, Re, Mi, Fa, So | |
10.5 Do, Re, Mi, Fa, So, La | |
10.6 Do, Re, Mi, Fa, So, La, Ti | |
10.7 Do, Re, Mi - 2 bars | |
10.8 Do, Re, Mi, Fa | |
10.9 Do, Re, Mi, Fa, So | |
10.10 Do, Re, Mi, Fa, So, La | |
10.11 Do, Re, Mi, Fa, So, La, Ti | |
11: Different Keys. Adding 8th Notes. 4/4 |
|
11.1 Do, Re - 1 bar | |
11.2 Do, Re, Mi | |
11.3 Do, Re, Mi, Fa | |
11.4 Do, Re, Mi, Fa, So | |
11.5 Do, Re, Mi, Fa, So, La | |
11.6 Do, Re, Mi, Fa, So, La, Ti | |
11.7 Do, Re, Mi - 2 bars | |
11.8 Do, Re, Mi, Fa | |
11.9 Do, Re, Mi, Fa, So | |
11.10 Do, Re, Mi, Fa, So, La | |
11.11 Do, Re, Mi, Fa, So, La, Ti | |
12: Different Keys. Adding 8th Notes. 3/4 |
|
12.1 Do, Re - 1 bar | |
12.2 Do, Re, Mi | |
12.3 Do, Re, Mi, Fa | |
12.4 Do, Re, Mi, Fa, So | |
12.5 Do, Re, Mi, Fa, So, La | |
12.6 Do, Re, Mi, Fa, So, La, Ti | |
12.7 Do, Re, Mi - 2 bars | |
12.8 Do, Re, Mi, Fa | |
12.9 Do, Re, Mi, Fa, So | |
12.10 Do, Re, Mi, Fa, So, La | |
12.11 Do, Re, Mi, Fa, So, La, Ti | |
13: Melodies in A minor. 4/4 |
|
13.1 Do, Re - 1 bar | |
13.2 Do, Re, Me | |
13.3 Do, Re, Me, Fa | |
13.4 Do, Re, Me, Fa, So | |
13.5 Do, Re, Me, Fa, So, Le | |
13.6 Do, Re, Me, Fa, So, Le, Te | |
13.7 Do, Re, Me - 2 bars | |
13.8 Do, Re, Me, Fa | |
13.9 Do, Re, Me, Fa, So | |
13.10 Do, Re, Me, Fa, So, Le | |
13.11 Do, Re, Me, Fa, So, Le, Te | |
14: Melodies in A Minor. 3/4 |
|
14.1 Do, Re - 1 bar | |
14.2 Do, Re, Me | |
14.3 Do, Re, Me, Fa | |
14.4 Do, Re, Me, Fa, So | |
14.5 Do, Re, Me, Fa, So, Le | |
14.6 Do, Re, Me, Fa, So, Le, Te | |
14.7 Do, Re, Me - 2 bars | |
14.8 Do, Re, Me, Fa | |
14.9 Do, Re, Me, Fa, So | |
14.10 Do, Re, Me, Fa, So, Le | |
14.11 Do, Re, Me, Fa, So, Le, Te | |
15: Melodies in A Minor. 4/4 Adding 8th Notes |
|
15.1 Do, Re - 1 bar | |
15.2 Do, Re, Me | |
15.3 Do, Re, Me, Fa | |
15.4 Do, Re, Me, Fa, So | |
15.5 Do, Re, Me, Fa, So, Le | |
15.6 Do, Re, Me, Fa, So, Le, Te | |
15.7 Do, Re - 2 bars | |
15.8 Do, Re, Me - 2 bars | |
15.9 Do, Re, Me, Fa | |
15.10 Do, Re, Me, Fa, So | |
15.11 Do, Re, Me, Fa, So, Le | |
15.12 Do, Re, Me, Fa, So, Le, Te | |
16: Melodies in A Minor. 3/4 Adding 8th Notes |
|
16.1 Do, Re, Me - 1 bar | |
16.2 Do, Re, Me, Fa | |
16.3 Do, Re, Me, Fa, So | |
16.4 Do, Re, Me, Fa, So, Le | |
16.5 Do, Re, Me, Fa, So, Le, Te | |
16.6 Do, Re, Me - 2 bars | |
16.7 Do, Re, Me, Fa | |
16.8 Do, Re, Me, Fa, So | |
16.9 Do, Re, Me, Fa, So, Le | |
16.10 Do, Re, Me, Fa, So, Le, Te | |
17: All Minor Keys. 4/4 with 8th Notes. |
|
17.1 Do, Re, Me - 1 bar | |
17.2 Do, Re, Me, Fa | |
17.3 Do, Re, Me, Fa, So | |
17.4 Do, Re, Me, Fa, So, Le | |
17.5 Do, Re, Me, Fa, So, Le, Te | |
17.6 Do, Re, Me - 2 bars | |
17.7 Do, Re, Me, Fa | |
17.8 Do, Re, Me, Fa, So | |
17.9 Do, Re, Me, Fa, So, Le | |
17.10 Do, Re, Me, Fa, So, Le, Te | |
18: Harmonic Minor. 4/4 with 8th Notes. |
|
18.1 A minor harmonic. 1 bar | |
18.2 A minor harmonic. 2 bars | |
18.3 A minor harmonic. 4 bars | |
18.4 Harmonic minor (all keys). 1 bar | |
18.5 Harmonic minor (all keys). 2 bars | |
18.6 Harmonic minor (all keys). 4 bars |
General Workshops - Melodic Sight-Singing |
|
1: 3 to 4 Tones from the C Major Scale |
|
1.1 Do, Re - 3 tones | |
1.2 Do, Re, Mi | |
1.3 Do, Re, Mi, Fa | |
1.4 Do, Re, Mi, Fa, So | |
1.5 Do, Re, Mi, Fa, So, La | |
1.6 Do, Re, Mi, Fa, So, La, Ti | |
1.7 Do, Re - 4 tones | |
1.8 Do, Re, Mi | |
1.9 Do, Re, Mi, Fa | |
1.10 Do, Re, Mi, Fa, So | |
1.11 Do, Re, Mi, Fa, So, La | |
1.12 Do, Re, Mi, Fa, So, La, Ti | |
2: 5 to 6 Tones from the C Major Scale |
|
2.1 Do, Re - 5 tones | |
2.2 Do, Re, Mi | |
2.3 Do, Re, Mi, Fa | |
2.4 Do, Re, Mi, Fa, So | |
2.5 Do, Re, Mi, Fa, So, La | |
2.6 Do, Re, Mi, Fa, So, La, Ti | |
2.7 Do, Re - 6 tones | |
2.8 Do, Re, Mi | |
2.9 Do, Re, Mi, Fa | |
2.10 Do, Re, Mi, Fa, So | |
2.11 Do, Re, Mi, Fa, So, La | |
2.12 Do, Re, Mi, Fa, So, La, Ti | |
3: 7 to 8 Tones from the C Major Scale |
|
3.1 Do, Re, Mi - 7 tones | |
3.2 Do, Re, Mi, Fa | |
3.3 Do, Re, Mi, Fa, So | |
3.4 Do, Re, Mi, Fa, So, La | |
3.5 Do, Re, Mi, Fa, So, La, Ti | |
3.6 Do, Re, Mi - 8 tones | |
3.7 Do, Re, Mi, Fa | |
3.8 Do, Re, Mi, Fa, So | |
3.9 Do, Re, Mi, Fa, So, La | |
3.10 Do, Re, Mi, Fa, So, La, Ti | |
4: 5 Tones with Only Do Given |
|
4.1 Do, Re | |
4.2 Do, Re, Mi | |
4.3 Do, Re, Mi, Fa | |
4.4 Do, Re, Mi, Fa, So | |
4.5 Do, Re, Mi, Fa, So, La | |
4.6 Do, Re, Mi, Fa, So, La, Ti | |
5: Melodies with Rhythm. 4/4 - 1, 2 and 4 Bars. |
|
5.1 Do, Re - 1 bar | |
5.2 Do, Re, Mi | |
5.3 Do, Re, Mi, Fa | |
5.4 Do, Re, Mi, Fa, So | |
5.5 Do, Re, Mi, Fa, So, La | |
5.6 Do, Re, Mi, Fa, So, La, Ti | |
5.7 Do, Re, Mi - 2 bars | |
5.8 Do, Re, Mi, Fa | |
5.9 Do, Re, Mi, Fa, So | |
5.10 Do, Re, Mi, Fa, So, La | |
5.11 Do, Re, Mi, Fa, So, La, Ti | |
5.12 Do, Re, Mi - 4 bars | |
5.13 Do, Re, Mi, Fa | |
5.14 Do, Re, Mi, Fa, So | |
5.15 Do, Re, Mi, Fa, So, La | |
5.16 Do, Re, Mi, Fa, So, La, Ti | |
6: Melodies with Rhythm. 3/4 - 1, 2 and 4 Bars. |
|
6.1 Do, Re - 1 bar | |
6.2 Do, Re, Mi | |
6.3 Do, Re, Mi, Fa | |
6.4 Do, Re, Mi, Fa, So | |
6.5 Do, Re, Mi, Fa, So, La | |
6.6 Do, Re, Mi, Fa, So, La, Ti | |
6.7 Do, Re, Mi - 2 bars | |
6.8 Do, Re, Mi, Fa | |
6.9 Do, Re, Mi, Fa, So | |
6.10 Do, Re, Mi, Fa, So, La | |
6.11 Do, Re, Mi, Fa, So, La, Ti | |
6.12 Do, Re, Mi - 4 bars | |
6.13 Do, Re, Mi, Fa | |
6.14 Do, Re, Mi, Fa, So | |
6.15 Do, Re, Mi, Fa, So, La | |
6.16 Do, Re, Mi, Fa, So, La, Ti | |
7: Adding 8th Notes. 4/4 - 1, 2 and 4 Bars. |
|
7.1 Do, Re - 1 bar | |
7.2 Do, Re, Mi | |
7.3 Do, Re, Mi, Fa | |
7.4 Do, Re, Mi, Fa, So | |
7.5 Do, Re, Mi, Fa, So, La | |
7.6 Do, Re, Mi, Fa, So, La, Ti | |
7.7 Do, Re, Mi - 2 bars | |
7.8 Do, Re, Mi, Fa | |
7.9 Do, Re, Mi, Fa, So | |
7.10 Do, Re, Mi, Fa, So, La | |
7.11 Do, Re, Mi, Fa, So, La, Ti | |
7.12 Do, Re, Mi - 4 bars | |
7.13 Do, Re, Mi, Fa | |
7.14 Do, Re, Mi, Fa, So | |
7.15 Do, Re, Mi, Fa, So, La | |
7.16 Do, Re, Mi, Fa, So, La, Ti | |
8: Adding 8th Notes. 3/4 - 1, 2 and 4 Bars. |
|
8.1 Do, Re - 1 bar | |
8.2 Do, Re, Mi | |
8.3 Do, Re, Mi, Fa | |
8.4 Do, Re, Mi, Fa, So | |
8.5 Do, Re, Mi, Fa, So, La | |
8.6 Do, Re, Mi, Fa, So, La, Ti | |
8.7 Do, Re, Mi - 2 bars | |
8.8 Do, Re, Mi, Fa | |
8.9 Do, Re, Mi, Fa, So | |
8.10 Do, Re, Mi, Fa, So, La | |
8.11 Do, Re, Mi, Fa, So, La, Ti | |
8.12 Do, Re, Mi - 4 bars | |
8.13 Do, Re, Mi, Fa | |
8.14 Do, Re, Mi, Fa, So | |
8.15 Do, Re, Mi, Fa, So, La | |
8.16 Do, Re, Mi, Fa, So, La, Ti | |
9: Different Keys. 4/4 - 1, 2 and 4 Bars. |
|
9.1 Do, Re - 1 bar | |
9.2 Do, Re, Mi | |
9.3 Do, Re, Mi, Fa | |
9.4 Do, Re, Mi, Fa, So | |
9.5 Do, Re, Mi, Fa, So, La | |
9.6 Do, Re, Mi, Fa, So, La, Ti | |
9.7 Do, Re, Mi - 2 bars | |
9.8 Do, Re, Mi, Fa | |
9.9 Do, Re, Mi, Fa, So | |
9.10 Do, Re, Mi, Fa, So, La | |
9.11 Do, Re, Mi, Fa, So, La, Ti | |
9.12 Do, Re, Mi - 4 bars | |
9.13 Do, Re, Mi, Fa | |
9.14 Do, Re, Mi, Fa, So | |
9.15 Do, Re, Mi, Fa, So, La | |
9.16 Do, Re, Mi, Fa, So, La, Ti | |
10: Different Keys. 3/4 - 1, 2 and 4 Bars. |
|
10.1 Do, Re - 1 bar | |
10.2 Do, Re, Mi | |
10.3 Do, Re, Mi, Fa | |
10.4 Do, Re, Mi, Fa, So | |
10.5 Do, Re, Mi, Fa, So, La | |
10.6 Do, Re, Mi, Fa, So, La, Ti | |
10.7 Do, Re, Mi - 2 bars | |
10.8 Do, Re, Mi, Fa | |
10.9 Do, Re, Mi, Fa, So | |
10.10 Do, Re, Mi, Fa, So, La | |
10.11 Do, Re, Mi, Fa, So, La, Ti | |
10.12 Do, Re, Mi - 4 bars | |
10.13 Do, Re, Mi, Fa | |
10.14 Do, Re, Mi, Fa, So | |
10.15 Do, Re, Mi, Fa, So, La | |
10.16 Do, Re, Mi, Fa, So, La, Ti | |
11: Different Keys. Adding 8th Notes. 4/4 - 1, 2 and 4 Bars. |
|
11.1 Do, Re - 1 bar | |
11.2 Do, Re, Mi | |
11.3 Do, Re, Mi, Fa | |
11.4 Do, Re, Mi, Fa, So | |
11.5 Do, Re, Mi, Fa, So, La | |
11.6 Do, Re, Mi, Fa, So, La, Ti | |
11.7 Do, Re, Mi - 2 bars | |
11.8 Do, Re, Mi, Fa | |
11.9 Do, Re, Mi, Fa, So | |
11.10 Do, Re, Mi, Fa, So, La | |
11.11 Do, Re, Mi, Fa, So, La, Ti | |
11.12 Do, Re, Mi - 4 bars | |
11.13 Do, Re, Mi, Fa | |
11.14 Do, Re, Mi, Fa, So | |
11.15 Do, Re, Mi, Fa, So, La | |
11.16 Do, Re, Mi, Fa, So, La, Ti | |
12: Different Keys. Adding 8th Notes. 3/4 - 1, 2 and 4 Bars. |
|
12.1 Do, Re - 1 bar | |
12.2 Do, Re, Mi | |
12.3 Do, Re, Mi, Fa | |
12.4 Do, Re, Mi, Fa, So | |
12.5 Do, Re, Mi, Fa, So, La | |
12.6 Do, Re, Mi, Fa, So, La, Ti | |
12.7 Do, Re, Mi - 2 bars | |
12.8 Do, Re, Mi, Fa | |
12.9 Do, Re, Mi, Fa, So | |
12.10 Do, Re, Mi, Fa, So, La | |
12.11 Do, Re, Mi, Fa, So, La, Ti | |
12.12 Do, Re, Mi - 4 bars | |
12.13 Do, Re, Mi, Fa | |
12.14 Do, Re, Mi, Fa, So | |
12.15 Do, Re, Mi, Fa, So, La | |
12.16 Do, Re, Mi, Fa, So, La, Ti | |
13: Melodies in A minor. 4/4 - 1, 2 and 4 Bars. |
|
13.1 Do, Re - 1 bar | |
13.2 Do, Re, Me | |
13.3 Do, Re, Me, Fa | |
13.4 Do, Re, Me, Fa, So | |
13.5 Do, Re, Me, Fa, So, Le | |
13.6 Do, Re, Me, Fa, So, Le, Te | |
13.7 Do, Re, Me - 2 bars | |
13.8 Do, Re, Me, Fa | |
13.9 Do, Re, Me, Fa, So | |
13.10 Do, Re, Me, Fa, So, Le | |
13.11 Do, Re, Me, Fa, So, Le, Te | |
13.12 Do, Re, Me - 4 bars | |
13.13 Do, Re, Me, Fa | |
13.14 Do, Re, Me, Fa, So | |
13.15 Do, Re, Me, Fa, So, Le | |
13.16 Do, Re, Me, Fa, So, Le, Te | |
14: Melodies in A Minor. 3/4 - 1, 2 and 4 Bars. |
|
14.1 Do, Re - 1 bar | |
14.2 Do, Re, Me | |
14.3 Do, Re, Me, Fa | |
14.4 Do, Re, Me, Fa, So | |
14.5 Do, Re, Me, Fa, So, Le | |
14.6 Do, Re, Me, Fa, So, Le, Te | |
14.7 Do, Re, Me - 2 bars | |
14.8 Do, Re, Me, Fa | |
14.9 Do, Re, Me, Fa, So | |
14.10 Do, Re, Me, Fa, So, Le | |
14.11 Do, Re, Me, Fa, So, Le, Te | |
14.12 Do, Re, Me - 4 bars | |
14.13 Do, Re, Me, Fa | |
14.14 Do, Re, Me, Fa, So | |
14.15 Do, Re, Me, Fa, So, Le | |
14.16 Do, Re, Me, Fa, So, Le, Te | |
15: Melodies in A Minor. 4/4 Adding 8th Notes |
|
15.1 Do, Re - 1 bar | |
15.2 Do, Re, Me | |
15.3 Do, Re, Me, Fa | |
15.4 Do, Re, Me, Fa, So | |
15.5 Do, Re, Me, Fa, So, Le | |
15.6 Do, Re, Me, Fa, So, Le, Te | |
15.7 Do, Re - 2 bars | |
15.8 Do, Re, Me - 2 bars | |
15.9 Do, Re, Me, Fa | |
15.10 Do, Re, Me, Fa, So | |
15.11 Do, Re, Me, Fa, So, Le | |
15.12 Do, Re, Me, Fa, So, Le, Te | |
15.13 Do, Re, Me - 4 bars | |
15.14 Do, Re, Me, Fa | |
15.15 Do, Re, Me, Fa, So | |
15.16 Do, Re, Me, Fa, So, Le | |
15.17 Do, Re, Me, Fa, So, Le, Te | |
16: Melodies in A Minor. 3/4 Adding 8th Notes |
|
16.1 Do, Re, Me - 1 bar | |
16.2 Do, Re, Me, Fa | |
16.3 Do, Re, Me, Fa, So | |
16.4 Do, Re, Me, Fa, So, Le | |
16.5 Do, Re, Me, Fa, So, Le, Te | |
16.6 Do, Re, Me - 2 bars | |
16.7 Do, Re, Me, Fa | |
16.8 Do, Re, Me, Fa, So | |
16.9 Do, Re, Me, Fa, So, Le | |
16.10 Do, Re, Me, Fa, So, Le, Te | |
16.11 Do, Re, Me - 4 bars | |
16.12 Do, Re, Me, Fa | |
16.13 Do, Re, Me, Fa, So | |
16.14 Do, Re, Me, Fa, So, Le | |
16.15 Do, Re, Me, Fa, So, Le, Te | |
17: All Minor Keys. 4/4 with 8th Notes. |
|
17.1 Do, Re, Me - 1 bar | |
17.2 Do, Re, Me, Fa | |
17.3 Do, Re, Me, Fa, So | |
17.4 Do, Re, Me, Fa, So, Le | |
17.5 Do, Re, Me, Fa, So, Le, Te | |
17.6 Do, Re, Me - 2 bars | |
17.7 Do, Re, Me, Fa | |
17.8 Do, Re, Me, Fa, So | |
17.9 Do, Re, Me, Fa, So, Le | |
17.10 Do, Re, Me, Fa, So, Le, Te | |
17.11 Do, Re, Me - 4 bars | |
17.12 Do, Re, Me, Fa | |
17.13 Do, Re, Me, Fa, So | |
17.14 Do, Re, Me, Fa, So, Le | |
17.15 Do, Re, Me, Fa, So, Le, Te | |
18: Harmonic Minor. 4/4 with 8th Notes. |
|
18.1 A minor harmonic. 1 bar | |
18.2 A minor harmonic. 2 bars | |
18.3 A minor harmonic. 4 bars | |
18.4 Harmonic minor (all keys). 1 bar | |
18.5 Harmonic minor (all keys). 2 bars | |
18.6 Harmonic minor (all keys). 4 bars |
General Workshops - Melody Singback |
|
1: 3 to 4 Tones from the C Major Scale |
|
1.1 Do, Re - 3 tones | |
1.2 Do, Re, Mi | |
1.3 Do, Re, Mi, Fa | |
1.4 Do, Re, Mi, Fa, So | |
1.5 Do, Re, Mi, Fa, So, La | |
1.6 Do, Re, Mi, Fa, So, La, Ti | |
1.7 Do, Re - 4 tones | |
1.8 Do, Re, Mi | |
1.9 Do, Re, Mi, Fa | |
1.10 Do, Re, Mi, Fa, So | |
1.11 Do, Re, Mi, Fa, So, La | |
1.12 Do, Re, Mi, Fa, So, La, Ti | |
2: 5 to 6 Tones from the C Major Scale |
|
2.1 Do, Re - 5 tones | |
2.2 Do, Re, Mi | |
2.3 Do, Re, Mi, Fa | |
2.4 Do, Re, Mi, Fa, So | |
2.5 Do, Re, Mi, Fa, So, La | |
2.6 Do, Re, Mi, Fa, So, La, Ti | |
2.7 Do, Re - 6 tones | |
2.8 Do, Re, Mi | |
2.9 Do, Re, Mi, Fa | |
2.10 Do, Re, Mi, Fa, So | |
2.11 Do, Re, Mi, Fa, So, La | |
2.12 Do, Re, Mi, Fa, So, La, Ti | |
3: 7 to 8 Tones from the C Major Scale |
|
3.1 Do, Re, Mi - 7 tones | |
3.2 Do, Re, Mi, Fa | |
3.3 Do, Re, Mi, Fa, So | |
3.4 Do, Re, Mi, Fa, So, La | |
3.5 Do, Re, Mi, Fa, So, La, Ti | |
3.6 Do, Re, Mi - 8 tones | |
3.7 Do, Re, Mi, Fa | |
3.8 Do, Re, Mi, Fa, So | |
3.9 Do, Re, Mi, Fa, So, La | |
3.10 Do, Re, Mi, Fa, So, La, Ti | |
4: Melodies in C Major with Rhythm. 4/4 |
|
4.1 Do, Re - 1 bar | |
4.2 Do, Re, Mi | |
4.3 Do, Re, Mi, Fa | |
4.4 Do, Re, Mi, Fa, So | |
4.5 Do, Re, Mi, Fa, So, La | |
4.6 Do, Re, Mi, Fa, So, La, Ti | |
4.7 Do, Re, Mi - 2 bars | |
4.8 Do, Re, Mi, Fa | |
4.9 Do, Re, Mi, Fa, So | |
4.10 Do, Re, Mi, Fa, So, La | |
4.11 Do, Re, Mi, Fa, So, La, Ti | |
5: Melodies in C Major with Rhythm. 3/4 |
|
5.1 Do, Re - 1 bar | |
5.2 Do, Re, Mi | |
5.3 Do, Re, Mi, Fa | |
5.4 Do, Re, Mi, Fa, So | |
5.5 Do, Re, Mi, Fa, So, La | |
5.6 Do, Re, Mi, Fa, So, La, Ti | |
5.7 Do, Re, Mi - 2 bars | |
5.8 Do, Re, Mi, Fa | |
5.9 Do, Re, Mi, Fa, So | |
5.10 Do, Re, Mi, Fa, So, La | |
5.11 Do, Re, Mi, Fa, So, La, Ti | |
6: Adding 8th Notes. 4/4 |
|
6.1 Do, Re - 1 bar | |
6.2 Do, Re, Mi | |
6.3 Do, Re, Mi, Fa | |
6.4 Do, Re, Mi, Fa, So | |
6.5 Do, Re, Mi, Fa, So, La | |
6.6 Do, Re, Mi, Fa, So, La, Ti | |
6.7 Do, Re, Mi - 2 bars | |
6.8 Do, Re, Mi, Fa | |
6.9 Do, Re, Mi, Fa, So | |
6.10 Do, Re, Mi, Fa, So, La | |
6.11 Do, Re, Mi, Fa, So, La, Ti | |
7: Adding 8th Notes. 3/4 |
|
7.1 Do, Re - 1 bar | |
7.2 Do, Re, Mi | |
7.3 Do, Re, Mi, Fa | |
7.4 Do, Re, Mi, Fa, So | |
7.5 Do, Re, Mi, Fa, So, La | |
7.6 Do, Re, Mi, Fa, So, La, Ti | |
7.7 Do, Re, Mi - 2 bars | |
7.8 Do, Re, Mi, Fa | |
7.9 Do, Re, Mi, Fa, So | |
7.10 Do, Re, Mi, Fa, So, La | |
7.11 Do, Re, Mi, Fa, So, La, Ti | |
8: Around the Circle of Fifths. 4/4 |
|
8.1 Do, Re - 1 bar | |
8.2 Do, Re, Mi | |
8.3 Do, Re, Mi, Fa | |
8.4 Do, Re, Mi, Fa, So | |
8.5 Do, Re, Mi, Fa, So, La | |
8.6 Do, Re, Mi, Fa, So, La, Ti | |
8.7 Do, Re, Mi - 2 bars | |
8.8 Do, Re, Mi, Fa | |
8.9 Do, Re, Mi, Fa, So | |
8.10 Do, Re, Mi, Fa, So, La | |
8.11 Do, Re, Mi, Fa, So, La, Ti | |
9: Around the Circle of Fifths. 3/4 |
|
9.1 Do, Re - 1 bar | |
9.2 Do, Re, Mi | |
9.3 Do, Re, Mi, Fa | |
9.4 Do, Re, Mi, Fa, So | |
9.5 Do, Re, Mi, Fa, So, La | |
9.6 Do, Re, Mi, Fa, So, La, Ti | |
9.7 Do, Re, Mi - 2 bars | |
9.8 Do, Re, Mi, Fa | |
9.9 Do, Re, Mi, Fa, So | |
9.10 Do, Re, Mi, Fa, So, La | |
9.11 Do, Re, Mi, Fa, So, La, Ti | |
10: Around the Circle of Fifths. 4/4 with 8th Notes. |
|
10.1 Do, Re - 1 bar | |
10.2 Do, Re, Mi | |
10.3 Do, Re, Mi, Fa | |
10.4 Do, Re, Mi, Fa, So | |
10.5 Do, Re, Mi, Fa, So, La | |
10.6 Do, Re, Mi, Fa, So, La, Ti | |
10.7 Do, Re, Mi - 2 bars | |
10.8 Do, Re, Mi, Fa | |
10.9 Do, Re, Mi, Fa, So | |
10.10 Do, Re, Mi, Fa, So, La | |
10.11 Do, Re, Mi, Fa, So, La, Ti | |
11: Around the Circle of Fifths. 3/4 with 8th Notes. |
|
11.1 Do, Re - 1 bar | |
11.2 Do, Re, Mi | |
11.3 Do, Re, Mi, Fa | |
11.4 Do, Re, Mi, Fa, So | |
11.5 Do, Re, Mi, Fa, So, La | |
11.6 Do, Re, Mi, Fa, So, La, Ti | |
11.7 Do, Re, Mi - 2 bars | |
11.8 Do, Re, Mi, Fa | |
11.9 Do, Re, Mi, Fa, So | |
11.10 Do, Re, Mi, Fa, So, La | |
11.11 Do, Re, Mi, Fa, So, La, Ti | |
12: Melodies in A minor. 4/4 |
|
12.1 Do, Re - 1 bar | |
12.2 Do, Re, Me | |
12.3 Do, Re, Me, Fa | |
12.4 Do, Re, Me, Fa, So | |
12.5 Do, Re, Me, Fa, So, Le | |
12.6 Do, Re, Me, Fa, So, Le, Te | |
12.7 Do, Re, Me - 2 bars | |
12.8 Do, Re, Me, Fa | |
12.9 Do, Re, Me, Fa, So | |
12.10 Do, Re, Me, Fa, So, Le | |
12.11 Do, Re, Me, Fa, So, Le, Te | |
13: Melodies in A minor. 3/4 |
|
13.1 Do, Re - 1 bar | |
13.2 Do, Re, Me | |
13.3 Do, Re, Me, Fa | |
13.4 Do, Re, Me, Fa, So | |
13.5 Do, Re, Me, Fa, So, Le | |
13.6 Do, Re, Me, Fa, So, Le, Te | |
13.7 Do, Re, Me - 2 bars | |
13.8 Do, Re, Me, Fa | |
13.9 Do, Re, Me, Fa, So | |
13.10 Do, Re, Me, Fa, So, Le | |
13.11 Do, Re, Me, Fa, So, Le, Te | |
14: Melodies in A minor. 4/4 with 8th Notes |
|
14.1 Do, Re - 1 bar | |
14.2 Do, Re, Me | |
14.3 Do, Re, Me, Fa | |
14.4 Do, Re, Me, Fa, So | |
14.5 Do, Re, Me, Fa, So, Le | |
14.6 Do, Re, Me, Fa, So, Le, Te | |
14.7 Do, Re - 2 bars | |
14.8 Do, Re, Me - 2 bars | |
14.9 Do, Re, Me, Fa | |
14.10 Do, Re, Me, Fa, So | |
14.11 Do, Re, Me, Fa, So, Le | |
14.12 Do, Re, Me, Fa, So, Le, Te | |
15: Melodies in A minor. 3/4 with 8th Notes |
|
15.1 Do, Re, Me - 1 bar | |
15.2 Do, Re, Me, Fa | |
15.3 Do, Re, Me, Fa, So | |
15.4 Do, Re, Me, Fa, So, Le | |
15.5 Do, Re, Me, Fa, So, Le, Te | |
15.6 Do, Re, Me - 2 bars | |
15.7 Do, Re, Me, Fa | |
15.8 Do, Re, Me, Fa, So | |
15.9 Do, Re, Me, Fa, So, Le | |
15.10 Do, Re, Me, Fa, So, Le, Te | |
16: All Minor Keys. 4/4 with 8th Notes. |
|
16.1 Do, Re, Me - 1 bar | |
16.2 Do, Re, Me, Fa | |
16.3 Do, Re, Me, Fa, So | |
16.4 Do, Re, Me, Fa, So, Le | |
16.5 Do, Re, Me, Fa, So, Le, Te | |
16.6 Do, Re, Me - 2 bars | |
16.7 Do, Re, Me, Fa | |
16.8 Do, Re, Me, Fa, So | |
16.9 Do, Re, Me, Fa, So, Le | |
16.10 Do, Re, Me, Fa, So, Le, Te | |
17: Harmonic Minor. 4/4 with 8th Notes. |
|
17.1 A minor harmonic. 1 bar | |
17.2 A minor harmonic. 2 bars | |
17.3 A minor harmonic. 4 bars | |
17.4 Harmonic minor (all keys). 1 bar | |
17.5 Harmonic minor (all keys). 2 bars | |
17.6 Harmonic minor (all keys). 4 bars |
General Workshops - Rhythm Clapback |
|
1: 4/4 - 1 bar: Whole, Half, Quarter & Eighth Notes |
|
1.1 4/4 - 1 bar: Quarter notes - including rests | |
1.2 4/4 - 1 bar: 8th & Quarter notes | |
1.3 4/4 - 1 bar: 8th notes - including rests | |
1.4 4/4 - 1 bar: 8th & Quarter notes - including rests | |
1.5 4/4 - 1 bar: Quarter & Half notes - including rests | |
1.6 4/4 - 1 bar: Half & Whole notes - including rests | |
1.7 4/4 - 1 bar: Quarter, Half & Whole notes - including rests | |
1.8 4/4 - 1 bar: 8th, Quarter, Half & Whole notes - including rests | |
2: 3/4 - 1 bar: Half, Quarter & Eighth Notes |
|
2.1 3/4 - 1 bar: Quarter notes - including rests | |
2.2 3/4 - 1 bar: 8th & Quarter notes | |
2.3 3/4 - 1 bar: 8th notes - including rests | |
2.4 3/4 - 1 bar: 8th & Quarter notes - including rests | |
2.5 3/4 - 1 bar: Quarter & Half notes - including rests | |
2.6 3/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
3: 2/4 - 1 bar: Half, Quarter & Eighth Notes |
|
3.1 2/4 - 1 bar: Quarter notes - including rests | |
3.2 2/4 - 1 bar: 8th & Quarter notes | |
3.3 2/4 - 1 bar: 8th notes - including rests | |
3.4 2/4 - 1 bar: 8th & Quarter notes - including rests | |
3.5 2/4 - 1 bar: Quarter & Half notes - including rests | |
3.6 2/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
4: 4/4 - 2 bars: Whole, half, Quarter & Eighth Notes |
|
4.1 4/4 - 2 bars: Quarter notes - including rests | |
4.2 4/4 - 2 bars: 8th & Quarter notes | |
4.3 4/4 - 2 bars: 8th notes - including rests | |
4.4 4/4 - 2 bars: 8th & Quarter notes - including rests | |
4.5 4/4 - 2 bars: Quarter & Half notes - including rests | |
4.6 4/4 - 2 bars: Half & Whole notes - including rests | |
4.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests | |
4.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests | |
5: 3/4 - 2 bars: Half, Quarter & Eighth Notes |
|
5.1 3/4 - 2 bars: Quarter notes - including rests | |
5.2 3/4 - 2 bars: 8th & Quarter notes | |
5.3 3/4 - 2 bars: 8th notes - including rests | |
5.4 3/4 - 2 bars: 8th & Quarter notes - including rests | |
5.5 3/4 - 2 bars: Quarter & Half notes - including rests | |
5.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
6: 2/4 - 2 bars: Half, Quarter & Eighth Notes |
|
6.1 2/4 - 2 bars: Quarter notes - including rests | |
6.2 2/4 - 2 bars: 8th & Quarter notes | |
6.3 2/4 - 2 bars: 8th notes - including rests | |
6.4 2/4 - 2 bars: 8th & Quarter notes - including rests | |
6.5 2/4 - 2 bars: Quarter & Half notes - including rests | |
6.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
7: 4/4: Introducing Sixteenth Note Groupings |
|
7.1 4/4 - 1 bar: 16th & Quarter notes | |
7.2 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
7.3 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
8: 3/4: Sixteenth Note Groupings |
|
8.1 3/4 - 1 bar: 16th & Quarter notes | |
8.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
8.3 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
9: 2/4: Sixteenth Note Groupings |
|
9.1 2/4 - 1 bar: 16th & Quarter notes | |
9.2 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
9.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
10: Advanced Sixteenth Note Groupings |
|
10.1 4/4 - 1 bar: 16th, 8th & Quarter notes | |
10.2 3/4 - 1 bar: 16th, 8th & Quarter notes | |
10.3 2/4 - 1 bar: 16th, 8th & Quarter notes | |
10.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes | |
10.5 4/4 - 1 bar: 16th, 8th & Quarter notes | |
10.6 3/4 - 1 bar: 16th, 8th & Quarter notes | |
10.7 2/4 - 1 bar: 16th, 8th & Quarter notes | |
10.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes | |
11: Advanced Sixteenth Note Groupings with Rests |
|
11.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
11.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
11.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
11.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
11.5 4/4 - 1 bar: 16th & Quarter notes - including rests | |
11.6 3/4 - 1 bar: 16th & Quarter notes - including rests | |
11.7 2/4 - 1 bar: 16th & Quarter notes - including rests | |
11.8 2/4, 3/4 & 4/4 - 1 bar: 16th & Quarter notes - including rests | |
12: Advanced 16th and 8th Combinations with Rests |
|
12.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.5 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.6 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.7 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
13: All Note values from the Previous Lessons, Including Rests |
|
13.1 4/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests | |
13.2 3/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
13.3 2/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
13.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
14: 4/4: Triplets |
|
14.1 4/4 - 1 bar: Quarter notes, 8th triplets | |
14.2 4/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
14.3 4/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests | |
14.4 4/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
14.5 4/4 - 1 bar: 8th & Quarter triplets | |
14.6 4/4 - 1 bar: 8th & Quarter triplets - including rests | |
14.7 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets | |
14.8 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests | |
14.9 4/4 - 1 bar: Half triplets | |
14.10 4/4 - 1 bar: Half triplets - including rests | |
14.11 4/4 - 1 bar: Quarter notes, 16th triplets | |
14.12 4/4 - 1 bar: Quarter notes, 16th triplets - including rests | |
14.13 4/4 - 1 bar: 16th triplets - including rests | |
14.14 4/4 - 1 bar: 16th & 8th triplets | |
14.15 4/4 - 1 bar: 16th & 8th triplets - including rests | |
14.16 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets | |
14.17 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets - including rests | |
15: Triplets, Now in 3/4 |
|
15.1 3/4 - 1 bar: Quarter notes, 8th triplets | |
15.2 3/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
15.3 3/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests | |
15.4 3/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
15.5 3/4 - 1 bar: 8th & Quarter triplets | |
15.6 3/4 - 1 bar: 8th & Quarter triplets - including rests | |
15.7 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets | |
15.8 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests | |
15.9 3/4 - 1 bar: Quarter notes, 16th triplets | |
15.10 3/4 - 1 bar: Quarter notes, 16th triplets - including rests | |
15.11 3/4 - 1 bar: 16th triplets - including rests | |
15.12 3/4 - 1 bar: 16th & 8th triplets | |
15.13 3/4 - 1 bar: 16th & 8th triplets - including rests | |
15.14 3/4 - 1 bar: 16th, 8th & Quarter triplets | |
15.15 3/4 - 1 bar: 16th, 8th & Quarter triplets - including rests | |
16: Introducing a New Time Signature: 5/4 |
|
16.1 5/4 - 1 bar: 8th & Quarter notes - including rests | |
16.2 5/4 - 1 bar: 8th & Quarter notes - including rests | |
16.3 5/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
16.4 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
16.5 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
16.6 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests | |
16.7 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets | |
16.8 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests | |
17: Introducing New Time Signatures: 3/8, 4/8 & 6/8 |
|
17.1 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes | |
17.2 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes - including rests | |
17.3 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes | |
17.4 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
18: 6/8 with Dotted Subdivision |
|
18.1 6/8 - 1 bar: 8th notes, Quarter dotted notes | |
18.2 6/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
18.3 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
18.4 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
18.5 6/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
19: Introducing the 9/8 Time Signature |
|
19.1 9/8 - 1 bar: 16th & 8th notes | |
19.2 9/8 - 1 bar: 16th & 8th notes - including rests | |
19.3 9/8 - 1 bar: 16th, 8th & Quarter notes | |
19.4 9/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
19.5 9/8 - 1 bar: 8th notes, Quarter dotted notes | |
19.6 9/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
19.7 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
19.8 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
19.9 9/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
20: Introducing the 12/8 Time Signature |
|
20.1 12/8 - 1 bar: 16th & 8th notes | |
20.2 12/8 - 1 bar: 16th & 8th notes - including rests | |
20.3 12/8 - 1 bar: 16th, 8th & Quarter notes | |
20.4 12/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
20.5 12/8 - 1 bar: 8th notes, Quarter dotted notes | |
20.6 12/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
20.7 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
20.8 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
20.9 12/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
21: Introducing New Time Signatures: 5/8 & 7/8 |
|
21.1 5/8 & 7/8 - 1 bar: 16th & 8th notes | |
21.2 5/8 & 7/8 - 1 bar: 16th & 8th notes - including rests | |
21.3 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes | |
21.4 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
22: Introducing New Time Signatures: 2/2, 3/2 & 4/2 |
|
22.1 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes | |
22.2 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes - including rests | |
22.3 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes | |
22.4 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes - including rests | |
22.5 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests | |
22.6 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests | |
23: 4/4: Mixed Note Groupings |
|
23.1 4/4 - 1 bar: 8th notes, 8th triplets | |
23.2 4/4 - 1 bar: 8th notes, 8th triplets - including rests | |
23.3 4/4 - 1 bar: Quarter notes, Quarter triplets | |
23.4 4/4 - 1 bar: Quarter notes, Quarter triplets - including rests | |
23.5 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets | |
23.6 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
23.7 4/4 - 1 bar: 16th notes, 16th triplets | |
23.8 4/4 - 1 bar: 16th notes, 16th triplets - including rests | |
23.9 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets | |
23.10 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests | |
23.11 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
23.12 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
24: 3/4: Mixed Note Groupings |
|
24.1 3/4 - 1 bar: 8th notes, 8th triplets | |
24.2 3/4 - 1 bar: 8th notes, 8th triplets - including rests | |
24.3 3/4 - 1 bar: Quarter notes, Quarter triplets | |
24.4 3/4 - 1 bar: Quarter notes, Quarter triplets - including rests | |
24.5 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets | |
24.6 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
24.7 3/4 - 1 bar: 16th notes, 16th triplets | |
24.8 3/4 - 1 bar: 16th notes, 16th triplets - including rests | |
24.9 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets | |
24.10 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests | |
24.11 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
24.12 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
25: 4/4: Introducing 32nd Notes |
|
25.1 4/4 - 1 bar: 8th & Quarter notes - including rests | |
25.2 4/4 - 1 bar: 16th & 8th notes - including rests | |
25.3 4/4 - 1 bar: 32nd & 16th notes | |
25.4 4/4 - 1 bar: 32nd & 16th notes - including rests | |
25.5 4/4 - 1 bar: 32nd & 16th notes - including rests | |
25.6 4/4 - 1 bar: 32nd notes - including rests | |
25.7 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes | |
25.8 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests | |
26: 3/4: 32nd Notes |
|
26.1 3/4 - 1 bar: 8th & Quarter notes - including rests | |
26.2 3/4 - 1 bar: 16th & 8th notes - including rests | |
26.3 3/4 - 1 bar: 32nd & 16th notes | |
26.4 3/4 - 1 bar: 32nd & 16th notes - including rests | |
26.5 3/4 - 1 bar: 32nd & 16th notes - including rests | |
26.6 3/4 - 1 bar: 32nd notes - including rests | |
26.7 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes | |
26.8 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests | |
27: Final roundup |
|
27.1 Simple meters | |
27.2 Simple meters with rests | |
27.3 Compound meters | |
27.4 Compound meters with rests | |
27.5 Asymmetrical meters I | |
27.6 Asymmetrical meters II |
General Workshops - Rhythm Error Detection |
|
1: 4/4 - 2 bars: Whole, Half, Quarter & Eighth Notes |
|
1.1 4/4 - 2 bars: Quarter notes - including rests | |
1.2 4/4 - 2 bars: 8th & Quarter notes | |
1.3 4/4 - 2 bars: 8th notes - including rests | |
1.4 4/4 - 2 bars: 8th & Quarter notes - including rests | |
1.5 4/4 - 2 bars: Quarter & Half notes - including rests | |
1.6 4/4 - 2 bars: Half & Whole notes - including rests | |
1.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests | |
1.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests | |
2: 3/4 - 2 bars: Half, Quarter & Eighth Notes |
|
2.1 3/4 - 2 bars: Quarter notes - including rests | |
2.2 3/4 - 2 bars: 8th & Quarter notes | |
2.3 3/4 - 2 bars: 8th notes - including rests | |
2.4 3/4 - 2 bars: 8th & Quarter notes - including rests | |
2.5 3/4 - 2 bars: Quarter & Half notes - including rests | |
2.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
3: 2/4 - 2 bars: Half, Quarter & Eighth Notes |
|
3.1 2/4 - 2 bars: Quarter notes - including rests | |
3.2 2/4 - 2 bars: 8th & Quarter notes | |
3.3 2/4 - 2 bars: 8th notes - including rests | |
3.4 2/4 - 2 bars: 8th & Quarter notes - including rests | |
3.5 2/4 - 2 bars: Quarter & Half notes - including rests | |
3.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
4: 4/4 - 4 bars: Whole, half, Quarter & Eighth Notes |
|
4.1 4/4 - 4 bars: Quarter notes - including rests | |
4.2 4/4 - 4 bars: 8th & Quarter notes | |
4.3 4/4 - 4 bars: 8th notes - including rests | |
4.4 4/4 - 4 bars: 8th & Quarter notes - including rests | |
4.5 4/4 - 4 bars: Quarter & Half notes - including rests | |
4.6 4/4 - 4 bars: Half & Whole notes - including rests | |
4.7 4/4 - 4 bars: Quarter, Half & Whole notes - including rests | |
4.8 4/4 - 4 bars: 8th, Quarter, Half & Whole notes - including rests | |
5: 3/4 - 4 bars: Half, Quarter & Eighth Notes |
|
5.1 3/4 - 4 bars: Quarter notes - including rests | |
5.2 3/4 - 4 bars: 8th & Quarter notes | |
5.3 3/4 - 4 bars: 8th notes - including rests | |
5.4 3/4 - 4 bars: 8th & Quarter notes - including rests | |
5.5 3/4 - 4 bars: Quarter & Half notes - including rests | |
5.6 3/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
6: 2/4 - 4 bars: Half, Quarter & Eighth Notes |
|
6.1 2/4 - 4 bars: Quarter notes - including rests | |
6.2 2/4 - 4 bars: 8th & Quarter notes | |
6.3 2/4 - 4 bars: 8th notes - including rests | |
6.4 2/4 - 4 bars: 8th & Quarter notes - including rests | |
6.5 2/4 - 4 bars: Quarter & Half notes - including rests | |
6.6 2/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
7: 4/4 - 8 bars: Whole, Half, Quarter & Eighth Notes |
|
7.1 4/4 - 8 bars: Quarter notes - including rests | |
7.2 4/4 - 8 bars: 8th & Quarter notes | |
7.3 4/4 - 8 bars: 8th notes - including rests | |
7.4 4/4 - 8 bars: 8th & Quarter notes - including rests | |
7.5 4/4 - 8 bars: Quarter & Half notes - including rests | |
7.6 4/4 - 8 bars: Half & Whole notes - including rests | |
7.7 4/4 - 8 bars: Quarter, Half & Whole notes - including rests | |
7.8 4/4 - 8 bars: 8th, Quarter, Half & Whole notes - including rests | |
8: 4/4: Introducing Sixteenth Note Groupings |
|
8.1 4/4 - 2 bars: 16th & Quarter notes | |
8.2 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
8.3 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
9: 3/4: Sixteenth Note Groupings |
|
9.1 3/4 - 2 bars: 16th & Quarter notes | |
9.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
9.3 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
10: 2/4: Sixteenth Note Groupings |
|
10.1 2/4 - 2 bars: 16th & Quarter notes | |
10.2 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
10.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
11: Advanced Sixteenth Note Groupings |
|
11.1 4/4 - 2 bars: 16th, 8th & Quarter notes | |
11.2 3/4 - 2 bars: 16th, 8th & Quarter notes | |
11.3 2/4 - 2 bars: 16th, 8th & Quarter notes | |
11.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes | |
11.5 4/4 - 2 bars: 16th, 8th & Quarter notes | |
11.6 3/4 - 2 bars: 16th, 8th & Quarter notes | |
11.7 2/4 - 2 bars: 16th, 8th & Quarter notes | |
11.8 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes | |
12: Advanced Sixteenth Note Groupings with Rests |
|
12.1 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
12.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
12.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
12.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
12.5 4/4 - 2 bars: 16th & Quarter notes - including rests | |
12.6 3/4 - 2 bars: 16th & Quarter notes - including rests | |
12.7 2/4 - 2 bars: 16th & Quarter notes - including rests | |
12.8 2/4, 3/4 & 4/4 - 2 bars: 16th & Quarter notes - including rests | |
13: Advanced 16th and 8th Combinations with Rests |
|
13.1 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
13.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
13.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
13.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
13.5 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
13.6 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
13.7 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
13.8 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
14: All Note values from the Previous Lessons, Including Rests |
|
14.1 4/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes - including rests | |
14.2 3/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests | |
14.3 2/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests | |
14.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests | |
15: 4/4: Triplets |
|
15.1 4/4 - 2 bars: Quarter notes, 8th triplets | |
15.2 4/4 - 2 bars: Quarter notes, 8th triplets - including rests | |
15.3 4/4 - 2 bars: Quarter & Half notes, 8th triplets - including rests | |
15.4 4/4 - 2 bars: Quarter notes, 8th triplets - including rests | |
15.5 4/4 - 2 bars: 8th & Quarter triplets | |
15.6 4/4 - 2 bars: 8th & Quarter triplets - including rests | |
15.7 4/4 - 2 bars: Quarter notes, 8th & Quarter triplets | |
15.8 4/4 - 2 bars: Quarter notes, 8th & Quarter triplets - including rests | |
15.9 4/4 - 2 bars: Half triplets | |
15.10 4/4 - 2 bars: Half triplets - including rests | |
15.11 4/4 - 2 bars: Quarter notes, 16th triplets | |
15.12 4/4 - 2 bars: Quarter notes, 16th triplets - including rests | |
15.13 4/4 - 2 bars: 16th triplets - including rests | |
15.14 4/4 - 2 bars: 16th & 8th triplets | |
15.15 4/4 - 2 bars: 16th & 8th triplets - including rests | |
15.16 4/4 - 2 bars: 16th, 8th, Quarter & Half triplets | |
15.17 4/4 - 2 bars: 16th, 8th, Quarter & Half triplets - including rests | |
16: Triplets, Now in 3/4 |
|
16.1 3/4 - 2 bars: Quarter notes, 8th triplets | |
16.2 3/4 - 2 bars: Quarter notes, 8th triplets - including rests | |
16.3 3/4 - 2 bars: Quarter & Half notes, 8th triplets - including rests | |
16.4 3/4 - 2 bars: Quarter notes, 8th triplets - including rests | |
16.5 3/4 - 2 bars: 8th & Quarter triplets | |
16.6 3/4 - 2 bars: 8th & Quarter triplets - including rests | |
16.7 3/4 - 2 bars: Quarter notes, 8th & Quarter triplets | |
16.8 3/4 - 2 bars: Quarter notes, 8th & Quarter triplets - including rests | |
16.9 3/4 - 2 bars: Quarter notes, 16th triplets | |
16.10 3/4 - 2 bars: Quarter notes, 16th triplets - including rests | |
16.11 3/4 - 2 bars: 16th triplets - including rests | |
16.12 3/4 - 2 bars: 16th & 8th triplets | |
16.13 3/4 - 2 bars: 16th & 8th triplets - including rests | |
16.14 3/4 - 2 bars: 16th, 8th & Quarter triplets | |
16.15 3/4 - 2 bars: 16th, 8th & Quarter triplets - including rests | |
17: Introducing a New Time Signature: 5/4 |
|
17.1 5/4 - 2 bars: 8th & Quarter notes - including rests | |
17.2 5/4 - 2 bars: 8th & Quarter notes - including rests | |
17.3 5/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
17.4 5/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
17.5 5/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
17.6 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes - including rests | |
17.7 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets | |
17.8 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests | |
18: Introducing New Time Signatures: 3/8, 4/8 & 6/8 |
|
18.1 3/8, 4/8 & 6/8 - 2 bars: 16th & 8th notes | |
18.2 3/8, 4/8 & 6/8 - 2 bars: 16th & 8th notes - including rests | |
18.3 3/8, 4/8 & 6/8 - 2 bars: 16th, 8th & Quarter notes | |
18.4 3/8, 4/8 & 6/8 - 2 bars: 16th, 8th & Quarter notes - including rests | |
19: 6/8 with Dotted Subdivision |
|
19.1 6/8 - 2 bars: 8th notes, Quarter dotted notes | |
19.2 6/8 - 2 bars: 8th notes, Quarter dotted notes - including rests | |
19.3 6/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes | |
19.4 6/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
19.5 6/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
20: Introducing the 9/8 Time Signature |
|
20.1 9/8 - 2 bars: 16th & 8th notes | |
20.2 9/8 - 2 bars: 16th & 8th notes - including rests | |
20.3 9/8 - 2 bars: 16th, 8th & Quarter notes | |
20.4 9/8 - 2 bars: 16th, 8th & Quarter notes - including rests | |
20.5 9/8 - 2 bars: 8th notes, Quarter dotted notes | |
20.6 9/8 - 2 bars: 8th notes, Quarter dotted notes - including rests | |
20.7 9/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes | |
20.8 9/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
20.9 9/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
21: Introducing the 12/8 Time Signature |
|
21.1 12/8 - 2 bars: 16th & 8th notes | |
21.2 12/8 - 2 bars: 16th & 8th notes - including rests | |
21.3 12/8 - 2 bars: 16th, 8th & Quarter notes | |
21.4 12/8 - 2 bars: 16th, 8th & Quarter notes - including rests | |
21.5 12/8 - 2 bars: 8th notes, Quarter dotted notes | |
21.6 12/8 - 2 bars: 8th notes, Quarter dotted notes - including rests | |
21.7 12/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes | |
21.8 12/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
21.9 12/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
22: Introducing New Time Signatures: 5/8 & 7/8 |
|
22.1 5/8 & 7/8 - 2 bars: 16th & 8th notes | |
22.2 5/8 & 7/8 - 2 bars: 16th & 8th notes - including rests | |
22.3 5/8 & 7/8 - 2 bars: 16th, 8th & Quarter notes | |
22.4 5/8 & 7/8 - 2 bars: 16th, 8th & Quarter notes - including rests | |
23: Introducing New Time Signatures: 2/2, 3/2 & 4/2 |
|
23.1 2/2, 3/2 & 4/2 - 2 bars: Half & Whole notes | |
23.2 2/2, 3/2 & 4/2 - 2 bars: Half & Whole notes - including rests | |
23.3 2/2, 3/2 & 4/2 - 2 bars: Quarter, Half & Whole notes | |
23.4 2/2, 3/2 & 4/2 - 2 bars: Quarter, Half & Whole notes - including rests | |
23.5 2/2, 3/2 & 4/2 - 2 bars: 8th, Quarter & Half notes - including rests | |
23.6 2/2, 3/2 & 4/2 - 2 bars: 8th, Quarter & Half notes - including rests | |
24: 4/4: Mixed Note Groupings |
|
24.1 4/4 - 2 bars: 8th notes, 8th triplets | |
24.2 4/4 - 2 bars: 8th notes, 8th triplets - including rests | |
24.3 4/4 - 2 bars: Quarter notes, Quarter triplets | |
24.4 4/4 - 2 bars: Quarter notes, Quarter triplets - including rests | |
24.5 4/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets | |
24.6 4/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
24.7 4/4 - 2 bars: 16th notes, 16th triplets | |
24.8 4/4 - 2 bars: 16th notes, 16th triplets - including rests | |
24.9 4/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets | |
24.10 4/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets - including rests | |
24.11 4/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
24.12 4/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
25: 3/4: Mixed Note Groupings |
|
25.1 3/4 - 2 bars: 8th notes, 8th triplets | |
25.2 3/4 - 2 bars: 8th notes, 8th triplets - including rests | |
25.3 3/4 - 2 bars: Quarter notes, Quarter triplets | |
25.4 3/4 - 2 bars: Quarter notes, Quarter triplets - including rests | |
25.5 3/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets | |
25.6 3/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
25.7 3/4 - 2 bars: 16th notes, 16th triplets | |
25.8 3/4 - 2 bars: 16th notes, 16th triplets - including rests | |
25.9 3/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets | |
25.10 3/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets - including rests | |
25.11 3/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
25.12 3/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
26: 4/4: Introducing 32nd Notes |
|
26.1 4/4 - 2 bars: 8th & Quarter notes - including rests | |
26.2 4/4 - 2 bars: 16th & 8th notes - including rests | |
26.3 4/4 - 2 bars: 32nd & 16th notes | |
26.4 4/4 - 2 bars: 32nd & 16th notes - including rests | |
26.5 4/4 - 2 bars: 32nd & 16th notes - including rests | |
26.6 4/4 - 2 bars: 32nd notes - including rests | |
26.7 4/4 - 2 bars: 32nd, 16th, 8th & Quarter notes | |
26.8 4/4 - 2 bars: 32nd, 16th, 8th & Quarter notes - including rests | |
27: 3/4: 32nd Notes |
|
27.1 3/4 - 2 bars: 8th & Quarter notes - including rests | |
27.2 3/4 - 2 bars: 16th & 8th notes - including rests | |
27.3 3/4 - 2 bars: 32nd & 16th notes | |
27.4 3/4 - 2 bars: 32nd & 16th notes - including rests | |
27.5 3/4 - 2 bars: 32nd & 16th notes - including rests | |
27.6 3/4 - 2 bars: 32nd notes - including rests | |
27.7 3/4 - 2 bars: 32nd, 16th, 8th & Quarter notes | |
27.8 3/4 - 2 bars: 32nd, 16th, 8th & Quarter notes - including rests | |
28: All the Time Signatures from the Previous Lessons |
|
28.1 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes | |
28.2 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes + Rests |
General Workshops - Rhythm Sight-Reading |
|
1: 4/4 - 4 bars: Whole, Half, Quarter & Eighth Notes |
|
1.1 4/4 - 4 bars: Quarter notes - including rests | |
1.2 4/4 - 4 bars: 8th & Quarter notes | |
1.3 4/4 - 4 bars: 8th notes - including rests | |
1.4 4/4 - 4 bars: 8th & Quarter notes - including rests | |
1.5 4/4 - 4 bars: Quarter & Half notes - including rests | |
1.6 4/4 - 4 bars: Half & Whole notes - including rests | |
1.7 4/4 - 4 bars: Quarter, Half & Whole notes - including rests | |
1.8 4/4 - 4 bars: 8th, Quarter, Half & Whole notes - including rests | |
2: 3/4 - 4 bars: Half, Quarter & Eighth Notes |
|
2.1 3/4 - 4 bars: Quarter notes - including rests | |
2.2 3/4 - 4 bars: 8th & Quarter notes | |
2.3 3/4 - 4 bars: 8th notes - including rests | |
2.4 3/4 - 4 bars: 8th & Quarter notes - including rests | |
2.5 3/4 - 4 bars: Quarter & Half notes - including rests | |
2.6 3/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
3: 2/4 - 4 bars: Half, Quarter & Eighth Notes |
|
3.1 2/4 - 4 bars: Quarter notes - including rests | |
3.2 2/4 - 4 bars: 8th & Quarter notes | |
3.3 2/4 - 4 bars: 8th notes - including rests | |
3.4 2/4 - 4 bars: 8th & Quarter notes - including rests | |
3.5 2/4 - 4 bars: Quarter & Half notes - including rests | |
3.6 2/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
4: 4/4 - 8 bars: Whole, half, Quarter & Eighth Notes |
|
4.1 4/4 - 8 bars: Quarter notes - including rests | |
4.2 4/4 - 8 bars: 8th & Quarter notes | |
4.3 4/4 - 8 bars: 8th notes - including rests | |
4.4 4/4 - 8 bars: 8th & Quarter notes - including rests | |
4.5 4/4 - 8 bars: Quarter & Half notes - including rests | |
4.6 4/4 - 8 bars: Half & Whole notes - including rests | |
4.7 4/4 - 8 bars: Quarter, Half & Whole notes - including rests | |
4.8 4/4 - 8 bars: 8th, Quarter, Half & Whole notes - including rests | |
5: 3/4 - 8 bars: Half, Quarter & Eighth Notes |
|
5.1 3/4 - 8 bars: Quarter notes - including rests | |
5.2 3/4 - 8 bars: 8th & Quarter notes | |
5.3 3/4 - 8 bars: 8th notes - including rests | |
5.4 3/4 - 8 bars: 8th & Quarter notes - including rests | |
5.5 3/4 - 8 bars: Quarter & Half notes - including rests | |
5.6 3/4 - 8 bars: 8th, Quarter & Half notes - including rests | |
6: 2/4 - 8 bars: Half, Quarter & Eighth Notes |
|
6.1 2/4 - 8 bars: Quarter notes - including rests | |
6.2 2/4 - 8 bars: 8th & Quarter notes | |
6.3 2/4 - 8 bars: 8th notes - including rests | |
6.4 2/4 - 8 bars: 8th & Quarter notes - including rests | |
6.5 2/4 - 8 bars: Quarter & Half notes - including rests | |
6.6 2/4 - 8 bars: 8th, Quarter & Half notes - including rests | |
7: 4/4: Introducing Sixteenth Note Groupings |
|
7.1 4/4 - 4 bars: 16th & Quarter notes | |
7.2 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
7.3 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
8: 3/4: Sixteenth Note Groupings |
|
8.1 3/4 - 4 bars: 16th & Quarter notes | |
8.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
8.3 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
9: 2/4: Sixteenth Note Groupings |
|
9.1 2/4 - 4 bars: 16th & Quarter notes | |
9.2 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
9.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
10: Advanced Sixteenth Note Groupings |
|
10.1 4/4 - 4 bars: 16th, 8th & Quarter notes | |
10.2 3/4 - 4 bars: 16th, 8th & Quarter notes | |
10.3 2/4 - 4 bars: 16th, 8th & Quarter notes | |
10.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes | |
10.5 4/4 - 4 bars: 16th, 8th & Quarter notes | |
10.6 3/4 - 4 bars: 16th, 8th & Quarter notes | |
10.7 2/4 - 4 bars: 16th, 8th & Quarter notes | |
10.8 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes | |
11: Advanced Sixteenth Note Groupings with Rests |
|
11.1 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
11.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
11.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
11.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
11.5 4/4 - 4 bars: 16th & Quarter notes - including rests | |
11.6 3/4 - 4 bars: 16th & Quarter notes - including rests | |
11.7 2/4 - 4 bars: 16th & Quarter notes - including rests | |
11.8 2/4, 3/4 & 4/4 - 4 bars: 16th & Quarter notes - including rests | |
12: Advanced 16th and 8th Combinations with Rests |
|
12.1 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
12.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
12.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
12.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
12.5 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
12.6 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
12.7 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
12.8 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
13: All Note values from the Previous Lessons, Including Rests |
|
13.1 4/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes - including rests | |
13.2 3/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests | |
13.3 2/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests | |
13.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests | |
14: 4/4: Triplets |
|
14.1 4/4 - 4 bars: Quarter notes, 8th triplets | |
14.2 4/4 - 4 bars: Quarter notes, 8th triplets - including rests | |
14.3 4/4 - 4 bars: Quarter & Half notes, 8th triplets - including rests | |
14.4 4/4 - 4 bars: Quarter notes, 8th triplets - including rests | |
14.5 4/4 - 4 bars: 8th & Quarter triplets | |
14.6 4/4 - 4 bars: 8th & Quarter triplets - including rests | |
14.7 4/4 - 4 bars: Quarter notes, 8th & Quarter triplets | |
14.8 4/4 - 4 bars: Quarter notes, 8th & Quarter triplets - including rests | |
14.9 4/4 - 4 bars: Half triplets | |
14.10 4/4 - 4 bars: Half triplets - including rests | |
14.11 4/4 - 4 bars: Quarter notes, 16th triplets | |
14.12 4/4 - 4 bars: Quarter notes, 16th triplets - including rests | |
14.13 4/4 - 4 bars: 16th triplets - including rests | |
14.14 4/4 - 4 bars: 16th & 8th triplets | |
14.15 4/4 - 4 bars: 16th & 8th triplets - including rests | |
14.16 4/4 - 4 bars: 16th, 8th, Quarter & Half triplets | |
14.17 4/4 - 4 bars: 16th, 8th, Quarter & Half triplets - including rests | |
15: Triplets, Now in 3/4 |
|
15.1 3/4 - 4 bars: Quarter notes, 8th triplets | |
15.2 3/4 - 4 bars: Quarter notes, 8th triplets - including rests | |
15.3 3/4 - 4 bars: Quarter & Half notes, 8th triplets - including rests | |
15.4 3/4 - 4 bars: Quarter notes, 8th triplets - including rests | |
15.5 3/4 - 4 bars: 8th & Quarter triplets | |
15.6 3/4 - 4 bars: 8th & Quarter triplets - including rests | |
15.7 3/4 - 4 bars: Quarter notes, 8th & Quarter triplets | |
15.8 3/4 - 4 bars: Quarter notes, 8th & Quarter triplets - including rests | |
15.9 3/4 - 4 bars: Quarter notes, 16th triplets | |
15.10 3/4 - 4 bars: Quarter notes, 16th triplets - including rests | |
15.11 3/4 - 4 bars: 16th triplets - including rests | |
15.12 3/4 - 4 bars: 16th & 8th triplets | |
15.13 3/4 - 4 bars: 16th & 8th triplets - including rests | |
15.14 3/4 - 4 bars: 16th, 8th & Quarter triplets | |
15.15 3/4 - 4 bars: 16th, 8th & Quarter triplets - including rests | |
16: Introducing a New Time Signature: 5/4 |
|
16.1 5/4 - 4 bars: 8th & Quarter notes - including rests | |
16.2 5/4 - 4 bars: 8th & Quarter notes - including rests | |
16.3 5/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
16.4 5/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
16.5 5/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
16.6 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes - including rests | |
16.7 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets | |
16.8 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests | |
17: Introducing New Time Signatures: 3/8, 4/8 & 6/8 |
|
17.1 3/8, 4/8 & 6/8 - 4 bars: 16th & 8th notes | |
17.2 3/8, 4/8 & 6/8 - 4 bars: 16th & 8th notes - including rests | |
17.3 3/8, 4/8 & 6/8 - 4 bars: 16th, 8th & Quarter notes | |
17.4 3/8, 4/8 & 6/8 - 4 bars: 16th, 8th & Quarter notes - including rests | |
18: 6/8 with Dotted Subdivision |
|
18.1 6/8 - 4 bars: 8th notes, Quarter dotted notes | |
18.2 6/8 - 4 bars: 8th notes, Quarter dotted notes - including rests | |
18.3 6/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes | |
18.4 6/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
18.5 6/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
19: Introducing the 9/8 Time Signature |
|
19.1 9/8 - 4 bars: 16th & 8th notes | |
19.2 9/8 - 4 bars: 16th & 8th notes - including rests | |
19.3 9/8 - 4 bars: 16th, 8th & Quarter notes | |
19.4 9/8 - 4 bars: 16th, 8th & Quarter notes - including rests | |
19.5 9/8 - 4 bars: 8th notes, Quarter dotted notes | |
19.6 9/8 - 4 bars: 8th notes, Quarter dotted notes - including rests | |
19.7 9/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes | |
19.8 9/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
19.9 9/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
20: Introducing the 12/8 Time Signature |
|
20.1 12/8 - 4 bars: 16th & 8th notes | |
20.2 12/8 - 4 bars: 16th & 8th notes - including rests | |
20.3 12/8 - 4 bars: 16th, 8th & Quarter notes | |
20.4 12/8 - 4 bars: 16th, 8th & Quarter notes - including rests | |
20.5 12/8 - 4 bars: 8th notes, Quarter dotted notes | |
20.6 12/8 - 4 bars: 8th notes, Quarter dotted notes - including rests | |
20.7 12/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes | |
20.8 12/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
20.9 12/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
21: Introducing New Time Signatures: 5/8 & 7/8 |
|
21.1 5/8 & 7/8 - 4 bars: 16th & 8th notes | |
21.2 5/8 & 7/8 - 4 bars: 16th & 8th notes - including rests | |
21.3 5/8 & 7/8 - 4 bars: 16th, 8th & Quarter notes | |
21.4 5/8 & 7/8 - 4 bars: 16th, 8th & Quarter notes - including rests | |
22: Introducing New Time Signatures: 2/2, 3/2 & 4/2 |
|
22.1 2/2, 3/2 & 4/2 - 4 bars: Half & Whole notes | |
22.2 2/2, 3/2 & 4/2 - 4 bars: Half & Whole notes - including rests | |
22.3 2/2, 3/2 & 4/2 - 4 bars: Quarter, Half & Whole notes | |
22.4 2/2, 3/2 & 4/2 - 4 bars: Quarter, Half & Whole notes - including rests | |
22.5 2/2, 3/2 & 4/2 - 4 bars: 8th, Quarter & Half notes - including rests | |
22.6 2/2, 3/2 & 4/2 - 4 bars: 8th, Quarter & Half notes - including rests | |
23: 4/4: Mixed Note Groupings |
|
23.1 4/4 - 4 bars: 8th notes, 8th triplets | |
23.2 4/4 - 4 bars: 8th notes, 8th triplets - including rests | |
23.3 4/4 - 4 bars: Quarter notes, Quarter triplets | |
23.4 4/4 - 4 bars: Quarter notes, Quarter triplets - including rests | |
23.5 4/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets | |
23.6 4/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
23.7 4/4 - 4 bars: 16th notes, 16th triplets | |
23.8 4/4 - 4 bars: 16th notes, 16th triplets - including rests | |
23.9 4/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets | |
23.10 4/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets - including rests | |
23.11 4/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
23.12 4/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
24: 3/4: Mixed Note Groupings |
|
24.1 3/4 - 4 bars: 8th notes, 8th triplets | |
24.2 3/4 - 4 bars: 8th notes, 8th triplets - including rests | |
24.3 3/4 - 4 bars: Quarter notes, Quarter triplets | |
24.4 3/4 - 4 bars: Quarter notes, Quarter triplets - including rests | |
24.5 3/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets | |
24.6 3/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
24.7 3/4 - 4 bars: 16th notes, 16th triplets | |
24.8 3/4 - 4 bars: 16th notes, 16th triplets - including rests | |
24.9 3/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets | |
24.10 3/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets - including rests | |
24.11 3/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
24.12 3/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
25: 4/4: Introducing 32nd Notes |
|
25.1 4/4 - 4 bars: 8th & Quarter notes - including rests | |
25.2 4/4 - 4 bars: 16th & 8th notes - including rests | |
25.3 4/4 - 4 bars: 32nd & 16th notes | |
25.4 4/4 - 4 bars: 32nd & 16th notes - including rests | |
25.5 4/4 - 4 bars: 32nd & 16th notes - including rests | |
25.6 4/4 - 4 bars: 32nd notes - including rests | |
25.7 4/4 - 4 bars: 32nd, 16th, 8th & Quarter notes | |
25.8 4/4 - 4 bars: 32nd, 16th, 8th & Quarter notes - including rests | |
26: 3/4: 32nd Notes |
|
26.1 3/4 - 4 bars: 8th & Quarter notes - including rests | |
26.2 3/4 - 4 bars: 16th & 8th notes - including rests | |
26.3 3/4 - 4 bars: 32nd & 16th notes | |
26.4 3/4 - 4 bars: 32nd & 16th notes - including rests | |
26.5 3/4 - 4 bars: 32nd & 16th notes - including rests | |
26.6 3/4 - 4 bars: 32nd notes - including rests | |
26.7 3/4 - 4 bars: 32nd, 16th, 8th & Quarter notes | |
26.8 3/4 - 4 bars: 32nd, 16th, 8th & Quarter notes - including rests | |
27: Final roundup |
|
27.1 Simple meters | |
27.2 Simple meters with rests | |
27.3 Compound meters | |
27.4 Compound meters with rests | |
27.5 Asymmetrical meters I | |
27.6 Asymmetrical meters II |
General Workshops - Rhythmic Dictation |
|
1: 4/4 - 1 bar: Whole, Half, Quarter & Eighth Notes |
|
1.1 4/4 - 1 bar: Quarter notes - including rests | |
1.2 4/4 - 1 bar: 8th & Quarter notes | |
1.3 4/4 - 1 bar: 8th notes - including rests | |
1.4 4/4 - 1 bar: 8th & Quarter notes - including rests | |
1.5 4/4 - 1 bar: Quarter & Half notes - including rests | |
1.6 4/4 - 1 bar: Half & Whole notes - including rests | |
1.7 4/4 - 1 bar: Quarter, Half & Whole notes - including rests | |
1.8 4/4 - 1 bar: 8th, Quarter, Half & Whole notes - including rests | |
2: 3/4 - 1 bar: Half, Quarter & Eighth Notes |
|
2.1 3/4 - 1 bar: Quarter notes - including rests | |
2.2 3/4 - 1 bar: 8th & Quarter notes | |
2.3 3/4 - 1 bar: 8th notes - including rests | |
2.4 3/4 - 1 bar: 8th & Quarter notes - including rests | |
2.5 3/4 - 1 bar: Quarter & Half notes - including rests | |
2.6 3/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
3: 2/4 - 1 bar: Half, Quarter & Eighth Notes |
|
3.1 2/4 - 1 bar: Quarter notes - including rests | |
3.2 2/4 - 1 bar: 8th & Quarter notes | |
3.3 2/4 - 1 bar: 8th notes - including rests | |
3.4 2/4 - 1 bar: 8th & Quarter notes - including rests | |
3.5 2/4 - 1 bar: Quarter & Half notes - including rests | |
3.6 2/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
4: 4/4 - 2 bars: Whole, half, Quarter & Eighth Notes |
|
4.1 4/4 - 2 bars: Quarter notes - including rests | |
4.2 4/4 - 2 bars: 8th & Quarter notes | |
4.3 4/4 - 2 bars: 8th notes - including rests | |
4.4 4/4 - 2 bars: 8th & Quarter notes - including rests | |
4.5 4/4 - 2 bars: Quarter & Half notes - including rests | |
4.6 4/4 - 2 bars: Half & Whole notes - including rests | |
4.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests | |
4.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests | |
5: 3/4 - 2 bars: Half, Quarter & Eighth Notes |
|
5.1 3/4 - 2 bars: Quarter notes - including rests | |
5.2 3/4 - 2 bars: 8th & Quarter notes | |
5.3 3/4 - 2 bars: 8th notes - including rests | |
5.4 3/4 - 2 bars: 8th & Quarter notes - including rests | |
5.5 3/4 - 2 bars: Quarter & Half notes - including rests | |
5.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
6: 2/4 - 2 bars: Half, Quarter & Eighth Notes |
|
6.1 2/4 - 2 bars: Quarter notes - including rests | |
6.2 2/4 - 2 bars: 8th & Quarter notes | |
6.3 2/4 - 2 bars: 8th notes - including rests | |
6.4 2/4 - 2 bars: 8th & Quarter notes - including rests | |
6.5 2/4 - 2 bars: Quarter & Half notes - including rests | |
6.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
7: 4/4: Introducing Sixteenth Note Groupings |
|
7.1 4/4 - 1 bar: 16th & Quarter notes | |
7.2 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
7.3 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
8: 3/4: Sixteenth Note Groupings |
|
8.1 3/4 - 1 bar: 16th & Quarter notes | |
8.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
8.3 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
9: 2/4: Sixteenth Note Groupings |
|
9.1 2/4 - 1 bar: 16th & Quarter notes | |
9.2 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
9.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
10: Advanced Sixteenth Note Groupings |
|
10.1 4/4 - 1 bar: 16th, 8th & Quarter notes | |
10.2 3/4 - 1 bar: 16th, 8th & Quarter notes | |
10.3 2/4 - 1 bar: 16th, 8th & Quarter notes | |
10.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes | |
10.5 4/4 - 1 bar: 16th, 8th & Quarter notes | |
10.6 3/4 - 1 bar: 16th, 8th & Quarter notes | |
10.7 2/4 - 1 bar: 16th, 8th & Quarter notes | |
10.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes | |
11: Advanced Sixteenth Note Groupings with Rests |
|
11.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
11.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
11.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
11.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
11.5 4/4 - 1 bar: 16th & Quarter notes - including rests | |
11.6 3/4 - 1 bar: 16th & Quarter notes - including rests | |
11.7 2/4 - 1 bar: 16th & Quarter notes - including rests | |
11.8 2/4, 3/4 & 4/4 - 1 bar: 16th & Quarter notes - including rests | |
12: Advanced 16th and 8th Combinations with Rests |
|
12.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.5 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.6 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.7 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
12.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
13: All Note values from the Previous Lessons, Including Rests |
|
13.1 4/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests | |
13.2 3/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
13.3 2/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
13.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
14: 4/4: Triplets |
|
14.1 4/4 - 1 bar: Quarter notes, 8th triplets | |
14.2 4/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
14.3 4/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests | |
14.4 4/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
14.5 4/4 - 1 bar: 8th & Quarter triplets | |
14.6 4/4 - 1 bar: 8th & Quarter triplets - including rests | |
14.7 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets | |
14.8 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests | |
14.9 4/4 - 1 bar: Half triplets | |
14.10 4/4 - 1 bar: Half triplets - including rests | |
14.11 4/4 - 1 bar: Quarter notes, 16th triplets | |
14.12 4/4 - 1 bar: Quarter notes, 16th triplets - including rests | |
14.13 4/4 - 1 bar: 16th triplets - including rests | |
14.14 4/4 - 1 bar: 16th & 8th triplets | |
14.15 4/4 - 1 bar: 16th & 8th triplets - including rests | |
14.16 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets | |
14.17 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets - including rests | |
15: Triplets, Now in 3/4 |
|
15.1 3/4 - 1 bar: Quarter notes, 8th triplets | |
15.2 3/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
15.3 3/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests | |
15.4 3/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
15.5 3/4 - 1 bar: 8th & Quarter triplets | |
15.6 3/4 - 1 bar: 8th & Quarter triplets - including rests | |
15.7 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets | |
15.8 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests | |
15.9 3/4 - 1 bar: Quarter notes, 16th triplets | |
15.10 3/4 - 1 bar: Quarter notes, 16th triplets - including rests | |
15.11 3/4 - 1 bar: 16th triplets - including rests | |
15.12 3/4 - 1 bar: 16th & 8th triplets | |
15.13 3/4 - 1 bar: 16th & 8th triplets - including rests | |
15.14 3/4 - 1 bar: 16th, 8th & Quarter triplets | |
15.15 3/4 - 1 bar: 16th, 8th & Quarter triplets - including rests | |
16: Introducing a New Time Signature: 5/4 |
|
16.1 5/4 - 1 bar: 8th & Quarter notes - including rests | |
16.2 5/4 - 1 bar: 8th & Quarter notes - including rests | |
16.3 5/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
16.4 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
16.5 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
16.6 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests | |
16.7 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets | |
16.8 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests | |
17: Introducing New Time Signatures: 3/8, 4/8 & 6/8 |
|
17.1 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes | |
17.2 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes - including rests | |
17.3 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes | |
17.4 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
18: 6/8 with Dotted Subdivision |
|
18.1 6/8 - 1 bar: 8th notes, Quarter dotted notes | |
18.2 6/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
18.3 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
18.4 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
18.5 6/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
19: Introducing the 9/8 Time Signature |
|
19.1 9/8 - 1 bar: 16th & 8th notes | |
19.2 9/8 - 1 bar: 16th & 8th notes - including rests | |
19.3 9/8 - 1 bar: 16th, 8th & Quarter notes | |
19.4 9/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
19.5 9/8 - 1 bar: 8th notes, Quarter dotted notes | |
19.6 9/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
19.7 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
19.8 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
19.9 9/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
20: Introducing the 12/8 Time Signature |
|
20.1 12/8 - 1 bar: 16th & 8th notes | |
20.2 12/8 - 1 bar: 16th & 8th notes - including rests | |
20.3 12/8 - 1 bar: 16th, 8th & Quarter notes | |
20.4 12/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
20.5 12/8 - 1 bar: 8th notes, Quarter dotted notes | |
20.6 12/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
20.7 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
20.8 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
20.9 12/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
21: Introducing New Time Signatures: 5/8 & 7/8 |
|
21.1 5/8 & 7/8 - 1 bar: 16th & 8th notes | |
21.2 5/8 & 7/8 - 1 bar: 16th & 8th notes - including rests | |
21.3 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes | |
21.4 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
22: Introducing New Time Signatures: 2/2, 3/2 & 4/2 |
|
22.1 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes | |
22.2 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes - including rests | |
22.3 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes | |
22.4 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes - including rests | |
22.5 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests | |
22.6 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests | |
23: 4/4: Mixed Note Groupings |
|
23.1 4/4 - 1 bar: 8th notes, 8th triplets | |
23.2 4/4 - 1 bar: 8th notes, 8th triplets - including rests | |
23.3 4/4 - 1 bar: Quarter notes, Quarter triplets | |
23.4 4/4 - 1 bar: Quarter notes, Quarter triplets - including rests | |
23.5 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets | |
23.6 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
23.7 4/4 - 1 bar: 16th notes, 16th triplets | |
23.8 4/4 - 1 bar: 16th notes, 16th triplets - including rests | |
23.9 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets | |
23.10 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests | |
23.11 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
23.12 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
24: 3/4: Mixed Note Groupings |
|
24.1 3/4 - 1 bar: 8th notes, 8th triplets | |
24.2 3/4 - 1 bar: 8th notes, 8th triplets - including rests | |
24.3 3/4 - 1 bar: Quarter notes, Quarter triplets | |
24.4 3/4 - 1 bar: Quarter notes, Quarter triplets - including rests | |
24.5 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets | |
24.6 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
24.7 3/4 - 1 bar: 16th notes, 16th triplets | |
24.8 3/4 - 1 bar: 16th notes, 16th triplets - including rests | |
24.9 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets | |
24.10 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests | |
24.11 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
24.12 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
25: 4/4: Introducing 32nd Notes |
|
25.1 4/4 - 1 bar: 8th & Quarter notes - including rests | |
25.2 4/4 - 1 bar: 16th & 8th notes - including rests | |
25.3 4/4 - 1 bar: 32nd & 16th notes | |
25.4 4/4 - 1 bar: 32nd & 16th notes - including rests | |
25.5 4/4 - 1 bar: 32nd & 16th notes - including rests | |
25.6 4/4 - 1 bar: 32nd notes - including rests | |
25.7 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes | |
25.8 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests | |
26: 3/4: 32nd Notes |
|
26.1 3/4 - 1 bar: 8th & Quarter notes - including rests | |
26.2 3/4 - 1 bar: 16th & 8th notes - including rests | |
26.3 3/4 - 1 bar: 32nd & 16th notes | |
26.4 3/4 - 1 bar: 32nd & 16th notes - including rests | |
26.5 3/4 - 1 bar: 32nd & 16th notes - including rests | |
26.6 3/4 - 1 bar: 32nd notes - including rests | |
26.7 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes | |
26.8 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests | |
27: All the Time Signatures from the Previous Lessons |
|
27.1 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes | |
27.2 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes + Rests |
General Workshops - Scale Identification |
|
1: Module 1 |
|
1.1 Major, Lydian and Mixolydian (begin with 1-1) | |
1.2 Scales with minor sound (begin with 1-½) | |
1.3 Phrygian and Locrian (begin with ½-1) | |
1.4 All modes and harmonic and melodic minor | |
1.5 Whole tone and variants of Lydian and Mixolydian | |
1.6 Melodic minor, Locrian (#2) and Dim (1-½) | |
1.7 Phrygian (#6), Altered and Dim (½-1) | |
1.8 Derivatives of melodic minor, Whole tone and Dim | |
1.9 All scales and modes from lessons 1-8 | |
1.10 Derivatives of harmonic minor | |
1.11 The two pentatonic scales | |
1.12 All modes - descending | |
1.13 Derivatives of harmonic minor - descending |
Jazz Workshops - Chord Identification |
|
1: Module 1 |
|
1.1 Four note chords #1: major | |
1.2 Four note chords #2: minor | |
1.3 Four note chords #3: dim7, mi7(b5) | |
1.4 Four note chords #4 | |
1.5 Four note chords #5: maj7 dissonant | |
1.6 Four note chords #6: major7 dissonant | |
1.7 Four note chords #7: minor dissonant | |
1.8 Four note chords #8: the six most dissonant | |
1.9 Four note chords #9: all | |
1.10 Tonic major: Five and six note chords | |
1.11 Tonic major: 4 to 7 note chords, Lydian scale | |
1.12 Tonic major, mixed | |
1.13 Tonic minor: 5 and 6 note chords | |
1.14 Tonic minor: Dorian and melodic scales | |
1.15 mi7(b5) chords | |
1.16 Minor chords, mixed | |
1.17 Dominants, Mixolydian scale | |
1.18 Dominants, Mixolydian #11 mode | |
1.19 Dominants, altered scale | |
1.20 Dominants, diminished scale | |
1.21 Dominants, mixed | |
1.22 All chords, mixed |
Jazz Workshops - Chord Identification |
|
1: Module 1 |
|
1.1 Four note chords #1: major | |
1.2 Four note chords #2: minor | |
1.3 Four note chords #3: dim7, mi7(b5) | |
1.4 Four note chords #4 | |
1.5 Four note chords #5: maj7 dissonant | |
1.6 Four note chords #6: major7 dissonant | |
1.7 Four note chords #7: minor dissonant | |
1.8 Four note chords #8: the six most dissonant | |
1.9 Four note chords #9: all | |
1.10 Tonic major: Five and six note chords | |
1.11 Tonic major: 4 to 7 note chords, Lydian scale | |
1.12 Tonic major, mixed | |
1.13 Tonic minor: 5 and 6 note chords | |
1.14 Tonic minor: Dorian and melodic scales | |
1.15 mi7(b5) chords | |
1.16 Minor chords, mixed | |
1.17 Dominants, Mixolydian scale | |
1.18 Dominants, Mixolydian #11 mode | |
1.19 Dominants, altered scale | |
1.20 Dominants, diminished scale | |
1.21 Dominants, mixed | |
1.22 All chords, mixed |
Jazz Workshops - Chord Progressions |
|
1: Module 1 |
|
1.1 Diatonic progressions, major | |
1.2 Diatonic progressions, major | |
1.3 Diatonic progressions, major | |
1.4 Diatonic progressions, minor | |
1.5 Diatonic progressions, minor, with Dominant 7 | |
1.6 Diatonic progressions, major, with Dominant V7/IV | |
1.7 Diatonic major, with Dominant V7/V | |
1.8 Diatonic major, with Dominant V7/II | |
1.9 Diatonic major, with Dominant V7/VI | |
1.10 Diatonic major, with Dominant V7/III | |
1.11 Major with all 5 secondary dominants | |
1.12 Major with tritone substituted dominants #1 | |
1.13 Major with tritone substituted dominants #2 | |
1.14 Major with tritone substituted dominants #3 | |
1.15 Major with a modal interchange chord | |
1.16 Major with at least 2 modal interchange chords | |
1.17 Major, various number of modal interchange chords | |
1.18 All themes mixed! |
Jazz Workshops - Melodic Dictation |
|
1: Blues Scales and Songs |
|
1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar) | |
1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar) | |
1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar) | |
1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars) | |
1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars) | |
1.6 Melodic Dictation: "St. Louis Blues" | |
1.7 Melodic Dictation: "Beale Street Blues" | |
1.8 Exam: Blues "Licks" and "St. Louis Blues" | |
2: 1920's American Swing Hits |
|
2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones) | |
2.2 Melodic Dictation: "By the Light of the Silvery Moon" | |
2.3 Melodic Dictation: "Swanee" | |
2.4 Melodic Dictation: "Rock-a-bye Your Baby" | |
2.5 Melodic Dictation: "T'ain't Nobody's Business If I Do" | |
2.6 Exam: American Swing Hits of the 1920's | |
3: Ballads and Blues in Minor |
|
3.1 Natural Minor Patterns: 3 to 4 tones | |
3.2 Natural Minor Patterns: 5 to 6 tones | |
3.3 Melodic Dictation: "St. James Infirmary Blues" | |
3.4 Melodic Dictation: "Flee as a Bird" | |
3.5 Melodic Dictation: "King Chanticleer" | |
3.6 Melodic Dictation: "Some of these Days" | |
3.7 Exam: Ballads and Blues in Minor Keys | |
4: Novelty Songs & Rhythms |
|
4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths | |
4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps | |
4.3 Melodic Dictation: "Missouri Waltz" | |
4.4 Melodic Dictation: "Sheik of Araby" | |
4.5 Melodic Dictation: "Ja Da" | |
4.6 Melodic Dictation: "Ain't We Got Fun" | |
4.7 Exam: Novelty Songs and Rhythms | |
5: Irish Ballads & Folk Music |
|
5.1 Major Scales: Two-Measure Melodies with 7th leaps | |
5.2 Melodic Dictation: "Too Ra Loo Ra Loo Ral" | |
5.3 Melodic Dictation: "When Irish Eyes are Smiling" | |
5.4 Melodic Dictation: "Careless Love" | |
5.5 Melodic Dictation: "The Bells of St. Mary's" | |
5.6 Exam: Irish Ballads and Folk Music | |
6: Fun with Irving Berlin |
|
6.1 Melodic Dictation: "Alexander's Ragtime Band" | |
6.2 Melodic Dictation: "When the Midnight Choo Choo Leaves for Alabam" | |
6.3 Melodic Dictation: "At the Devil's Ball" | |
6.4 Melodic Dictation: "Mandy" | |
6.5 Melodic Dictation: "I Never Knew" | |
6.6 Exam: Fun with Irving Berlin | |
7: Transcribe “After You've Gone” |
|
7.1 After You've Gone |
Jazz Workshops - Melodic Sight-Singing |
|
1: Blues Scales and Blues Songs |
|
1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar) | |
1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar) | |
1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar) | |
1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars) | |
1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars) | |
1.6 Listening Activity: "St. Louis Blues" by W.C. Handy | |
1.7 Sight-Singing: "St. Louis Blues" | |
1.8 Listening Activity: "Beale Street Blues" | |
1.9 Sight-Singing: "Beale Street Blues" | |
1.10 Exam: Blues "Licks" and "The Blues" | |
2: 1920's American Swing Hits |
|
2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones) | |
2.2 Listening Activity: "By the Light of the Silvery Moon" | |
2.3 Sight-Singing: "By the Light of the Silvery Moon" | |
2.4 Listening Activity: "Swanee" by George Gershwin | |
2.5 Sight-Singing: "Swanee" | |
2.6 Listening Activity: "Rock-a-bye Your Baby (With a Dixie Melody)" | |
2.7 Sight-Singing: "Rock-a-bye Your Baby" | |
2.8 Listening Activity: "T'ain't Nobody's Business If I Do" | |
2.9 Sight-Singing: "Taint Nobody's Business..." | |
2.10 Exam: American Swing Hits of the 1920's | |
3: Ballads and Blues in Minor |
|
3.1 Natural Minor Patterns: 3 to 4 tones | |
3.2 Natural Minor Patterns: 5 to 6 tones | |
3.3 Listening Activity: "St. James Infirmary Blues" | |
3.4 Sight-Singing: "St. James Infirmary Blues" | |
3.5 Listening Activity: "Flee as a Bird" | |
3.6 Sight-Singing: "Flee as a Bird" | |
3.7 Listening Activity: "King Chanticleer" | |
3.8 Sight-Singing: "King Chanticleer" | |
3.9 Listening Activity: "Some of These Days" | |
3.10 Sight-Singing: "Some of these Days" | |
3.11 Exam: Ballads and Blues in Minor Keys | |
4: Novelty Songs & Rhythms |
|
4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths | |
4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps | |
4.3 Listening Activity: "Missouri Waltz" | |
4.4 Sight-Singing: "Missouri Waltz" | |
4.5 Listening Activity: "The Sheik of Araby" | |
4.6 Sight-Singing: "Sheik of Araby" | |
4.7 Listening Activity: "Ja Da" | |
4.8 Sight-Singing: "Ja Da" | |
4.9 Listening Activity: "Ain't We Got Fun | |
4.10 Sight-Singing: "Ain't We Got Fun" | |
4.11 Exam: Novelty songs and Rhythms | |
5: Irish Ballads & Folk Music |
|
5.1 Major Scales: Two-measure melodies with 7th interval leaps | |
5.2 Listening Activity: "Too-ra-loo-ra-loo-ra" | |
5.3 Sight-Singing: "Too Ra Loo" | |
5.4 Listening Activity: "When Irish Eyes are Smiling" | |
5.5 Sight-Singing: "When Irish Eyes are Smiling" | |
5.6 Listening Activity: "Careless Love" | |
5.7 Sight-Singing: "Careless Love" | |
5.8 Listening Activity: "The Bells of St. Mary's" | |
5.9 Sight-Singing: "The Bells of St. Mary's" | |
5.10 Exam: Irish Ballads and Folk Music | |
6: Fun with Irving Berlin |
|
6.1 Listening Activity: "Alexander's Ragtime Band" | |
6.2 Sight-Singing: "Alexander's Ragtime Band" | |
6.3 Listening Activity: "Midnight Choo Choo" | |
6.4 Sight-Singing: "When the Midnight Choo Choo" | |
6.5 Listening Activity: "At the Devil's Ball" | |
6.6 Sight-Singing: "At the Devil's Ball" | |
6.7 Listening Activity: "Mandy" | |
6.8 Sight-Singing: "Mandy" | |
6.9 Listening Activity: "I Never Knew" | |
6.10 Sight-Singing: "I Never Knew" | |
6.11 Exam: Fun with Irving Berlin | |
7: Sight-Sing “After You've Gone” |
|
7.1 After You've Gone |
Jazz Workshops - Melody Singback |
|
1: Blues Scales and Blues Songs |
|
1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar) | |
1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar) | |
1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar) | |
1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars) | |
1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars) | |
1.6 Sing or play back: "St. Louis Blues" | |
1.7 Sing or play back: "Beale Street Blues" | |
1.8 Exam: Blues "Licks" and "The Blues" | |
2: 1920's American Swing Hits |
|
2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones) | |
2.2 Sing or play back: "By the Light of the Silvery Moon" | |
2.3 Sing or play back: "Swanee" | |
2.4 Sing or play back: "Rock-a-bye Your Baby" | |
2.5 Sing or play back: "Taint Nobody's Business..." | |
2.6 Exam: American Swing Hits of the 1920's | |
3: Ballads and Blues in Minor |
|
3.1 Natural Minor Patterns: 3 to 4 tones | |
3.2 Natural Minor Patterns: 5 to 6 tones | |
3.3 Sing or play back: "St. James Infirmary Blues" | |
3.4 Sing or play back: "Flee as a Bird" | |
3.5 Sing or play back: "King Chanticleer" | |
3.6 Sing or play back: "Some of these Days" | |
3.7 Exam: Ballads and Blues in Minor Keys | |
4: Novelty Songs & Rhythms |
|
4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths | |
4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps | |
4.3 Sing or play back: "Missouri Waltz" | |
4.4 Sing or play back: "Sheik of Araby" | |
4.5 Sing or play back: "Ja Da" | |
4.6 Sing or play back: "Ain't We Got Fun" | |
4.7 Exam: Novelty Songs and Rhythms | |
5: Irish Ballads & Folk Music |
|
5.1 Major Scales: Two-measure melodies with 7th interval leaps | |
5.2 Sing or play back: "Too Ra Loo" | |
5.3 Sing or play back: "When Irish Eyes are Smiling" | |
5.4 Sing or play back: "Careless Love" | |
5.5 Sing or play back: "The Bells of St. Mary's" | |
5.6 Exam: Irish Ballads and Folk Music | |
6: Fun with Irving Berlin |
|
6.1 Sing or play back: "Alexander's Ragtime Band" | |
6.2 Sing or play back: "When the Midnight Choo Choo" | |
6.3 Sing or play back: "At the Devil's Ball" | |
6.4 Sing or play back: "Mandy" | |
6.5 Sing or play back: "I Never Knew" | |
6.6 Exam: Fun with Irving Berlin | |
7: Play “After You've Gone” by ear |
|
7.1 After You've Gone |
Jazz Workshops - Rhythm Clapback |
|
1: Module 1 |
|
1.1 4/4 swing, half-, quarter- and eighth notes | |
1.2 4/4 swing with rests | |
1.3 4/4 swing, quarter notes and eighths, faster tempo | |
1.4 3/4 swing, quarter notes, eighths and rests | |
1.5 3/4 and 4/4 swing - two bars! | |
1.6 4/4 swing with eighth note triplets | |
1.7 4/4 swing with triplets | |
1.8 4/4 swing with triplets and rests | |
1.9 3/4 swing with triplets | |
1.10 3/4 and 4/4 swing, triplets and rest | |
1.11 6/8 | |
1.12 6/8 with rests | |
1.13 6/8, with rests and ties | |
1.14 4/4 straight with eighths and sixteenths. | |
1.15 3/4 and 4/4 straight with rests | |
1.16 6/8 with sixteenths | |
1.17 6/8 with sixteenths and ties | |
1.18 6/8 with sixteenths, rests and ties | |
1.19 6/8 with sixteenths. 2 bars. | |
1.20 6/8 with sixteenths and ties. 2 bars. | |
1.21 6/8 with sixteenths, rests and ties | |
1.22 Medium upswing, quarter notes, eighths and rests | |
1.23 Up-tempo swing, quarter notes, eighths and rests | |
1.24 Medium upswing, with rests and ties | |
1.25 Up-tempo swing, with rests and ties | |
1.26 Medium upswing, quarter notes, eighths and rests. | |
1.27 Up-tempo swing, tempo 200. Two bars | |
1.28 Medium upswing, with rests and ties. Two bars | |
1.29 Medium upswing, 2 bars, with quarter note triplets | |
1.30 Up-tempo swing, rests and ties. | |
1.31 Up-tempo swing, with quarter note triplets | |
1.32 Sixteenths swing. One bar | |
1.33 Sixteenths swing with sixteenth note triplets | |
1.34 Sixteenths swing with triplets and ties | |
1.35 Sixteenths swing with sixteenth note triplets | |
1.36 Straight rhythms with 16th and 32nd notes | |
1.37 Rhythms with 16th and 32nd notes and ties | |
1.38 Up-tempo swing with quarter note triplets. Two bars | |
1.39 Up-tempo swing with rests. Two bars | |
1.40 Up-tempo swing with more eighths. Two bars. | |
1.41 Up-tempo swing with quarter note triplets. 3 bars! | |
1.42 Up-tempo swing with rests. 3 bars. | |
1.43 Swing eighths with straight sixteenths. | |
1.44 Swing eighths with straight sixteenths and rests. | |
1.45 Sixteenths swing. 2 bars. | |
1.46 Sixteenths swing with triplets and ties. 2 bars. | |
1.47 Up-tempo swing with more eighths. | |
1.48 Swinging eighths and straight sixteenths. | |
1.49 Swinging eighths, straight sixteenths and rests. |
Jazz Workshops - Rhythm Error Detection |
|
1: Module 1 |
|
1.1 4/4 swing, one bar, one error | |
1.2 4/4 swing, 2 bars, 2 errors | |
1.3 4/4 swing with rests | |
1.4 4/4 swing with rests, 2 bars, 2 errors | |
1.5 4/4 swing, faster tempo | |
1.6 4/4 swing, 2 bars, 2 errors | |
1.7 3/4 swing, 2 bars, 2 errors | |
1.8 3/4 and 4/4 swing, 2 errors | |
1.9 4/4 swing with eighth note triplets, 2 errors | |
1.10 4/4 swing with triplets, 2 errors | |
1.11 4/4 swing with triplets, 3 errors | |
1.12 4/4 swing with triplets and rests, 2 errors | |
1.13 4/4 swing with triplets and rests, 3 errors | |
1.14 3/4 swing with triplets, 2 bars, 2 errors | |
1.15 3/4 and 4/4 swing, triplets and rests, 4 errors | |
1.16 6/8, 2 errors | |
1.17 6/8, 2 errors | |
1.18 6/8 with rests, 2 errors | |
1.19 6/8 with rests, 3 errors | |
1.20 6/8 with rests and more eighths, 2 errors | |
1.21 6/8 with rests, 4 errors | |
1.22 4/4 with straight eighths and sixteenths, 2 errors | |
1.23 4/4 with straight eighths and sixteenths, 4 errors | |
1.24 3/4 and 4/4 straight, with rests, 2 errors | |
1.25 3/4 and 4/4 straight, with rests, 4 errors | |
1.26 6/8 with sixteenths, 2 errors | |
1.27 6/8 with sixteenths, 3 errors | |
1.28 6/8 with sixteenths, 2 errors | |
1.29 6/8 with triplets, 3 errors | |
1.30 Medium upswing | |
1.31 Medium upswing | |
1.32 Sixteenths swing | |
1.33 Sixteenths swing | |
1.34 Sixteenths swing with sixteenth note triplets | |
1.35 Sixteenths swing with sixteenth note triplets | |
1.36 Straight rhythms with 16th and 32nd notes #1 | |
1.37 Straight rhythms with 16th and 32nd notes #2 | |
1.38 Straight rhythms with 16th and 32nd notes #3 | |
1.39 Up-tempo swing #1 | |
1.40 Up-tempo swing #2 | |
1.41 Up-tempo swing #3 | |
1.42 Swing eighths with straight sixteenths | |
1.43 Swing eighths with straight sixteenths |
Jazz Workshops - Rhythmic Dictation |
|
1: Module 1 |
|
1.1 4/4 swing, half-, quarter- and eighth notes | |
1.2 4/4 swing with rests | |
1.3 4/4 swing, quarter notes and eighths, faster tempo | |
1.4 3/4 swing, quarter notes, eighths and rests | |
1.5 3/4 and 4/4 swing - two bars! | |
1.6 4/4 swing with eighth note triplets | |
1.7 4/4 swing with triplets | |
1.8 4/4 swing with triplets and rests | |
1.9 3/4 swing with triplets | |
1.10 3/4 and 4/4 swing, triplets and rest | |
1.11 6/8 | |
1.12 6/8 with rests | |
1.13 6/8, with rests and ties | |
1.14 4/4 straight with eighths and sixteenths. | |
1.15 3/4 and 4/4 straight with rests | |
1.16 6/8 with sixteenths | |
1.17 6/8 with sixteenths and ties | |
1.18 6/8 with sixteenths, rests and ties | |
1.19 6/8 with sixteenths. 2 bars. | |
1.20 6/8 with sixteenths and ties. 2 bars. | |
1.21 6/8 with sixteenths, rests and ties | |
1.22 Medium upswing, quarter notes, eighths and rests | |
1.23 Up-tempo swing, quarter notes, eighths and rests | |
1.24 Medium upswing, with rests and ties | |
1.25 Up-tempo swing, with rests and ties | |
1.26 Medium upswing, quarter notes, eighths and rests. | |
1.27 Up-tempo swing, tempo 200. Two bars | |
1.28 Medium upswing, with rests and ties. Two bars | |
1.29 Medium upswing, 2 bars, with quarter note triplets | |
1.30 Up-tempo swing, rests and ties. | |
1.31 Up-tempo swing, with quarter note triplets | |
1.32 Sixteenths swing. One bar | |
1.33 Sixteenths swing with sixteenth note triplets | |
1.34 Sixteenths swing with triplets and ties | |
1.35 Sixteenths swing with sixteenth note triplets. | |
1.36 Straight rhythms with 16th and 32nd notes | |
1.37 Rhythms with 16th and 32nd notes and ties | |
1.38 Up-tempo swing with quarter note triplets. Two bars | |
1.39 Up-tempo swing with rests. Two bars | |
1.40 Up-tempo swing with more eighths. Two bars. | |
1.41 Up-tempo swing with quarter note triplets. 3 bars! | |
1.42 Up-tempo swing with rests. 3 bars. | |
1.43 Swing eighths with straight sixteenths. | |
1.44 Swing eighths with straight sixteenths and rests. | |
1.45 Sixteenths swing. 2 bars. | |
1.46 Sixteenths swing with triplets and ties. 2 bars. | |
1.47 Up-tempo swing with more eighths. | |
1.48 Swinging eighths and straight sixteenths. | |
1.49 Swinging eighths, straight sixteenths and rests. |
Jazz Workshops - Rhythmic Sight-Reading |
|
1: Module 1 |
|
1.1 4/4 swing, half-, quarter- and eighth notes | |
1.2 4/4 swing with rests | |
1.3 4/4 swing, quarter notes and eighths, faster tempo | |
1.4 3/4 swing, quarter notes, eighths and rests | |
1.5 3/4 and 4/4 swing - two bars! | |
1.6 4/4 swing with eighth note triplets | |
1.7 4/4 swing with triplets | |
1.8 4/4 swing with triplets and rests | |
1.9 3/4 swing with triplets | |
1.10 3/4 and 4/4 swing, triplets and rest | |
1.11 6/8 | |
1.12 6/8 with rests | |
1.13 6/8, with rests and ties | |
1.14 4/4 straight with eighths and sixteenths. | |
1.15 3/4 and 4/4 straight with rests | |
1.16 6/8 with sixteenths | |
1.17 6/8 with sixteenths and ties | |
1.18 6/8 with sixteenths, rests and ties | |
1.19 Medium upswing, quarter notes, eighths and rests | |
1.20 Medium upswing with rests and ties | |
1.21 Sixteenths swing | |
1.22 Sixteenths swing with sixteenth note triplets | |
1.23 Sixteenths swing with triplets and ties | |
1.24 Straight rhythms with 16th and 32nd notes | |
1.25 Rhythms with 16th and 32nd notes and ties | |
1.26 Up-tempo swing | |
1.27 Up-tempo swing with rests | |
1.28 Up-tempo swing with more eighths | |
1.29 Swing eighths with straight sixteenths. | |
1.30 Swing eighths with straight sixteenths and rests. |
MusicXML import
MusicXML Import
You can import scores into EarMaster's score library via the MusicXML file format. Imported scores can then be used to make custom EarMaster exercises in these activities:
- Sight-Singing
- Melodic Dictation
- Melody Singback
- Rhythmic Sight-Reading
- Rhythmic Dictation
- Rhythm Clapback
- Rhythm Error Detection
What is MusicXML?
"MusicXML is a digital sheet music interchange and distribution format. [...] The musical information is designed to be usable by notation programs, sequencers and other performance programs, music education programs, and music databases. [...] With MusicXML you can create music in one program and share your results – back and forth – with people using other programs."
Source: https://www.musicxml.com
How to proceed
1. Prepare your scores
Create a score in your notation software (e.g. Finale, Sibelius or Musescore), and then go to the FILE menu (usually) to find the Export to MusicXML function.
You can also find a large number of ready-to-use MusicXML scores in online score libraries, such as:
Musescore library - https://musescore.com/sheetmusic
IMSLP Petrucci Music Library - https://imslp.org/
ChoralWIKI - https://www.cpdl.org/wiki/
Hymnary - https://hymnary.org
NEUMA - http://neuma.huma-num.fr
File requirements:
- One time signature per score.
- One key signature per score with maximum 6 flats and 5 sharps.
- Monophonic voices only (no harmonies, one note at a time). To use harmonies, spread the notes across multiple voices/staves.
- Maximum 8 monophonic voices, one of which can be chord symbols.
- Supported clefs: Treble, Bass and Alto.
- Supported note values: from whole note to 32nd note, including dotted notes, ties, triplets, quintuplets, and septuplets.
EarMaster can transpose your melodies automatically, so you can define them in a specific key and then select the keys in which you want EarMaster to transpose them when you set up your exercises.
Only features supported by EarMaster can be imported. Unsupported features will be either ignored by EarMaster or converted to similar values (e.g. the unsupported 6/4 time signature will be imported as 12/8).
2. Import your score into EarMaster
Find EarMaster's Music Library via the Teaching Tools menu. Then open the Scores tab and click on "Import MusicXML" to add your score to the list of scores.
3. Use your imported scores in custom exercises
When you make your custom exercise in the Workbook Editor, you can select "Score library" in the "Source of musical material" section, and then choose scores from the library as questions via the "List of questions" section.
In the "List of questions" section, click on + to see the list of available scores. Then trim the score by defining a bar interval, select which voices will be played back, which one will be evaluated, and which will act as accompaniment. Finally, click "OK" to add it as the first question in your exercise.
To add another question, you can either repeat the procedure described above, or you can click on the Duplicate icon to copy the previous question and change the bar interval or the voice options.
Repeat the operation until you have the expected number of questions/excerpts for your exercise.
FAQ
Q: Can I export the score library of EarMaster?
A: Yes, your score library can be exported as an EarMaster database file, and then imported into another EarMaster installation. To do that, use the import/export buttons at the top right corner of the list of scores in the score library of EarMaster.
Q: I imported a score but it looks and/or sounds nothing like the original file. How come?
A: The MusicXML standard is huge and covers tons of features and aspects that are not useful in EarMaster. Therefore, some imports might result in scores being altered beyond recognition. We are constantly improving the MusicXML import feature, so if you experience such a problem, please send us your MusicXML file and a description of the problem so that we may try to improve that feature of EarMaster.
Q: Can I import MusicXML scores on iPad?
A: Unfortunately no. That feature is only available on PC and Mac.
Q: Can I save a custom exercise based on EarMaster's Score library?
A: Yes, but only when using the Workbook Editor, which is available to EarMaster Cloud users with teacher access level.
Review student results
Reviewing Student Results
In the Student Results section of EarMaster, you can easily review the results obtained by your students when using your assignments or the built-in courses of EarMaster. Each time a student completes a lesson, the results are stored online in your EarMaster Cloud account and you can view them immediately.
USING FILTERS
When ALL RESULTS is selected in the RESULTS drop-down menu, you will see general stats for the students enrolled in the selected class. You will also get access to filters to display different sets of results. The filters available are:
-
The group of students to show (i.e. the class), on the left side of the toolbar.
- The date range to show (only when viewing ALL RESULTS)
-
The workbook to show (e.g. class assignment or built-in course), at the right side of the toolbar.
When you have selected filters, all statistics available for the selected workbook are shown next to each student. To go into more detail, navigate to specific modules or even a specific lesson to compare the results of your students. You can also double-click on a student's name to see a detailed list of scores for each of his individual attempts.
ABOUT SCORES AND ATTEMPTS
In EarMaster, a MODULE is a container for a set of lessons. In the screenshot below, Module 4 consists of 4 lessons: 4.1, 4.2, 4.3 and 4.4. The SCORE column for each MODULE is based on the average of the best scores of each lesson of the module.
The score for each LESSON is the score of the best completed attempt. By clicking on the arrow next to the tile of a lesson, you can see all successive attempts at one lesson. The best one is singularized by an orange "thumbs up" icon.
EXPORTING RESULTS
You can export results as a printable HTML page or a CSV file for use in spreadsheet editors. To do that, prepare the results view you would like to export by selecting the filters of your choice, and then open the EXPORT GENERATOR
Notice: Results obtained by the students in the Customized Exercise training mode are not uploaded to the Cloud. They are a free space for students to practice on their own without being monitored.
IS SOMETHING OUT OF SYNC?
Syncing problems can be caused by an obsolete local cloud cache. Fortunately this is a rare problem, but if it happens for some reason, please follow the the instructions below.
Error message saying that user does not exist
If you get an error message saying that a user does not exist, then go to STUDENT RESULTS and click on the Refresh icon while holding the ALT key (alt/option key on Mac) on your computer keyboard.
If clicking Alt+"Refresh" doesn't solve it, try clearing the cloud cache by following the steps below.
Student users or student results our of sync
If the students and/or their results, as they appear in EarMaster in Teacher View, are out of sync with the data in the cloud, you should try clearing the cloud cache in the EarMaster app. This could be, for example, if you have deleted or created users in the admin dashboard but the changes are not reflected in the app. Or of Student Results seem to be out of sync.
You can clear the cloud cache which will force the app to fetch the newest data from the cloud.
This is a simple and safe process in a few steps:
1. Open the EarMaster app and log off via the cloud icon if you are already logged in
2. Click Preferences in the lower left corner
3. Choose "Reset app" in the menu to the left. Don't worry about clicking, nothing will happen yet.
4. Click "Clear cache"
5. Go back and log in
Now the data you see in EarMaster will reflect the data in cloud including all the latest changes (students deleted or created, student results generated, etc.)
Teaching Strategies
Teaching Strategies
There are several possible teaching strategies to incorporate EarMaster in your courses. We will list some of them below:
One workbook per week/month/trimester/semester
Assign one workbook to each class every week, month, trimester or semester. You can prepare the next assignment in advance by working on a new workbook saved locally, or by adding new lessons to a Master Workbook (see further down).
As soon as students are supposed to switch to the next workbook, change the current assignment in EarMaster's Assignment Manager, and the software will load the new assignment in the student versions automatically.
One workbook per discipline
In the web Admin interface (https://cloud.earmaster.com), create one class per specialty (for example: ear training, harmony, sight-singing, etc.). Then add all your students to each of those classes and assign a specialized workbook per class. That way, your students can work with multiple workbooks at the same time.
Notice that this solution works only for smaller accounts. If you have multiple courses with many students, this solution might incur too much extra work.
One 'master workbook' to rule them all
In order to compile a whole year's worth of exercises into a single workbook, what you can do is keep a 'master workbook' saved locally on your computer, and add lessons to it as the year passes. Every time you want to send an assignment to your students, you can create a smaller workbook and import lessons or modules from that 'master workbook' using the Tools-->Import lessons from workbook option in the Workbook Editor.
That way, when the year has passed, you will have a all the assignments from the passed year nicely gathered into a single workbook, ready to be reused next year.